2007年12月21日
AMES ROOM / silje nes

We first became aware of Norwegian singer-songwriter / multi-instrumentalist Silje Nes through a unique and utterly charming demo we received out of the blue in 2005. Intrigued and enchanted by the quirkily sprawling mixture of instruments, electronics and sweet vocals, we have been regularly talking with her since, with Silje working on and submitting new tracks and slowly piecing this debut album together. Boldly Inventive and broad-visioned, ‘Ames Room’ announces the emergence of a hugely talented and distinctive young artist. With the sole exception of the opening track - written and recorded with Kristian Stockhaus from Ungdomskulen - the entirety of the album is Silje’s own work and sounds like someone clearly reveling in the act of creation.(FatCat records)
Whilst creating a sound-world entirely her own, ‘Ames Room’ shows a similar single-mindedness and (autodidactic) adventurousness to fellow peers like Tujiko Noriko, Islaja, Lau Nau, Eglantine Gouzy, Foehn, or Leila Arab, also sharing something of the homespun, sprawling beauty of the likes of The Pastels, Pram, or Crescent. Beautifully pieced together, tracks unfurl like a series of intricate constructions, or like some kind of strange blown-up world of insects or curious creatures - the whole teeming with life and a great sense of fun. Broad ranging and full of character, the album moves from languid dream-pop to stomping, upbeat tracks, to more introspective or abstract numbers. With sparkling melodies at times exuding a music-box sweetness, spindly electronics - barbed, bubbling, and tinkling - weave around a vast array of instruments including cello, electronics, drums, guitar, bass, keyboards, recorder, glockenspiel, xylophone, melodica, and trumpet, as well as percussion played on all manner of found objects. Playful rhythms increasingly accumulate, with machine programming cohering alongside layered live syncopations.
At that Belgian show, she did everything herself and it was mesmerizing to watch - gradually building loops on a loop-station through guitar picking, singing, playing a drum kit and other percussion (tambourine, glass bottle, etc) and a xylophone, sometimes being accompanied by a little robot that was beating a kick drum.
At that Belgian show, she did everything herself and it was mesmerizing to watch - gradually building loops on a loop-station through guitar picking, singing, playing a drum kit and other percussion (tambourine, glass bottle, etc) and a xylophone, sometimes being accompanied by a little robot that was beating a kick drum.
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