100日狂寫BLOG藝穗．澳門藝穗2007即將於11月10日大聲開幕!!!

澳門藝穗2007舞蹈劇場《CREB反應結合蛋白》[澳門]

《歸途》是一個我期待已久的範例，它既給予觀眾一個思索沉澱的空間，亦讓出了一條作品和觀眾情感共通的橋樑。
　　　~~ 台灣評人薛西 (詳細劇評)

澳洲、新加坡、台北及北京演出之後，曼谷及東京之前，韓國最具代表性的形體劇場Nottle Theatre來到澳門藝穗，

今明兩晚８：００在牛房倉庫演出其巡迴世界各地的名作《　歸　途　》The Return。

具感染力的燈光、形體動作及配樂，給你訴說一個關於人生的荒謬故事。

Nottle 多年來致力創造出一種世界共通的劇場語彙，以絕不故弄玄虛的形體動作建立跟世界各地觀眾直接溝通的橋樑，在農村在小劇場演出同樣受到大眾的歡迎和肯定。

門票４０元（學生半價）廣星各門市部及文化中心有售

網頁：

http://blog.roodo.com/macaufringe2007

Introduce of The Return

The Return is a bizarre odyssey through human life based on German playwright Bertolt Brecht’s epic, Legend of the Dead Soldier. When a loving father is senselessly killed at war, his memory is escalated to that of a hero, allowing those left behind to grieve and to celebrate, finding a new meaning in life. With minimal dialogue, striking visual imagery is created through the use of movement and mime. Dim lighting, long moments of stillness and bursts of frantic activity and slapstick blends seamlessly, evoking emotions that range from sadness to madness. From questioning the concepts of life and war, it focuses on how to live happily when wars are unceasing in society. The Return evokes the universal sympathy of human life with various theatric languages such as physical theatre, mime and live accordion music. But don’t be afraid to laugh because there is also plenty to tickle the funny-bone despite the nature of the story.


Synopsis
A man, who gets a journey behind his routine life, wanders to discover something that leads him to somewhere. He gets to a bus stop, and waits for the bus with some other people for a long time. However, the bus never stops for them, so he is worn out.
In a sudden moment, a familiar illusion appears to him, and he is taken along to an unknown place by it. Over there, he arrives in a strange place, and meets a politician who is mad for war.
He is forced to become a soldier of military band. Every 3 o’clock, the war breaks out after the sign of his drumming. Perceiving that his drumming causes lots of people’s death, he suicides in confusion. However, a politician makes the soldier as a hero for his interest so that the dead soldier’s body is dressed up, and people march along with it…


Production history
"The Return" Premiere in 2003,
Invitation program, Dongbang seonbong Theatre ( March 2006, Beijing)
Invitation program, The Flipside Festival, Esplanade (June 2005, Singapore)
Invitation program, Theatre Iwato of Black Tent Theatre, Tokyo (May 2005, Japan)
Seoul Fringe Festival (Aug 2004, Korea)
Official program, Gwacheon Hanmadang Festival (Sep 2004, Korea)
Adelaide Fringe Festival (Feb 2004, Australia)
Adelaide Performing Arts Market (Feb 2004, Australia)
Invitation program, Next Wave Festival, Seoul (Dec 2003, Korea)

文：荷方

澳門近年經濟發展之急速，展現於大型商場與名牌連鎖店的湧現。澳門擁400多年殖民歷史，博彩業蓬勃加上歷史城區被列入聯合國教科文組織《世界遺產名錄》，特區政府重點發展旅遊業自然不過，但邁向國際、顧存本土的全球在地化（glocalization）思維，不僅成為城市規劃者的一道拉鋸，爭持經濟發展與文化保育間的應有平衡點；什麼該什麼不該被列入世遺，在坊間亦鬧得相當熱烘烘。(施援程作品)

隨時代社會對藝術品的要求亦改變，當代藝術介入公共空間已由形而下之器轉成為形而上之道，正如研究公共藝術的法國學者Catherine Grout所言，決定當代藝術品的優勝劣敗不只在乎物料材質，關鍵是「它被理解的狀況、被納入與環境共存的複雜性」 。故一件文藝復興時期大師的雕像不一定比當今學生集體創作的公共藝術重要。

「民間傳奇」是澳門藝穗2007的主題，當中三組年青藝術家創作的視藝作品皆以懷舊或記憶為題、跟環境互動，無獨有偶成為觸發途人思考「世遺遺珠」之價值的公共藝術，別具意義。 ...繼續閱讀

北京奧運要倒數363日，

澳門藝穗2007

三個月後的今天就舉行了！！ 

;九月六日公佈全部07藝穗節目之前，

幾個鼓勵市民大眾參與的藝穗活動經已展開，

100日狂寫藝穗blog、

藝穗歌填詞比賽、藝穗義工招募、

新世代實驗室

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 澳門藝穗2007 將於11月10日開幕

 

今日藝穗態度: 人們的夢想之所以會實現，都是因為他們付諸實際的行動去完成它。                                                                     ~威廉.詹姆斯