pintolivros

售價：$263　  會員：$236

Hardback

210 x 245 mm, 8 1/4 x 9 5/8 in

128 pp

56 duotone photographs

ISBN 9780714845661
0714845663


Mexican photographer Tina Modotti (1896-1942) was a pioneer among the few women photographers of the 1920s. Her work has received deserved attention in recent years after a long period of neglect. Many of her most powerful images, such as the notorious Mexican sombrero with hammer and sickle, are modern in aesthetic, but political in content. She travelled throughout Mexico recording murals, cultural and religious icons, women in Tehuantepec, and workers at their daily tasks. Modotti was a revolutionary in all matters, from her political activism to her modern and high profile personal life, and her elegant and forthright photography. She was also a significant influence on future photographers, including Manuel Alvarez Bravo and Graciela Iturbide.

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1913年由史特拉汶斯基作曲、尼金斯基Nijinsky編舞開始，《春之祭》即成為舞蹈史上備受爭議的傳奇之作。


《春之祭》像是一貼附了咒的魔方，地球上的編舞們都為之著迷，都想排一個自己的《春之祭》，舞者們都想跳一下《春之祭》，接近一百年來不斷有世界各地（包括中國大陸、台北和香港）舞團上演自己版本的《春之祭》，神奇的是幾乎凡排演的都能成為一時佳作，這就是《春之祭》的不解之謎！


在眾多版本中，一致公認最不能錯過的，就是Pina Bausch的《春之祭》，這部極美的作品也是最能繼承Nijinsky和史特拉汶斯基的挑戰精神的版本，自1975年首演開始，即成Wuppertal舞團的經典，不斷在世界各地重演。


經常被批評為“不像在跳舞”的Pina，《春之祭》郤是她向純舞蹈形式致意的最後之作，是她唯一一部最“像舞蹈”的作品，但其實《春之祭》的核心，仍是Pina對『恐懼』的表達──對既有命運的恐懼、對死亡的恐懼，個人面對大眾的恐懼等，不斷壓抑又不斷反抗的個人最後成為被犧牲的祭品；作品同時以其強烈個人風格為『優美』一詞重新定義：佈滿泥土的舞台、半裸的女舞者、重覆推進的獨舞、充滿巨大張力的群舞、舞者被動作推至筋疲力竭的最後一刻！這部有巨大感染力的作品，是Pina其中一部傳世之作。