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PANZAH ZANDAHZ ME & THIS ARMY: RH REMIXED AND MASHED UP (CD)



http://www.supload.com/listen?s=SdgqaYoE6QP



（DJ Panzah Zandahz - creep 試聽‧下載）　



這首REMIX的很有趣。

一開始的口白很有意思（大意）：「讓我自我介紹一下。我犯了一個錯因為我墬入愛河了。這是一個錯，墬入愛河是個錯，我正為此付出代價。我認為我瘋了。………」

然後歌曲開始，中間也穿插一些口白。








http://pulp.bluecircus.net/archives/006340.html



（音速青春之介紹）





http://djpz.com/



（official website）







Panzah pays tribute to his favorite band (with broadcast being a close second) & some of his favorite emcees with this 40 min collage of original remixes, mash ups, & covers. When PZ's "Radiohead breaks & beats" 12" came out, there were a lot of requests for a CD version. But the wax wasn't really a listening experience, it was a dj tool, it wasn't entertaining enough to be thrown on a cd "as is". So here is the product of your demand for entertainment!



The album starts off with the scorpio-fused breakbeat work-out "Everything in It's Wrong Place" & progresses in to a warped version of Cut Chemist's Litmus Test remix of Gab's "Chemical Calisthenics." A remix of a remix I guess. Continuing on the Chemist theme MF Doom's "Change the Beat" gets thrown in to a blender & comes out as a Jurassic 5 tinged re-working of Radiohead's semi-obscure "Wicked Child." The real heat is the "My Iron Lung" remix of Daytona 500. HEAT! PZ's favorite emcee of all time, Edan, finds himself sharing the same meter as Radiohead in a noisy & lo-fi "Rapperfection" mash up of the "National Anthem" off of Kid A. The CD gets down-right weird when PZ covers "Creep" (the most covered RH song, PERIOD) featuring a robotic like-ness of Fred (its kind of a stretch) from "Fitter Happier." Chord Organs, theremins, they are all there. A 45 minute sunday morning session in the studio led to a goofy & fun exclusive from Sev Statik (of PCM, Tunnel Rats, & Deep Space 5) going off over a re-working of his favorite RH break from Kid A. Sev even manages to share the same track with Kool Keith as "Optimistic" dissolves in to "Paperbag" & Keith lets loose with his usual banter about pecunious bugs & thugs that perpetrate. Two "Hail to Theif" Native Tongue remixes are next on the list & De La's "Itsoweezee" becomes a completely different animal. An instrumental of PZ's re-worked "No Suprises" ends off the originals set & the album finishes with three instrumentals that are best utilized by rhyming over in the shower.



PZ describes the album as "nothing to be taken too seriously, it was just a lot of fun to make & I hope that you have fun listening to it." CD length is 42 minutes.



Track Listing:



Everthing in Its Wrong Place

"Idioteque Calisthenics" (ft. Cut Chemist & Gab) (rm sample)

"Change the Beat - MF DOOM" (PZ Wicked Child J5 remix (rm sample)

"Daytona 500 - GHOSTFACE KILLAH" (PZ Iron Lung J5 remix) (rm sample)

Rapperfection - EDAN (national anthem mash)

At Ease

"Creep" (ft. Fred from "Fitter Happier") (rm sample)

Me & THIS Army (ft. Sev Statik)

D.D.T. - KOOL KEITH (Paperbag remix)

Itsoweezee - DE LA SOUL (PZ I Will remix)

"How Ya Want It - JUNGLE BROTHERS" (PZ Punchup remix) (rm sample)

"No Suprises (none at all) (rm sample)

No Suprises (none at all)

The End

You & What Army (bonus instrumental)

Planet Telex Loop (bonus instrumental)

Paranoid Android (bonus instrumental)

http://www.bigsound.org/bigsound/weblog/001703.html

（連署網址‧大聲誌）　









【LiveHouse合法化】連署





基層的音樂藝文展演場所，是台灣音樂文化藝術發展的搖籃，無數的金曲獎樂團在此茁壯、無數的表演團體在這些場所與觀眾互動、摸索、刺激、交流各類形式與創意，我們實在無法想像沒有這些展演空間的台灣社會，音樂場景將會變得多麼貧瘠。然而在現行法令不合時宜的環境下，各個展演空間一個接一個面臨了鉅額的罰單、高稅率、違規停業等等威脅，去年五月「地下社會」宣佈停止音樂表演，今年輪到「TheWall」也接著收到罰單與禁止音樂表演的公文，其他展演場所也一直處在違規開罰的陰影之下。



無論從文化層面、社會效益，或從文化產業發展的角度來看，我們都需要能讓展演空間合法化、能健全發展的環境，我們共同提出了幾點政策上的建議，期待政府各界能斟酌參考。





1.修改商業登記相關規定，增加「音樂藝文展演空間」的登記項目，讓LiveHouse及其他表演場所都可以有適切的規定合法登記，不必再猶豫到底要申請飲酒店、歌廳、舞廳、夜總會還是餐廳。



2.「音樂藝文展演」相關營業場所，除消防及建管等，主管輔導機關應為文化局，得在文教區申請商業登記。



3.以「音樂藝文展演」經文化局核准者之業者，縣市政府協助改善隔音設備與消防設施，得視文化預算，以專款補助或貸款協助改善，如獲補助者，應有回饋機制，得以分期攤還或以協助縣市政府音樂藝文活動。



4.各縣市政府專案協助現有LiveHouse進行商業登記變更作業，使其能繼續、恢復音樂表演活動，延續音樂文化歷史。



5.各級政府機關之文化中心、公園、禮堂等公共場所開放予藝文團體舉辦表演活動並得售票。



6.修改調整噪音防治規定，或針對音樂藝文展演活動放寬其標準，免除每辦活動必然面對環保罰單甚至被迫中止的困境。



7.中央或縣市政府閒置空間以BOT方式釋出，並以「音樂藝文展演」經文化局核准者之業者得優先承作，並且抽取營收的固定比例做為文化發展基金。



參與連署的朋友，請以底下留言回覆，並請留下真實姓名（或樂團名稱、單位名稱）與email

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