一座演化中的島嶼

講者：張君玫
講題：Donna Haraway的賽伯格女性主義，做為一種後殖民書寫的科技
時間：2008/8/15, PM 2:00-5:00 女書店

0. Donna Haraway 是誰或什麼
1. 賽伯格之 流浪 神 狗 人
2. 事實/虛構，做為一種「演出」
3. 喻說/圖象，敘述與身體的相互棲居
4. 內爆：「自然文化」、「科技科學」…
5. 在/通過/回到一個當代的TS子宮
6. 行動：「人」與「非人」的連結
7. 權力：支配的訊息學，吸血鬼文化
8. 批判：從「反思」到「衍射」
9. 闡連：差異、翻譯、轉換、跨界
10. 書寫，做為一種生死存亡的科技
11. 世界，做為一個物質-記號的事件
12. 「後『人』主義」的後殖民意識　
P.S. 以上曲目適合隨機播放　


圖：Diffraction, 1992
　　by Lynn Randolph 　　　　　　　　　　　　　

Texts referred:
Donna Haraway, 2003, The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago: The University of Chicago Press.
Donna Haraway, 1991 [1985], “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century” in Simians, Cyborgs, and Women: the Reinvention of Nature. New York: Routledge. Pp.149-181.
Donna Haraway, 1991 [1988] "Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective" in Simians, Cyborgs, and Women: the Reinvention of Nature New York: Routledge. Pp. 183-201.
Donna Haraway, 1997, Modest Witness@ Second Millennium: Femaleman Meets Oncomouse : Feminism and Technoscience. Lynn M. Randolph (Illustrator). New York: Routledge.


Keywords: cyborg, splice, species, trope, figuration, facts, fiction, narratives, stories, vampires, kinships, double vision, diffraction, differences, translation, articulation, colonization, postcolonial, technology, technoscience, naturecultures, mapping, metaplasm, material-semiotic, interpellation, implosion, prosthesis, politics, ethics, affinity, fractured identity, prehension (Alfred Whitehead), emergent ontologies (Helen Verran), ontological choreographies (Charis Thompson), partial connection (Marilyn Strathern), chronotope (Mikhail Bakhtin)