LovelyShow's Note小熟女新手守則

網路語言的嬉戲性格，俾使語言變異具有積極性，及因為時間的延宕而不斷地異化下去，生產出多歧的語意脈絡及意義。語言在流動空間及時間中被流動行使而生產而出的「主動性」或「互動性」，這種互動性是向無限開放，與外部連結，是根莖中，多入口地圖的逃跑線路。因為這種逃跑是不斷地不在場，也是漫遊的積極力量，在作品「XD」的任意漫為中，使得網路語言反覆生產更多張量，成為無器官身體，也就是連續性張量的千高原所聚集出來的資訊身體，它承載了資訊和慾望，和網路深處的無止盡地方及人們溝通，成為在網路語境中的漫遊真實。

「無器官身體」為資訊身體提供了參考的脈絡，援引其去有機並發生欲望和向外部連結的流動力，即資訊化的形式，來參與網路表皮上，願相信「造假」的真實。同時論及網際網路具有流動空間及無時間的時間特性，及實況時間美學觀再加速了原本在根莖中往逃跑路線流動的漫遊行為，因此經由跳躍式的漫遊姿態在作品「Alibi」中，重新拼貼了時間與空間，質變成為「漫遊真實」。

網路空間是因心靈投射及流動形式成為人們想望的居所及想像共同體，並以「根莖」作為網路地圖化的視覺想像，因而建構出網路空間地圖化的繪製，亦即創作作品「IPING」的想像基礎，在於網路表皮上使用無實體之資訊身體的漫遊經驗中，所傳達出的全新的孤寂感望入鏡中看見自身的缺席來指涉想與外部或群體連結的渴望，同時也是「ping」向遠方及自身的由來。

Because Internet is constructed of texts, the reality on internet skin is presented by internet language as a kind of sign system. Internet language is texts, signs, graphics, and dynamic images including web-cam, together constructed on the basis of language, in which internet context lies.

The playful character of internet language helps language to ‘différence’ successfully and keep on going in the delay of time, and thus generates different semantic texture and meanings. The initiative or interactivity emerges from language being used in flow in space and time of flows. This interactivity is unlimitedly open and linked to outside, and is the line of flight of a map with multiple entryways in the rhizome.

This kind of escape, constantly being absent, and an active force of flanerie, prompts internet language to repeatedly generate more intensities in the arbitrary doing of the work piece “XD”, and thus to become“body without organs”, which is the information body accumulated by continuous intensities of a thousand plateaus. The information body carries information and desire, communicates with endless places and people in the depth of internet, and becomes the flanerie reality of internet context.

The body without organs provides the information body with clues for reference, helping it to be de-organic and to have the desire and flow energy to connect outside, i.e. informational format, so as to take part in the make-believe “making” reality in the skin of internet. Meanwhile, the internet is characteristic of space of flows and timeless time, and also real time aesthetics, thus accelerates flanerie behavior flowing into the escape route from within the rhizome. Therefore, in Alibi, time and space are re-collaged via skipping flanerie and become “flanerie reality”.

Internet space becomes the habitat of thoughts and the imagined community due to mind projection and flows. With “rhizome” as the visual imagination of internet mapping, the mapping of internet space is able to be drawn out. This is also the imagination foundation of “IPING”, which signifies the desire to be linked to outer world or the community while looking into the mirror and realizing one’s own absence, expressing a whole new sense of loneliness in one’s flanerie experience using an information body without actual body on the internet skin. This is the origin of ping to the far-away and to one’s self.

Time is an important committed mechanism in internet work pieces. Since deleting space assures instantaneity and let time replace distance and space. Real-time present experience is the shared reality of every information body in “real time” and serves as the foundation of flanerie reality.