一座演化中的島嶼

So what worries you in eternity?
-- Luce Irigaray, Marine Lover of Friedrich Nietzche

The woman, the idea, the female one becoming the other, the other the female one -- according to the attributes given them -- becomes transcendant, inaccessible, seductive. But if the void is the highest point for her, she draws everything down with her. "By herself." She fulfills the desire for nothingness. By playing with, acting the figure of death. If in fact she is acting. But so much is attributed to one who has nothing of her own. The risk: nothing is left. Erase that, by asserting that this was only a game. Then -- the restart, the repetition, the recurrence -- perhaps not in a simple way. Is she giving herself? Or giving herself out to be?
-- Luce Irigaray, Marine Lover of Friedrich Nietzche

肉身通常都被遮掩著，被化妝品和衣著。但最遮掩的，莫過於動作。沒有人比舞者更加「不在肉身裡」，即便當她是赤裸的。欲望就是想把身體的動作都剝除，如同脫去衣裳，讓它以純粹肉身之姿存在。這樣的企圖，無非是想去體現另一個人的身體。
── Jean Paul Sartre

肉身，彼此的肉身並不能相互替代。
── Luce Irigaray

我聽見了你。我沒有聽見你。我是你的聽覺。介於你和你自己之間，我確保了聲音的傳遞。你的嘴唇和你的耳朵之間永久的接替運轉。繼續吧，我在唱著你的記憶，這樣你才不會跌入失憶的深淵。
── Luce Irigaray

海洋，用無數的眼睛閃耀著。沒有任何一隻眼，擁有特權。即便她，此時此刻解除了所有的視角。無數的、變動的，不斷沒入她的深度。她的誘惑是冷冽的遮蔽，覆蓋了觀點。
── Luce Irigaray

肉身本身變成了靈性，但同時依然是肉身；情感變成了精神，但同時依然是愛。
── Luce Irigaray

我從不曾也再不可能那樣去溺愛世上另外一個人，這是我整個身身心心再清楚不過的一件事，也是我生命中最幸福的、一個已顯現的謎底。… 因我從不曾也再不可能那樣去傷害世上另外一個人。這超乎尋常的溺愛與傷害，都注定使我失去她，我既無法減少對她的溺愛，更無法讓自己忍受她對我的拋棄，忍受得再好一點，因為唯有那樣才能挽救我之於她的傷害。這一切，被拋棄、被背叛的命運，我唯有眼睜睜地束手待斃。我沒有辦法不失敗，我幫不上自己。
── 邱妙津，《蒙馬特遺書》

所有被聽見的故事都是片段裡的片段，綿延的時間唯有最深的直觀可以感受。

我挽著那溫暖的手
走在陌生的道路上
還是如此自然地
想起紐約第五大道
my dear Karen
who must be in heaven now
with the most beautiful angel
perhaps still writing
a fantastic novel
and composing
a tender poem
still so alive
and bright
still always saying
i love you mei
and kiss good bye
my best friend
in a foreign country
and a familiar city
my cyborg sister
with soul connection
my dear Karen
i miss you so much