2008年05月4日

THIRD / portishead




Pitchfork 8.8分高度評價﹕

“Darker and bleaker lyrically than their previous work, Third is a sort of re-debut-- the band's sound after it has excised every possible remnant of trip-hop from it. Instead, Third is a psychedelic rock album, with an abrasive and jittery electro-industrial number, analog freakouts, free jazz horns, droning, rhythmically dense garage-kraut, and other sonic detours.”

 

"Silence" opens with a dense drum loop which suddenly falls away to reveal Gibbons' voice, cold but magnificent: "Wounded and afraid, inside my head/Falling through changes". "Nylon Smile", meanwhile, is a fine example of Third's occasional folksy edge, an acoustic song reminiscent of Leonard Cohen that, around its midpoint, lifts off on a propulsive electronic rhythm, Gibbons holding one clear, hard note as synthesisers bubble beneath. At times, it's a harsh and foreboding listen: the electronic drums of "Machine Gun" might put off the listener hoping for smooth dinner party fare. But Third is a brave and forward-thinking return, and one great enough to justify its lengthy
gestation.


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2008年04月25日

AN ENGLAND STORY--The Culture of the MC in the UK 1984-2008 / v.a.


試聽:http://www.souljazzrecords.co.uk/releases/?id=11133

“An essential primer for your head, hips and feet.” The Wire


“Soul Jazz records’ excellent new compilation says more about cultural integration than any number of Mobo awards” The Guardian(Read the full review Here )


“England Story is a vital reminder of the power of the voice. Essential” Observer Music Monthly.( Read the Full Review Here)


“As much a history lesson as a compilation” Q


The development of Black music in the United Kingdom owes much to the influence of Jamaican and US music on each succesive generation of Carribean immigrants to the UK - from Windrush to the present day. UK based MC’s take these influences, mix them up with local references and styles thus creating an identity of Black British culture. This is constantly evolving not just musically but also in terms of each subsequent generation’s relationship to British society. As Tricky put it in Massive Attack's Blue Lines, of "English upbringing, background Caribbean”


An England Story shows the links and musical path from the arrival of UK Dancehall and Soundsystems in the early 1980s, through successive musical movements such as Jungle, UK Hip-Hop, up to today’s Garage, Grime and Dubstep.
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STREET HORRSING / fuck buttons


http://www.myspace.com/fuckbuttons

http://www.fuckbuttons.co.uk/

 

Fuck Buttons was conceived by Andrew Hung & Benjamin John Power in the winter of 2004.


Initially the group was born as an outlet for their nihilistic-noise tendencies but quickly, the two Fuck Buttons realised they could harness the use of noise as a tool to immerse and evoke. No longer afraid of melody or rhythm, the group started fusing all these elements to the point when drone becomes melody becomes rhythm.

 

With their electric live performances sealing the notion that the two Fuck Buttons are attempting some kind of transcendence between the listener and the Universe itself, one could easily envisage one psyches being shaken by the very rumbles of the earth motions.

 

Tribal beats and subtle beautiful melodies weave amongst contorting Technicolor drone-scapes while preaching distorted-vocals scream for dear hope herself?

 

Fuck Buttons straddle you between the wall of sound that lies between the beginning of destruction and the end of birth. This grand noise will fondle you into a state of immersed euphoria.


Fuck Buttons - "Sweet Love For Planet Earth" (SXSW)



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阿根廷探戈龐克詩人melingo 最新作品 MALDITO TANGO


Songlines magazine, April/May 2008 (issue #51)
Argentinian tango punk poet Daniel Melingo has long owed us a new album. This little beauty is the second to come out of the Mañana label but only the third full studio album by Melingo in almost ten years. It was worth the wait - and tango has always been about waiting, whether it's waiting under streetlamps, waiting for lovers to return, or waiting for release from prison. Packed with lyrics in gritty lunfardo (tango slang) and with great chamamé and klezmer rhythms, the album has beautiful moments of knowing melancholy, and tells tales from the lugubrious backstreets of modern tango. Through it all Melingo growls out his passions and slurs out his sorrow.


His debut, Tangos Bajos, was cool, clever and cheeky but very short and just a little too basic. The follow-up had some lovely tuneful moments, especially when Melingo did folksy songs, but was a bit all over the place. Maldito Tango has the best elements of both, but is richer - there are many layers to the production with changes of mood and message, and even the little exercises in electronica are stitched in well. Guests include Uruguayan Gardél sing-alike Cristóbal Repetto and Paris-based Afro-tango ambassadeur Juan Carlos Cáceres. But Melingo is always, in his own way, alone under a spotlight.


`Cha Digo!' has a wonderfully ghoulish chorus, `Montmartre de Hoy' features inspired solo whistling and the closing track `Eco il Mondo' is an epic of collapsing, jazz-tinted, folkloric shuffles. But there are no standout songs here; the whole gels together as a sly postmodern postcard from a deserted milonga in Buenos Aires. (Chris Moss)


Melingo : Santa Milonga


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HUNGRY SAW / tindersticks



http://www.myspace.com/tindersticksofficial


This seventh album from the cult Nottingham indie chamber pop act is their first since 2003's 'Waiting For The Moon' and sees them reduced to a trio after the departure of severalfounder members. Relocating to a long-dreamt-of studio space in rural France, the band recruited new backing players and quickly laid down these tunes, whose new and stripped-downversion of their trademark sound has already been hailed byfans and critics alike. Includes the title-track single.

 

Tindersticks - The Hungry Saw Introduction


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2008年04月24日

MODERN RHAPSODIES / maxence cyrin



「當我們第一次聽到他的樣本唱片,我們都被他的音樂散發出的魅力吸引著,他把我們多年傾聽的經典電音作品都幻化成音調優美及宏亮的旋律。」 - 著名音樂廠牌 F Communications 之創辦人Laurent Garnier Eric Morand



有態度的純音樂改編計劃
, 以鋼琴旋律向電子音樂致敬

近年世界樂壇興起一遍翻唱熱潮 -- 曾來港演出的Nouvelle VagueBossa Nova 的音樂翻唱了一系列80年代New Wave Post Punk的另類經典;德國的Acoustica 以鄉謠搖滾的方式重新演繹流行曲至電子音樂之極端表表者Aphex Twins的名作等 -- 全部都把原曲演化成獨特的作品。


法國五月今年為大家帶來另一位風度翩翩的改編能手
-- Maxence Cyrin。俊秀的Maxence來自法國東部瑞市邊景比桑松市(Besançon),小時候學習與鋼琴為伍,學習古典音樂,繼而進入音樂學院進修,因而造就出其完美的音樂背景。


過去
2Maxencetechno house 的音樂薰陶下,不單沒有放下其精湛的鋼琴技巧,反之更把他喜愛的synth electronic 音樂幻化成現代狂想曲!!!完美的鋼琴演奏使Maxence聲名大噪,曾於多個著名場地表演,包括巴黎龐比度中心、Tapis Rouge及日本Sonar Festival等。2005年,Maxence的作品更第一次被錄在著名合輯Megasoft Office 2005, 重新演繹電子界傳奇大師Laurent Garnier “Acid Eiffel” 這張現代狂想曲可以說他音樂想法的集大成!(Maxence Cyrin將在5/9晚上八點在香港上環文娛中心劇院演出一場)

 



延伸聆聽:
Maxence Cyrin 情迷琴流感 / 亞里安


Maxence cyrin at Sonar Tokyo 2006


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SEVENTH TREE / goldfrapp



英國水星音樂獎、美國葛萊美獎相繼提名肯定,英國最冷豔動人的雙人電音組合,2008年第四張返璞歸真 Chill-Out 浪漫鉅獻
卸除浮華奪目的裝扮,乾淨無瑕的樂器舖陳,清亮透明的動人聲線
Twisted Ear
搶先四顆半星頂級讚譽;英國權威音樂雜誌Q ★★★★熱情推崇


Goldfrapp曾經如此神祕低調,在冷豔性感的外表下,卻又同時透露出優雅浪漫的神采。女主唱Alison Glodfrapp過去曾經受邀為TrickyOrbital獻唱,1999年她與音樂製作人Will Gregory巧遇,兩人相互試探彼此在音樂、文學與電影上的喜好。Will前衛的音樂品味與紮實的音樂底子,讓Alison得以更進一步探索自己的嗓音。2000年兩人以Goldfrapp為名,發表首張專輯《Felt Mountain》,當中宛如電影配樂般的鬼魅氣氛與不食人間煙火的幽幽風情,讓他們風光入圍2001年的水星音樂獎(Mercury Prize)Goldfrapp靠著首張專輯,便一戰成名。2003年的《Black Cherry》,以流行的電子音樂元素,拼貼出一幅讓人賞心悅目的舞池風情,讓許多樂評措手不及,卻又讚不絕口。


相隔兩年後,
Goldfrapp一如嬌貴的孔雀開屏炫耀,在流行歡愉的新專輯《Supernature 》中,Alison猶如駕馭著一匹雪白神駒,投身鏡球炫目的光影變化,疾速馳騁於靡爛華麗的舞池之中。這張專輯發行首週,便空降英國專輯榜亞軍,更獲得2007年葛萊美獎「最佳舞曲專輯」與「最佳舞曲」兩項提名肯定。Goldfrapp是少數能同時搞定另類與主流樂迷的電音組合,五年內發表三張截然不同的正式專輯,Trip HopDown-Tempo、流行電音樂迷分別對她們抱有不同的期待,紛紛想要窺探Goldfrapp
的真實面目,迫不及待地猜測她們可能前進的方向,深怕自己一個不小心脫隊落單。


Goldfrapp - A&E

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THE SELDOM SEEN KID / elbow


被美譽為新生代RadioheadQ音樂雜誌推選為「曼徹斯特版Coldplay」的五人樂團
長達近三年等待,由鍵盤手Craig Potter肩負起製作大任


請到於90年代紅極一時、身兼Longpigs樂團吉他手與製作人/歌手/詞曲編寫等職務的Richard Hawley前來助陣

  

來自英國的搖滾聖地曼徹斯特,結合Prog-Rock / Sad-Core / Lo-Fi等風格,迷人柔調中不時穿插剽悍霸氣,被美譽為新生代Radiohead,受Q音樂雜誌推選為「曼徹斯特版Coldplay」的五人樂團Elbow,陸續在英國重要的「水星音樂」與「全英音樂」兩大獎項中獲得青睞而入圍。成軍十餘年,靠著實力、毅力、膽識一路艱辛走來,曾兩度遭到主流大廠放棄,卻仍站上國際舞臺,享受來自四面八方的掌聲與讚揚。

 

90年代初期,由主唱Guy Garvey、吉他手Mark Potter、貝斯手Pete Turner、鍵盤手Craig Potter與鼓手Richard Jupp等五人所組成的Elbow,坐過多年的冷板凳,卻自始至終仍彼此緊緊相繫。直到2001年花落英國獨立大廠V2旗下,問世首張正式專輯『Asleep In The Back』,NME給予九分極高評價,入選水晶音樂獎候選名單。2003年的『Cast Of Thousands』,直接衝進英國流行金榜Top7位置,讓那些曾經不看好他們的國際公司見識到Elbow的真本領。2005年第三張大碟『Leaders Of The Free World』,NME再度九分推薦,並標示「歷久彌堅的傑作!」同時入登BBC 4/5The GuardianStandard四顆星、The Times五顆星滿分推薦!

 

長達近三年等待,Elbow發行全新第四張作品【The Seldom Seen Kid】,轉移跑道進入環球集團,由Craig Potter一手兼負起製作大任。開場的“Starlings”,迷離縹緲的挾帶Prog-Rock沉鬱氛圍,具有爆炸性的橋段與層次感鮮明之鋪陳,打造一齣神秘且高潮起伏的聆聽情緒;轉換至明亮的“The Bones Of You”,吉他急促飆奏穿繞其中,更沾染Guy細膩嗓音以及堆疊合聲輔佐,再展Elbow吸引人的獨特魅力;感染力滿點的奇情小品“An Audience With The Pope”,挑起優雅頹圮以及綿密音樂結構,令人回味無窮;輕盈搖擺的“The Fix”,特地請到英國於90年代紅極一時,身兼Longpigs樂團吉他手與製作人、歌手、詞曲編寫等職務的Richard Hawley前來助陣;大量弦樂襯入的“One Day Like This”Guy不假修飾的唱腔,熱血澎湃引吭高歌,一種直搗樂迷心靈深處的感動情懷瞬間綻放。



Elbow - Grounds For Divorce Director's Cut


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ACCELERATE / R.E.M.



睽違四年的首張全新錄音室專輯,有請U2Snow PatrolBloc PartyThe Hive等樂團專輯製作人Jacknife Lee擔綱製作!首波先發單曲「Supernatural Superserious」,活力的吉他開場、Michael Stipe充滿情感的唱腔,紮實提醒樂迷R.E.M.仍寶刀未老!
 

80年代成軍以來的第27個年頭、奠定美國獨立搖滾典範的偉大樂隊、並於2007年正式踏入搖滾名人堂佔有一席的R.E.M.,繼2004年拿下全美Top 7、全英金榜冠軍的專輯"Around The Sun"之後,睽違四年,終於在20084月發行該團音樂生涯的第14張專輯"Accelerate"  1980年成立於喬治亞州的雅典市的R.E.M.,由主唱Michael Stipe、吉他手Peter Buck與貝斯手Mike Mills及鼓手Bill Berry組成,97年鼓手離團,並未影響樂團的運行與三人的創作,陸續刻下無數光榮歷史;如今時光飛逝,R.E.M.風風光光的演藝事業並未讓樂團的音樂理念變調,即使現在校園搖滾不再蔚為風潮,R.E.M.依舊還在樂壇跟市場的地位佔有一席之地,依舊可以聽到給人很世故、有獨特見解、態度的感覺。


R.E.M. - Supernatural Superserious 

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關不住的歌聲——楊祖珺錄音選輯1977-2003



對於當初僅僅二十出頭的我而言,如果唱歌不是為了能夠在那個大時代承擔些什麼具備了民族、國家、社會意義的功能,那麼,唱歌究竟是為了什麼?我的生命也就在這類僵化的國族思考之中,走過了顛簸、愉悅、反思、卻又找不到充分理由可供自己憑藉、以拿捏分寸的上半生。想不透成人世界的世故與洗鍊,大概是我至今最大的問題,即便年近五十,依然想不通也做不到!(楊祖珺)


楊祖珺是七零年代「唱自己的歌」民歌運動的重要旗手,她與胡德夫為了紀念傳奇吟遊詩人朋友李雙澤,錄製了「美麗島」、「少年中國」等傳唱一時的歌曲,開啟了台灣民歌全盛的時代。然而其歌聲中對台灣土地、與人民澎湃的熱情,卻觸犯了當時政治噤聲的禁忌,隨之而來的政治壓迫使楊祖珺一度放棄她的歌唱生涯,憤而轉投入「黨外」運動,但也因此更強化她對台灣社會文化以及政治運動的參與動機,以個人生命印證台灣蛻變轉型的軌跡。專輯【關不住的歌聲】由大大樹整理,首度以
CD形式重新發行。
...繼續閱讀

APPLE OF OUR EYE / v.a.



紅蘋果「在她眼裡的披頭四」青蘋果「在他眼裡的披頭四」後,APPLE系列作之完結篇-白蘋果「在我們眼裡的披頭四」隆重溫馨登場!將20世紀的代表性樂團-The Beatles披頭四4位成員所創造的美妙作品,用溫馨的搖籃編曲堆砌而成之音樂鉅作,APPLE系列最終回!15位日本當紅歌手柔情詮釋,同樣由日本知名音樂製作人鈴木?一朗操刀,治癒系歌聲編織男女二重唱之極品大碟!!  


歷時三年終於完成的
APPLE三部曲,最初的「紅盤」集結了女性歌手之柔美,續作「青盤」則由男歌手們表現體貼,而以此「白盤」畫下終止符,15位日本當紅歌手偕手共創的音樂結晶,彼此互相敬重的演唱者集聚於一堂,用音樂來協調,用歌聲來溝通,為每首歌曲編織男女混聲二重唱,一位主唱,一位和聲,雖然強調主唱者的歌喉,但也不可小覷和聲之點綴,兩者相輔相成,才能營造如此夢幻的雙重演出。   ...繼續閱讀

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METODE DE ROCANROL / pascal comelade



對法國另類流行音樂有點涉獵的朋友,Pascal Comelade的名字一定不會感到陌生,他那聽起來好像簡單,帶點灰帶點怪又帶點童真的感性音符,配合不同原音樂器的巧妙編排,尤其是玩具鋼琴的運用特別令人印象深刻。拉丁音樂-特別是探戈與加泰隆尼亞的音樂是他的根源,但他就是有辦法轉化成自己的風格,還引來不少後來者模仿(日本就有一隊向他致敬的樂團叫Pascal)。最近剛收到他的新專輯「Metode de Rocanrol」,不追求什麼新的突破,一切還是那樣自成一派、悠然自得。 


歷經
2006年和2007年的兩個冬天才完成新專輯,期間Pascal把自己關在房裡創作演奏錄音,只允許專輯助陣樂手,即鼓手Didier Banon、伸縮號手Enzo Tozoni以及長期合作夥伴銅管大師Pep Pascual三人進入;Pascal則照例包辦吉他、斑鳩琴、黑管、手風琴、玩具鋼琴、迷你電風琴等大部分器樂演奏,序曲Stranger in Paradigm結合搖滾與藍調略帶傷感,緊接著的L’U"則是強烈紐奧良草根味的銅管曲,Jopo de Pojo Not Dead帶有Kurt Weill風格彷彿旋轉木馬的倫巴曲,The Hallucinogenic Espontex Sinfonia充滿了濃濃波麗路加泰隆尼亞風格,Smog on the Vermut一曲充滿著探戈的愛恨情仇,不過最有趣的要算是Elvis Loved Dogs,以Kinks樂團名曲You Really Got Me〞為引子然後帶出之後的主題音樂來描寫畫家Kata Billups的名作Elvis Loved Dogs,最後在彷彿法國印象派大師薩堤風格的寧靜悠揚鋼琴曲,為整張專輯劃下一個完美的休止符!值得一提的是,封面那幅裸身米妮」,是觀念攝影大師Les Krims的著名作品,跟Pascal的灰色幽默音樂氣質可謂絕配。

Posted by pintomusica at 樂多Roodo!19:29回應(0)引用(0)唱作人 SINGER-SONGWRITE

2008年04月21日

FACTORY旗下代表The Durutti Column 經典重發!!

Dc3

DC2

DC1

d2


1)LIP THAT WOULD KISS
2)FIDELITY
3)CIRCUSES & BREAD
4)LIVE IN BRUXELLES 13.8.1981


LIP THAT WOULD KISS / THE DURUTTI COLUMN
This remastered CD collects together a selection of key tracks and singles recorded for Factory Benelux, Les Disques du Crepuscule and Sordide Sentimental between 1980 and 1983, including the pristine singles Lips That Would Kiss (recorded with legendary producer Martin Hannett) and Danny, and the rare Factory Benelux 12" EP from 1982, Deux Triangles. The set also includes several unique tracks recorded for Crepuscule compilation albums, and no less than nine tracks from the unreleased 1983 album Short Stories For Pauline, several of which feature Tuxedomoon man Blaine L. Reininger on violin.


FIDELITY / THE DURUTTI COLUMN
First released by Les Disques du Crepuscule in April 1996, Fidelity features ten tracks written and performed by Vini Reilly, with occasional guest vocals by Elli Rudge. In addition to Vini's trademark guitar style, the album also features sleek programmed beats and synth textures. The CD also features one bonus track, My Only Love, originally issued in 1995 on a free CD with Total Guitar magazine. The booklet includes background notes, and the text of the original press release.


CIRCUSES & BREAD / THE DURUTTI COLUMN
Circuses & Bread was originally released on the Factory Benelux label in April 1986, and features ten tracks written and performed by Vini Reilly, together with drummer Bruce Mitchell. This expanded CD edition also features ten bonus tracks including compilation album tracks Verbier and The Aftermath, five previously unreleased tracks from the cancelled 1983 album Short Stories For Pauline, and the rarely heard 1983 single I Get Along Without You Very Well, a Hoagy Carmichael cover sung by Lindsay Reade and dedicated to her former husband, Anthony H. Wilson. The booklet restores the original cover design by 8vo.


LIVE IN BRUXELLES 13.8.1981
Live In Bruxelles comprises a complete live performance by Vini Reilly and Bruce Mitchell at the Place de la Monnaie (Muntplein) in Brussels, Belgium, together with a lengthy after-show chat with Vini. The ten song live set contains DC favourites such as Conduct and Sketch for Summer, as well as several rarely heard numbers including Stains, Danny and Messidor. The attractive booklet for this digitally remastered CD includes extracts from the original event programme, as well as background notes and archive images.



伸延閱讀: 音謀筆記:DURUTTI COLUMN 與無政府




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2008年04月11日

THE LAND OF FREEDOM / quasimode




An amazing second full length set from Quasimode -- easily one of the most soulful combos working in the current club jazz underground! Quasimode cover some of the same territory as their Japanese contemporaries Sleepwalker -- an older style of soul jazz -- played live, mostly with acoustic instrumentation -- in ways the hearken back to the best older work on labels like Impulse, Strata East, and Black Jazz. They've got a great sense of focus and drive -- really pushing their tunes with a sense of energy that most regular jazzmen these days can hardly touch -- yet also doing so in a way that always swings strongly, with the kind of jazz dance rhythms that first sent international collectors digging for soul jazz sides a few decades back! This time around, they've got some wonderful help from Carmen Lundy on two tracks -- bringing in vocals that recall the best work on her own albums from a decade or two ago -- and other guests on the album include Mika Arisaka on vocals and Masato Nakamura from Sleepwalker on tenor sax. Titles include "Raw Cotton Field", "Over The Horizon", "Dark Beauty", "Percussion Revolver", "Last Nine Days", "For Self Defense", "Time Is Love", "The Man From Nagpur", and "Object In The Mirror".  


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LIVE AT THE ROYAL ALBERT HALL / the cinematic orchestra




The Royal Albert Hall is the kind of venue where history is made. The Beatles and the Rollings Stones played a double bill here, legendary performances have been given from Pink Floyd to Frank Sinatra, Led Zep to Bob Dylan. And that's before you come to lectures from the likes of Stephen Hawking and the Dalai Lama. Or Muhammed Ali in the ring. Now think of a band who live to perform live. Beyond Jason Swinscoe's scintillating recordings the Cinematic Orchestra's ability to reinvent their material in the live arena has always made them stand out from their peers.


Last spring saw the release of latest album "Ma Fleur" and 2007 saw the band's most intense touring schedule to date. More and more requests for live recordings and more and more sell out shows. So when it came to the end of the year and a return to the city from where the band was first realised, the question was "Where? Where can you do the kind of show which will do celebrate a history and at the same time create something new??The band had always wanted a chance to develop into the Orchestra of their name, but they needed the kind of venue with the flexibility, the acoustics and the sheer scale to make it work.In the end there was only one place?


Cinematic Orchestra & Heidi Vogel Royal Albert Hall

...繼續閱讀

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2008年04月9日

SARAVAH SOUL / saravah soul




試聽﹕http://www.myspace.com/saravahsoul


Exploding out of the rich cultural mix in the melting-pot of London’s underground music scene comes the half-Brazilian, half-British, Afro-Brazilian Funk sound of Saravah Soul.Their ground breaking first album (self-titled Saravah Soul) has caused an international stir amongst record labels eager to sign them, and the band seems set on an unstoppable rise to even wider acclaim.


Formed by Otto Nascarella, Saravah Soul was created to showcase a highly addictive style of late 60’s Brazilian soul-funk and samba, to create an exciting and original live flavour.
...繼續閱讀

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2008年04月7日

COLIN MELOY SINGS LIVE! / colin meloy




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試聽: http://www.myspace.com/colinmeloy



A fourteen-song set documenting The Decemberists' lead singer/songwriter's 2006 solo tour. Meloy was heralded by Rolling Stone as "a master of improbable juxtaposition: arcane, detailed fictions of star-crossed passion and avenging bloodshed dressed up in indie rock jangle, la-de-da choruses, and vintage prog-rock bombast" in a review of The Decemberists' show in NY's Central Park last spring. By contrast, the live solo album presents him in a stripped down, acoustic setting. Of the thirteen Meloy originals, two are previously unreleased compositions, "Dracula's Daughter" and "Wonder". Along the way, he employs snippets of songs from The Smiths, Fleetwood Mac, Pink Floyd, and REM. The collection also captures ample between-song banter.



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2008年04月3日

戀愛心曲 O.S.T. (雙CD版)


增量收藏影片中翻唱自{約翰藍儂+保羅麥卡尼+喬治哈里森+林哥史塔}四人留名樂史的不朽經典
一部以音樂串聯奇情想像空間、浪漫愛情故事以及揮灑青春希望的電影
U2樂團Bono與吉他手The Edge以及英國藍調搖滾老牌大將Joe Cocker皆前來獻聲演出

 
 
這是一部充滿奇情想像空間、浪漫愛情故事以及懷舊動人音樂的電影,在多倫多國際電影節中首映,獲得滿堂彩,更成為金馬影展神祕場影片。故事空間轉移至60年代初期,來自英國利物浦的年輕人Jude,於紛亂的越戰期間隻身前往美國尋找父親,在那裡邂逅並愛上了一個美國女孩Lucy,當時戰亂不安的年代,兩人交織出一段刻骨銘心的難忘時光。


電影以多首由約翰藍儂+保羅麥卡尼+喬治哈里森+林哥史塔四人留名樂史的不朽經典歌曲鋪陳故事,所有歌曲則交由片中演員重新詮釋,以“Across The Universe”為主打,並由男主角Jim Sturgess演唱,譜以弦樂與Acoustic吉他交相融合拉開序幕,到了中段則加上電吉他之音。


 

...繼續閱讀

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2008年04月1日

DOOR/ EVERY LITTLE THING


距離前作「Crispy Park」一年半之久的新專輯終於出爐!在日常生活中隨處可見的小幸福感,正是EVERY LITTLE THING清爽無負擔的特質,出道至今無一損傷。在吟唱般的前段裡,持田總是敘事式的簡單扼要的唱出了心情與目的,捨棄了刻意營造的美好幻覺,帶著我們踏入了一個再自然不過的場景,場景即是遍地開花的日常經歷,經過的每一段都飄著花香與茁壯,甚或眼淚與遺忘。


本次的專輯「Door」一舉包盡精彩的各項變化,以以往未見的幅度在音樂性上試驗,包括了暢快夏季感的《閃亮時光》、慵懶雷鬼的《咖拉咖拉》、在寒冷季節裡也絕對能溫暖人心的愛情詩體《正在戀愛》、與?原敬之合作的《冬天要開始了呢》、專輯先發的單曲《櫻色你我》則是率先迎來無限美好的春意,接著,專輯重點歌曲《gladiolus 劍蘭》以積極卻也難過的態度,象徵性的迎向緊挨著身邊的大門,決定推門而出的無限生命力。


除了《gladiolus 劍蘭》的清澈憂傷外,EVERY LITTLE THING在意料之外玩出了相當多的新意,諸如《WONDER LAND》以電玩賽車感狂飆在甜蜜的愛情故事裡,可愛逗趣的電音節拍和動人清脆的水晶敲擊聲,讓復古裡有著新的戀愛趣事。《NEROLI 橙花》扭開EVERY LITTLE THING累積已久的爆發力,就在《B.L.V.D.》伴奏曲之後突然的轟炸,一陣吃驚。不論是歌詞或是編曲譜寫,都讓人被緊捉不放,不自主地一聽再聽,迫使自己去認識儲存在內心裡引發的層層問句,那些由淚水所認識的生命,那些阻擋我們的重重限制。《奧菲莉亞_act2》則是晚安曲依序拂過的平靜,漂浮在入睡前的溫暖曲子,和聲在乳白色布幔邊迴盪,持田的細聲為你拉起了睡簾,許願著安恬夢境。


最符合EVERY LITTLE THING以往風格的歌曲是正面陽光感的《意想不到的心電感應》與《閃亮時光》,不論哪一刻傾聽都能迅速拉回小事樂團的明確身影,細細藏著諸多生活中的浪漫期待,是兩首標準EVERY LITTLE THING「感動著小幸福」的無敵蔓延。

...繼續閱讀

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2008年03月27日

追風箏的孩子 O.S.T.



「尋找新樂園」導演+「美國心玫瑰情」製片攜手挑戰2008年奧斯卡的感人影片
「悄悄告訴他」、「玩美女人」西班牙配樂家亞貝多.以格雷西亞斯再現動人影音樂章。



 
《追風箏的孩子》是阿富汗作家卡勒德胡賽尼(Khaled Hosseini)2003年出版的首部著作,這是一本透過兩個在阿富汗首都喀布爾長大的孩子阿米爾與哈山之間的人生與命運糾結,述說一個關於友誼,背叛,贖罪與忠誠的代價的故事。 


 
這本全球銷售超過800萬本的暢銷書在「美國心玫瑰情」奧斯卡最佳導演山姆曼德斯的監製與「尋找新樂園」金球獎提名最佳導演馬克佛斯特的執導下,成為2008年奧斯卡與金球獎深獲矚目的影片。電影音樂由累積擁有6座西班牙Goya電影獎最佳電影原創音樂獎的西班牙電影音樂作曲家亞貝多以格雷西亞斯(Alberto Iglesias)擔綱,亞貝多是名導阿莫多瓦的御用音樂家,雙方合作了「壞教慾」、「悄悄告訴他」、「我的母親」以及榮獲2006年歐洲電影獎最佳電影音樂作曲家殊榮的「玩美女人」,亞貝多的近作是獲得奧斯卡最佳原創音樂提名的「疑雲殺機」。


 
亞貝多在為本片譜寫音樂時,了解到阿富汗音樂比較接近波斯音樂,然後又融合了巴基斯坦音樂的感覺,同時還深受印度音樂的影響,他在為電影注入阿富汗的音樂氛圍的同時,他也調和了阿富汗鄰近國家的音樂元素,像是選用了伊朗的傳統齊特琴,來自中東與中國的長笛,亞美尼亞的木管樂器duduk,土耳其的豎笛,發源於阿拉伯的魯特琴,甚至特地選擇了流傳於克里特島上的七弦豎琴作為哈山的主體樂器,亞貝多將這些音樂風格精細的融入交響樂的世界。此外,亞貝多選用了被封為「阿富汗的夜鷹」的阿富汗傳奇歌手Ahmad Zahir,還有遭到阿富汗政府放逐的歌手Ehsan Aman以及深獲西方樂壇所寵愛的伊朗歌手Sussan Deyhim與具有伊朗/亞塞拜然血統的英國歌手Sami Yusuf等多位歌首的錄音作品來豐富這篇深具世界音樂情感的動人音樂。
  

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