March 29,2010
No Wave and Robin Crutchfield
I somehow managed to fit my curiousity about No Wave music scene into one of my final papers for last quarter. While figuring out the basic of the music scene, I draw this map:

Although it was the craziness and chaoticity of these music attracted me at the first point. I start to really like this guy-- Robin Crutchfield. He is the keyboard of D.N.A., who left the band couple years later. I only mentioned him a bit in the paper when I argued that No Wave is full of self-contradiction:
"The conflict happened between Arto Lindsay and Robin Crutchfield when they were both in DNA. Lindsay represented as the chaotic element in the band and Crutchfield believed in making the music static and repetitive. Finally Crutchfield found the balance was off to Lindsay’s side and decided to leave the band. Although their approaches to the music performance appeared contradictory to each other, both approaches were a part of the NW music. This reflects how NW music was able to absorb dialectical elements in one scene."

Although it was the craziness and chaoticity of these music attracted me at the first point. I start to really like this guy-- Robin Crutchfield. He is the keyboard of D.N.A., who left the band couple years later. I only mentioned him a bit in the paper when I argued that No Wave is full of self-contradiction:
"The conflict happened between Arto Lindsay and Robin Crutchfield when they were both in DNA. Lindsay represented as the chaotic element in the band and Crutchfield believed in making the music static and repetitive. Finally Crutchfield found the balance was off to Lindsay’s side and decided to leave the band. Although their approaches to the music performance appeared contradictory to each other, both approaches were a part of the NW music. This reflects how NW music was able to absorb dialectical elements in one scene."
After Robin Crutchfield left D.N.A., he started Dark Day with Nancy Arlen (who played drum in Mars before).
It's not as insane and noisy as D.N.A., yet I love his creepy clamness.
Nevertheless, recently, as a 58 years-old man, he seems into something hard to grasp...
January 4,2010
January 2,2010
不是非要快樂的音樂不可
跨年小鎮上台的樂團都還蠻無聊的。或許是因為硬是要帶給大家歡樂的氣氛的關係。於是我跟在坐身旁的朋友抱怨了,他回應說,至少這音樂是快樂的。我是個逃避 意見不合的那種人,也是個反應不快的人,所以我沒有回應。一月一日的今天早上在頭痛空虛和懊悔中醒來,想到了這件事。我想說,不是我不喜歡快樂的音樂,但 是由憤怒,雜亂,無所謂和傷心的音樂,與快樂的音樂比較起來,前者有趣多了。
附上亂七八糟雜雜亂亂No Wave團 Liquid Liquid 1983年的 "Cavern" MV
附上亂七八糟雜雜亂亂No Wave團 Liquid Liquid 1983年的 "Cavern" MV
