2009-12 月份文章 顯示方式:簡文 | 列表

December 31,2009

邊度有書與您共同進入2010!



 IMG_1411.jpg
 
告別09, 迎接10 


今年最後的一晚上, 你將在那裏渡過?
這一夜,邊度有書 有音樂將舉行除夕感謝禮
感謝 書籍及音樂帶給我們力量及多謝 您對我們的支持
在跨越新一年的五小時裏, 店內所有的書和CD等貨品均以特別折扣優惠回饋您對書籍及音樂的喜愛!!
20091231 PM 9:00AM 2: 00
非會員:全店85 !
會員:台灣書 7 ! 相機 8 ! cd 8 ! 外文書, 香港書及大陸書 8!
一年一度的除夕感謝禮, 願各位在書及音樂的陪伴下開始愉快的新一年!!! 


On 31st December from 21:00 to 02:00
Pinto Livors and Musica is having a THANKFUL PARTY !
All Products will be sold with a special discount within these 5 hours
Non-members: all 15% off !
M
EMBERS: BOOKS(TAIWAN) 30%OFF !
CDS and Other Products 20% OFF!
Welcome To Join ! New Book and Music for a New Year !!!


Posted by pintomusica at 21:50回應(0)活動

2009店員年度選書




{2009
店員年度選書}





 

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Posted by pintomusica at 14:58回應(1)活動

December 30,2009

聖誕禮物組合 BOOK+CD=150(會員) / 200(非會員)

聖誕延長營業時間: 24,25 / 12  至凌晨12:00
除夕夜  營業至凌晨2:00


一年一次的聖誕特惠來了!! (即日起至 12月31日)
凡選購下列書本加CD只需MOP150 (非會員200元) !
本本好書, 任意搭配我們精心為你挑選的音樂, 令閱讀更愉悅 !



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Posted by pintomusica at 23:20回應(0)活動

回归十年关于边度的报道/ 珠海特區報 / 22122009


http://search.zhnews.net/tqb/pic.php?ud_pic=20091220/page_14.jpg&ud_date=2009-12-20

http://search.zhnews.net/tqb/text.php?ud_key=48209&ud_date=2009-12-20


只要阅读,澳门边度有“输”? 去看传说中的“边度有书”

龙应台说:“要认识一个城市就要去观察她的书店。



这是边度有书的留言本,已经积累有十几本了。


温暖而随意,这就是边度有书的感觉。

 

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Posted by pintomusica at 13:22回應(1)關於我們

December 29,2009

WALLPAPER JANUARY 2010

website
Price:52



Next Generation

The front line of the future: architects on the up; global game-changers for 2010; the new wave of creative talent, and much more


Graduate Directory

Wallpaper's pick of the next wave of creatives who will build, design, cut, cook and colour a better world


The Hole Story

On a quest to build the ultimate Swiss mountain retreat, two architects dug deep and laid a golden egg


Showtime

Ten of the world's leading designers push fashion's next big thing into the spotlight


Soft landings

This season's sofas merit a private view

Posted by pintomusica at 20:45回應(0)雜誌

周夢蝶九秩華誕套書【約會+不負如來不負卿】

作者:周夢蝶
出版社:九歌

出版日期:2009年11月1日

定價:110  會員:94 


一次收藏詩人周夢蝶的代表詩作與瘦金體真跡楷書。
 



《約會》

於紅塵內有出塵之思,在孤絕中咀嚼人生滋味。  周夢蝶其人其詩,一直為眾多純潔心靈所仰望。在《還魂草》、《孤獨國》之後,時隔三十七年,詩集《約會》在眾盼聲中出版,得詩五十四首,計分四卷:記與版畫家陳庭詩超過半世紀的交誼,「相濡以沫,更相忘於江湖」。詠物,物我交融,虛實相生,結合詩學與禪學,靜觀大自然,怡然自得。風、雲、鳥、獸,無一不可入詩,文字純淨、簡單,且時帶諧趣。  而詩中的「跋」、「小序」、「後記」等更是可觀,向傳統取經,挑戰現代,每段均是最動人的小品。增訂新版特別收入名家余光中、羅任玲等評析文章,詳述周公其人生及詩,精采絕倫。  


《不負如來不負卿
─《石頭記》一百二十回初探》 


 
《石頭記》(又名《紅樓夢》)是人人必讀的文學經典,周夢蝶積極閱讀心得,妙解紅樓說人生;深刻、獨特,短言短語,有詩的精髓,為經典與人生做最好的連結。  他長年勤練書法,這回他將閱讀《石頭記》一百二十回每回的心得,用毛筆書寫於宣紙之上,經由掃瞄,在本書中真跡呈現。為了讓讀者更能一目了然,採用真跡與打字文字對照的方式編排,十分別緻典雅,更值閱讀收藏。言簡意賅,幽默涵藏其中,閱畢莞爾一笑。

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Posted by pintomusica at 20:30回應(0)文學

米娜的行進

作者:小川洋子
繪者:寺田順三 Junzo Terada
譯者:葉廷昭
出版社:麥田

出版日期:2009年11月7日

售價:100 會員:85


《博士熱愛的算式》作者、芥川獎得主小川洋子

二○○六年谷崎潤一郎獎得獎作品


那一年的分分秒秒早已散佚在時間之河裡,我和你一起讀過的故事、我們共有的祕密,卻如玻璃瓶內的流星閃亮不滅。


每天早晨,米娜威風凜凜地騎著侏儒河馬去上學,這是米娜每一段新旅程的起點。這是小鎮最特異的風景,也是我記憶的抽屜裡,最珍貴的寶物。病弱的米娜無法遠遊,住家與學校間那短短的行進便是米娜難得的的旅程。侏儒河馬「小豆子」是她忠心的嚮導,也是她唯一的旅伴,直到那個「星期三少年」出現......



少年帶來的圖樣綺麗的火柴盒,幻化為風殊異的過站,織就無數迷離光燦的故事:



看哪!渴望飛翔的大象迷失了心神,瘋狂捕捉跳上蹺蹺板的孩子;忘了自己從何而來的海馬,每晚孤單地凝視月亮,卻總也喚不醒失去的記憶;天使努力舞動翅膀,在人類耳畔絮絮訴說祕密,即使受傷也在所不惜;以玻璃瓶收集流星的女孩,想要探究的竟是死亡的真面目......


收納回憶與愛、擁有與失落,小川洋子又一篇凝結美麗與純粹的水晶物語


為了能在更近的距離仰望天空的月亮,海馬的腦袋經常望向頭頂的方向。牠喜歡漂浮在海面上眺望著月亮的光芒,彷彿這樣做,就能喚醒很久以前自己還沒誕生時所見識過的景象。曾經說過的話、身旁有人陪伴的氣息,似乎都在月光的照耀下,如同烤墨紙的字跡一般浮現出來。特別是新月當空的夜晚。


可是,海馬依然什麼也想不起來,只能永遠孤單地在海中漂流。──摘自內文 
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Posted by pintomusica at 20:24回應(0)文學

細江英公攝影集《鐮鼬》KAMAITACHI

PhotographsEikoh Hosoe
PerformanceTatsumi Hijikata
Introduction
Shuzo Takiguchi
Preface
Donald Keene
Poem
Toyoichiro Miyoshi
Afterword
Eikoh Hosoe
Design
Ikko Tanaka
PublisherAperture
Price618  Member557



Eikoh Hosoe's Kamaitachi, a classic and groundbreaking body of work, was originally released in 1969 as a limited-edition photobook of one thousand copies. A unique collaboration between photographer Eikoh Hosoe and Tatsumi Hijikata, the founder of ankoku butoh dance, the work documents their visit to a farming village in northern Japan and the improvisational performance that resulted, made with the participation of local villagers and inspired by the legend of kamaitachi, a weasel-like demon who haunts the rice fields and slashes those he encounters with a sickle.

Further reading : 细江英公、镰鼬与舞踏 by廖伟棠











In 2005, in close consultation with the artist, Aperture released a limited-edition facsimile in homage to the original. In this 2009 edition, Aperture is honored to reinterpret this paragon of Japanese bookmaking, which now includes four never-before-published images from the classic Kamaitachi series and a new text by preeminent Japanese scholar Donald Keene, as well as essays by Eikoh Hosoe and Suzo Takiguchi. Aperture is doubly pleased to make this enchanting body of work available, for the first time ever, in an affordable trade edition. This version was painstakingly reworked by renowned graphic artist Ikko Tanaka, designer of the original volume, shortly before his death.



Hosoe and Hijikata, who first met in 1959, share the same birthplace: the Tohoku countryside in Northern Japan, where most of the images were made. Hosoe photographed Hijikata's spontaneous interactions with the landscape and the people they encountered. A magnificent and seductive combination of performance and photography, the two artists enact an intense investigation of tradition and an exploration, both personal and symbolic, of Japanese society during a time of massive upheaval and change. In an accompanying personal essay, published here for the first time, Hosoe recounts how he became one of the Beat Generation artists, who were willing to try anything new, and his exploration of how traditional documentary photography and personal expression could be merged into what he describes as "subjective documentary."



EIKOH HOSOE (born in Yamagata Prefecture, Japan, 1933) is an integral part of the history of modern Japanese photography; he remains a driving force not only for his own work, but also for his efforts as a teacher and ambassador, fostering artistic exchange between Japan and the rest of the world. Hosoe is represented by Howard Greenberg Gallery, New York. He lives in Tokyo.DONALD KEENE (essay) is a Columbia University Professor Emeritus and Shincho Professor Emeritus of Japanese Literature. SHUZO TAKIGUCHI (essay, 1903–1979) was a poet and art critic, credited for having introduced Surrealism to Japan at the end of the 1920s.

 


Posted by pintomusica at 19:14回應(0)攝影

HOW DESIGN FEB 2010

Price:174

In-HOWse Design Annual & Special Typography Section
In celebration of our 25th anniversary, we’ve produced a double issue packed with lots of design goodness. Check it out.



FEATURES
Forget the Font, Draw it Yourself
Design commentator Steven Heller explores the resurgence of hand lettering, as designers are taking pen to paper to create illustrated typographic masterpieces. We spotlight 6 lettering artists who’ll inspire you to make your own mark


Falling into Place
Creative director June Corley collected vintage sign letters for years before serendipity intervened. See how she turns old letterforms into unique sculptures that AIGA medalist Gail Anderson calls “enthralling.”


Who Shot the Serif?
Designers who favor sans serif types overlook a whole category of elegant and useful serif fonts. Our type expert encourages you to experiment with 7 new serif faces that are refreshingly modern and eminently reader-friendly.


Look of the  Winter Games
As the world’s gaze turns to the Winter Olympics in Vancouver this February, we explore what it’s like for an in-house creative team to develop the visual identity in what may be the world’s biggest—and coolest—design project.


Cover Gallery
Our 25 favorite covers from HOW’s 25 years in publication.
Web Extra: View the gallery online, with complete creative credits—and vote for your favorite!
/25yearsofhow


IN-HOWSE COMPETITION
Best of Show: A Marquee Project
The Museum of Modern Art’s inside design team looked backward for inspiration to create a forward-thinking identity for its annual
independent film festival.

Posted by pintomusica at 16:12回應(0)雜誌

December 27,2009

理論旅人之涂爾幹自殺論之霧裡學

作者:孫中興
出版社:群學
出版日期:20091127
定價:
100  會員:85


從「四種脈絡」與「四本主義」閱讀涂爾幹的《自殺論》



涂爾幹的《自殺論》雖被譽為理論與方法的雙重經典,然而中文世界裡卻少有作品詳細介紹與評析《自殺論》。


本書作者從涂爾幹的「生平脈絡」、「思想脈絡」、「寫作脈絡」和「出版脈絡」等四種脈絡出發,以獨特的四本主義(「文本」、「版本」、「譯本」、「所本(立論根據)」),重新詮釋這部經典。同時仔細考察涂爾幹的每個論點與論證,告訴讀者這部方法學的經典,在方法上出了什麼問題。
 


閱讀此書,不僅可以了解涂爾幹如何做研究,也可以知道後人如何評論《自殺論》,最後還可以看到本書作者如何在眾多評論中,殺出一條血路,提出自己的見解與看法。



 

「理論旅人」指的不僅是作者本身,而是像作者一樣對理論有興趣並且一直在追尋的人。面對著前人已經論述到爛的涂爾幹《自殺論》,就好像在一團迷╱謎霧中。本書就是在迷霧中的學習心得,並且希望能將箇中的心得傳給後來的有心人。
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Posted by pintomusica at 17:07回應(0)社會人文
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