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<title>Ella&#039;s Notebook-Art</title>
<link>http://blog.roodo.com/ellacf/archives/cat_64436.html</link>
<description>這是一個簡單的筆記本,記錄生活的學習與走過的道路,讓每一個腳步都留下清楚的軌跡.
Dance like nobody&#039;s watching; love like you&#039;ve never been hurt. Sing like nobody&#039;s listening; live like it&#039;s heaven on earth.  - Mark Twain  </description>
<language>zh-tw</language>
<generator>Roodo Blog System</generator>
<copyright>All Rights Reserved</copyright>
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	<title>變色龍</title>
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			想念這個方格, 抽空再寫個一小篇.這是許自貴先生的立體作品 - 變色龍. 說不上來. 就是非常喜歡. 這一陣子累壞了, 心情上的與身體上的. 難過的事無法用言語述說, 只想化為許先生的變色龍, 可以掛在牆壁上, 眼睛瞪著大大, 身體壓的低低的, 匍匐著斜眼看人. 歡喜悲傷, 一切隨緣.  ^_^
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			<p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">想念這個方格, 抽空再寫個一小篇.<br />這是許自貴先生的立體作品 - 變色龍. 說不上來. 就是非常喜歡. <br /><br />這一陣子累壞了, 心情上的與身體上的. 難過的事無法用言語述說, 只想化為許先生的變色龍, 可以掛在牆壁上, 眼睛瞪著大大, 身體壓的低低的, 匍匐著斜眼看人. 歡喜悲傷, 一切隨緣.  ^_^<br /><br /></font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/a31310ca.jpg" align="baseline" border="0" /></p><p />
		
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	<link>http://blog.roodo.com/ellacf/archives/1752307.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1752307.html</guid>
	<category>Art</category>
	<pubDate>Wed, 14 Jun 2006 01:53:07 +0800</pubDate>
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<item>
	<title>Art Taipei 2006</title>
	<description><![CDATA[
			Art Taipei 2006: www.art-taipei.com I enjoyed this visit very much. =)Patricia Piccinini, Nature's Little Helpers - Surrogate(for the Northen Hairy Nosed Wombat), 2004, Mixed Media-
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			<p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">Art Taipei 2006: </font><a href="http://www.art-taipei.com/" target="_blank"><font face="verdana,arial,helvetica,sans-serif" size="2">www.art-taipei.com</font></a><font face="verdana,arial,helvetica,sans-serif" size="2"> <br />I enjoyed this visit very much. =)</font></p><p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/0a1f7861.jpg" align="baseline" border="0" /></font></p><p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"></font></p><p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/f12f08c8.jpg" align="baseline" vspace="3" border="0" /><br /></font><font face="tahoma,arial,helvetica,sans-serif" color="#333333" size="2">Patricia Piccinini, Nature's Little Helpers - Surrogate<br />(for the Northen Hairy Nosed Wombat), 2004, Mixed Media<br />-</font></p><p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"></font></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/1551330.html">(繼續閱讀...)</a>
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	<link>http://blog.roodo.com/ellacf/archives/1551330.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1551330.html</guid>
	<category>Art</category>
	<pubDate>Mon, 08 May 2006 00:01:03 +0800</pubDate>
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	<title>My favorite painter now in NY</title>
	<description><![CDATA[
			Nobody's art work can move me like Munch's paintings do.He is actually the key reason for the existence of my love of fine art.Now you can listen to the audio guide to his retrospective exhibition from the website of New York MOMA:  http://www.moma.org/exhibitions/2006/Munch.htmlIt's an amazingly wonderful museum tour online.Take a look, you will like it. =) Melancholy, Edvard Munch1891, Oil on canvas, 72 x 98 cmPhoto source: New York MOMA
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			<p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">Nobody's art work can move me like Munch's paintings do.<br /><span lang="EN-US" style="FONT-SIZE: 10pt; COLOR: #666666; FONT-FAMILY: Verdana; mso-fareast-font-family: 新細明體; mso-bidi-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: ZH-TW; mso-bidi-language: AR-SA">He is actually the key reason for the existence of my love of fine art.<br /></span><br />Now you can listen to the audio guide to his retrospective exhibition from the website of New York MOMA:  <a href="http://www.moma.org/exhibitions/2006/Munch.html" target="_blank">http://www.moma.org/exhibitions/2006/Munch.html</a><br />It's an amazingly wonderful museum tour online.<br />Take a look, you will like it. =)</font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/637f7d22.jpg" align="baseline" vspace="3" border="0" /><br /><font face="verdana,arial,helvetica,sans-serif" size="2"><strong> Melancholy</strong>, Edvard Munch<br />1891, Oil on canvas, 72 x 98 cm<br /><font size="1">Photo source: </font><a href="http://www.moma.org/index.html" target="_blank"><font size="1">New York MOMA</font></a></font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1422855.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1422855.html</guid>
	<category>Art</category>
	<pubDate>Sun, 16 Apr 2006 13:32:45 +0800</pubDate>
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	<title>A painting in you and me</title>
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			      我以為  每個人都有屬於自己的一幅畫                         那是一方天地  無際的自由                        屬於心靈深處  最真的聲音
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			<p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">      我以為  </font><font face="verdana,arial,helvetica,sans-serif" size="2">每個人都有屬於自己的一幅畫 <br /></font></p><p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">                        那是一方天地  無際的自由<br />                        屬於心靈深處  最真的聲音<br /></font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/ecbed218.jpg" align="baseline" border="0" /></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1241685.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1241685.html</guid>
	<category>Art</category>
	<pubDate>Sat, 11 Mar 2006 23:54:47 +0800</pubDate>
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<item>
	<title>White Painting</title>
	<description><![CDATA[
			A short summary of 'Rauschenberg and Cage' from the book 'Varieties of Modernism' by Paul Wood, Yale:.Robert Rauschenberg, born in 1925, is a modern artist generally regarded as the harbinger of a full-blown postmodernist art. .During 1951-2, he produced a series of completely white canvases, devoid of brushmarks and any other gestural traces of the passage of the artist's hand because they were painted with a roller. . http://www.artnet.com/Magazine/reviews/robinson/robinson3-17-2.aspJohn Cage, 1912-1992, later put a statement to accompany this work:'No subject / No image / No taste / No objective / No beauty / No message / No talent / No technique (no why) / No idea / No intention / No art' For Cage, art should be:'an affirmation of life–not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply to wake up to the very life we're living'. 'No value judgements are possible because nothing is better than anything else. Art should not be different from life, but an art within life.'Cage gave Rauschenberg the confidence to believe, as he later put it:'the way I was thinking was not crazy.' 'It is as if, by being so empty, the white painting could be filled with anything.'What Rauschenberg went on to do is: to refuse to differentiate between things that could and could not be art. As Cage said of it: 'It is a situation involving multiplicity.' Rauschenberg was conferred having been the first to achieve a 'postmodernist painting' later with his evolved 'combine paintings'. http://en.wikipedia.org/wiki/John_Cagehttp://www.guggenheim.org/exhibitions/singular_forms/highlights_1a.html
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			<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#333333">A short summary of <u>'<span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana">Rauschenberg and Cage'</span></u> from the book <u>'Varieties of Modernism'</u> by Paul Wood, Yale:</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#ffffff">.</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#333333"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#333333">Robert Rauschenberg, born in 1925, is a modern artist generally regarded as the harbinger of a full-blown postmodernist art. </font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"></span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#ffffff">.</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#333333"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#333333">During 1951-2, he produced a series of completely white canvases, devoid of brushmarks and any other gestural traces of the passage of the artist's hand because they were painted with a roller. </font></span></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#ffffff">.</font></span></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><font color="#333333"></font></span></p><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"></span><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><font size="2"><font face="Verdana"><font color="#333333"><img hspace="0" src="http://blog.roodo.com/ellacf/bdd8904b.jpg" align="baseline" vspace="6" border="0" /><br /><font face="arial,helvetica,sans-serif" size="1"> </font></font><a href="http://www.artnet.com/Magazine/reviews/robinson/robinson3-17-2.asp" target="_blank"><font face="arial,helvetica,sans-serif" color="#333333" size="1">http://www.artnet.com/Magazine/reviews/robinson/robinson3-17-2.asp</font></a></font></font></p><p align="left"><font size="2"><font face="Verdana"><font color="#333333">John Cage, 1912-1992, later put a statement to accompany this work:<br /><br /></font><em><font color="#333333">'No subject / No image / No taste / No objective / No beauty / No message / No talent / No technique (no why) / No idea / No intention / No art' <br /></font></em><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-fareast-font-family: 新細明體; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: ZH-TW; mso-bidi-language: AR-SA; mso-font-kerning: 1.0pt"><font face="verdana,arial,helvetica,sans-serif" size="1"><br /></font></span></font></font><font size="2"><font face="Verdana"><font color="#333333">For Cage, art should be:<br /><em>'an affirmat</em><em>ion of life–not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply to wake up to the very life we're living'. 'No value judgements are possible because nothing is better than anything else. Art should not be different from life, but an art within life.'</em></font></font></font></p><p><font color="#333333"></font></p><p align="left"><font size="2"><font face="Verdana"><font color="#333333">Cage gave Rauschenberg the confidence to believe, as he later put it:</font><em><font color="#333333">'the way I was thinking was not crazy.' <br />'It is as if, by being so empty, the white painting could be filled with anything.'</font></em></font></font></p><p align="left"><font size="2"><font face="Verdana"><font color="#333333">What Rauschenberg went on to do is: to refuse to differentiate between things that could and could not be art. As Cage said of it: <em>'It is a situation involving multiplicity.' </em></font></font></font></p><p align="left"><font face="Verdana" color="#333333" size="2">Rauschenberg was conferred having been the first to achieve a 'postmodernist painting' later with his evolved 'combine paintings'. </font></p><p align="left"><a href="http://en.wikipedia.org/wiki/John_Cage" target="_blank"><font face="Verdana" color="#333333" size="1">http://en.wikipedia.org/wiki/John_Cage</font></a><br /><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><a href="http://www.guggenheim.org/exhibitions/singular_forms/highlights_1a.html"><font color="#333333" size="1">http://www.guggenheim.org/exhibitions/singular_forms/highlights_1a.html</font></a></span></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1232741.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1232741.html</guid>
	<category>Art</category>
	<pubDate>Fri, 10 Mar 2006 07:25:14 +0800</pubDate>
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	<title>the idea of an abstract art</title>
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			'The collapse of the atom was equated in my soul with the collapse of the whole world...Everything became uncertain, precarious and insubstantial. I would not have been surprised had a stone dissolved into thin air before my eyes and become invisible.'- Kasimir Malevich, 1878-1935      White Cross on Gray, Kasmir Malevich, 1921
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			<p><font face="verdana,arial,helvetica,sans-serif" size="2"><em>'The collapse of the atom was equated in my soul with the collapse of the whole world...Everything became uncertain, precarious and insubstantial. I would not have been surprised had a stone dissolved into thin air before my eyes and become invisible.'</em></font></p><p align="right"><font face="verdana,arial,helvetica,sans-serif" size="2">- Kasimir Malevich, 1878-1935      </font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/4aa9bfb2.jpg" align="baseline" border="0" /><br /><font size="1"><font face="Arial">White Cross on Gray, <small><small>Kasmir Malevich, 1921</small></small></font></font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1227644.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1227644.html</guid>
	<category>Art</category>
	<pubDate>Thu, 09 Mar 2006 09:04:09 +0800</pubDate>
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	<title>Something to say about Modern Art</title>
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			An interesting read: Everything You Always Wanted To Know About Modern Art But Were Afraid To Ask   by D. R. Peak, June 2002&quot;The trouble with a classicist:He sees a tree, that's all he sees -- he paints a tree.&quot;                          — Lou Reed, The Trouble With Classicists So you say you're not a fan of modern art. You think that paint splattered canvasses should be tossed out with the trash, or that abstract is what you do with a sponge to decorate your bathroom walls. Pop Art is what clowns paint on balloons and dada is what you called your father when you were four years old. If that's you... Actually, the past hundred years or so of all popular culture is beyond your mental grasp and you should seriously consider hiding away in a commune or a cabin deep in the woods, away from civilization, with nothing but prints of Thomas Kinkade's nauseating landscapes to keep you company. Because modern art is really about modern humanity's struggle to overcome the artistic prisons of the past and you need to know that. Other things you need to know: Look both ways before you cross the street.Don't bother doing what dead men have already done unless you can beat them at their own game.The egg came first.* See the whole article here.         
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			<p><font face="verdana,arial,helvetica,sans-serif" size="2">An interesting read: <br /></font></p><font face="Verdana" size="2"><p><font color="#333366"><strong>Everything You Always Wanted To Know About Modern Art <br />But Were Afraid To Ask   </strong>by D. R. Peak, June 2002</font><font face="Verdana,Geneva,Arial,Helvetica,sans-serif"><br /></font></p><p><font face="Verdana,Geneva,Arial,Helvetica,sans-serif" size="1"><font color="#333366"><font size="2"><em>&quot;The trouble with a classicist:<br />He sees a tree, that's all he sees -- he paints a tree.&quot;<br /></em>                          — Lou Reed, The Trouble With Classicists</font> </font></font></p><p><font color="#333366">So you say you're not a fan of modern art. You think that paint splattered canvasses should be tossed out with the trash, or that abstract is what you do with a sponge to decorate your bathroom walls. Pop Art is what clowns paint on balloons and dada is what you called your father when you were four years old. </font></p><p><font color="#333366">If that's you... Actually, the past hundred years or so of all popular culture is beyond your mental grasp and you should seriously consider hiding away in a commune or a cabin deep in the woods, away from civilization, with nothing but prints of Thomas Kinkade's nauseating landscapes to keep you company. </font></p><p><font color="#333366">Because modern art is really about modern humanity's struggle to overcome the artistic prisons of the past and you need to know that. </font></p><p><font color="#333366">Other things you need to know: <br /><br />Look both ways before you cross the street.<br /><br />Don't bother doing what dead men have already done unless you can beat them at their own game.<br /><br />The egg came first.</font></p><p align="right">* See the whole article <a href="http://www.popmatters.com/books/reviews/a/alfred-h-barr.shtml" target="_blank">here</a>.         </p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/b92b9fb4.jpg" align="baseline" border="0" /></p></font>
		
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	<link>http://blog.roodo.com/ellacf/archives/1216826.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1216826.html</guid>
	<category>Art</category>
	<pubDate>Tue, 07 Mar 2006 06:44:58 +0800</pubDate>
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	<title>So-called Humor.</title>
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			I bought these cards when I visited London. They are so amusing!I wonder if A-bian could take things like this? http://www.b-deck.com.
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			<p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2">I bought these cards when I visited London. They are so amusing!<br />I wonder if A-bian could take things like this? <br /><br /><a href="http://www.b-deck.com/" target="_blank">http://www.b-deck.com</a><br /><font color="#ffffff">.</font></font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/9665c5ee.jpg" align="baseline" border="0" /></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/1193610.html">(繼續閱讀...)</a>
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	<category>Art</category>
	<pubDate>Thu, 02 Mar 2006 14:59:55 +0800</pubDate>
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	<title>Brush from Heaven</title>
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			the lurid glow. the delicate bearing. the psychological weight   the reason why we can never ignore portrait painting'Just a Glimpse' by Steve Hanks, Watercolor, 5x4.25http://www.eslawrence.com/artist.cfm?page=p&amp;ID=17http://www.bnr-art.com/Hanks
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			<p align="center"><font face="verdana,arial,helvetica,sans-serif" color="#006699" size="2">the lurid glow. the delicate bearing. the psychological weight<font size="1">   <br /></font>the reason why we can never ignore portrait painting</font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/5dfc670b.jpg" align="baseline" border="0" /><br /><font face="verdana,arial,helvetica,sans-serif" size="2"><a href="http://www.eslawrence.com/detail.cfm?ID=851" target="_blank"><font color="#006699">'Just a Glimpse'</font></a><font color="#006699"> by <strong><a href="http://www.steve-hanks.com/" target="_blank"><font color="#006699">Steve Hanks</font></a></strong>, <br /><font size="1">Watercolor, 5x4.25</font></font></font></p><p align="center"><font face="Verdana" color="#006699" size="1"><a href="http://www.eslawrence.com/artist.cfm?page=p&ID=17" target="_blank"><font color="#006699">http://www.</font><font color="#006699">eslawrence.com/artist.cfm?page=p&amp;</font><font color="#006699">ID=17</font></a></font><br /><a href="http://www.bnr-art.com/Hanks" target="_blank"><font face="Verdana" color="#006699" size="1">http://www.bnr-art.com/Hanks</font></a><br /></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1187792.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1187792.html</guid>
	<category>Art</category>
	<pubDate>Wed, 01 Mar 2006 08:23:25 +0800</pubDate>
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	<title>A quick note of words</title>
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			Modernity – the key difference between modernity and life in the past lay in its ‘ephemeral’, ‘fugitive’ and ‘contingent’ aspects, based on Baudelaire’s descriptions. – a volcano under our feet, a profound sense of social alienation, living between the cogs of a huge machine, artificial and unidentifiable.Modernism – foregrounded the claim for art’s autonomy with respect to the wider modern condition. – not the result of technical incompetence, but an effect of the pursuit of aesthetic independence, which was itself art’s survival strategy for the modern world.Post- modernism – purports to ‘reread’ virtually every imaginable sector of human enquiry from politics to art, history to geography.– a meltdown of assumptions about social relations, psychic identities, the constitution of knowledge and the relationship of humankind to nature itself..Gerhard Richter (b.1932),  Motorboot,  1965..
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			<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2"><strong><u>Modernity</u> <br /></strong><br />– the key difference between modernity and life in the past lay in its ‘ephemeral’, ‘fugitive’ and ‘contingent’ aspects, based on Baudelaire’s descriptions. </font></span></p><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2">– a volcano under our feet, a profound sense of social alienation, living between the cogs of a huge machine, artificial and unidentifiable.</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US"></span><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2"><strong><br /><u>Modernism</u> </strong><br /><br />– foregrounded the claim for art’s autonomy with respect to the wider modern condition. </font></span></p><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2">– not the result of technical incompetence, but an effect of the pursuit of aesthetic independence, which was itself art’s survival strategy for the modern world.</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US"></span><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2"><strong><br /><u>Post- modernism</u> <br /></strong><br />– purports to ‘reread’ virtually every imaginable sector of human enquiry from politics to art, history to geography.</font></span></p><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2">– a meltdown of assumptions about social relations, psychic identities, the constitution of knowledge and the relationship of humankind to nature itself.</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2"><br /><font color="#ffffff">.</font></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US"><font face="Verdana" size="2"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><img hspace="0" src="http://blog.roodo.com/ellacf/2bf629ac.jpg" align="baseline" vspace="3" border="0" /><br /><font face="tahoma,arial,helvetica,sans-serif" size="2">Gerhard Richter (b.1932),  Motorboot,  1965</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="Tahoma" size="2"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="Tahoma" size="2"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="Tahoma" size="2"></font></span></p><span lang="EN-US"><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font color="#ffffff">.</font></span></p></span><span lang="EN-US"><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font color="#ffffff">.</font></span></p></span>
		
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	<link>http://blog.roodo.com/ellacf/archives/1160563.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1160563.html</guid>
	<category>Art</category>
	<pubDate>Thu, 23 Feb 2006 04:07:47 +0800</pubDate>
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<item>
	<title>Chung-Kuei</title>
	<description><![CDATA[
			Somehow I need this right away!!!Chung-Kuei by artist Chen Shih-hophoto from ArttimeChung-Kuei by C.Y.F. Classical Puppet Art http://www.cyf-bodehi.com.tw/4exhivition/onlyone/jing/catch01.htmhttp://www.cyf-bodehi.com.tw/4exhivition/talk/catch.htm  天有天官將，地有地煞神；雷打不孝子，火燒無良心。吾乃鐘魁是也！
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			<p align="center"><font face="verdana,arial,helvetica,sans-serif" color="#990033" size="2"><strong>Somehow I need this right away!!!</strong></font></p><p align="center"><font face="Verdana" size="2"><font color="#003333"><img hspace="0" src="http://blog.roodo.com/ellacf/3785d672.jpg" align="baseline" border="0" /><br /><font face="tahoma,arial,helvetica,sans-serif"><strong>Chung-Kuei </strong>by<strong> artist </strong></font></font><a href="http://www.arttime.com.tw/exhibition/gallery/chensh/chensh_7.htm" target="_blank"><font face="tahoma,arial,helvetica,sans-serif" color="#003333"><strong>Chen Shih-ho</strong></font></a><font face="tahoma,arial,helvetica,sans-serif"><br /><font color="#003333">photo from </font></font><a href="http://www.artime.com.tw/" target="_blank"><font face="tahoma,arial,helvetica,sans-serif" color="#003333">Arttime</font></a></font></p><p align="center"><font face="Verdana" color="#003333" size="2"><strong><img style="WIDTH: 218px; HEIGHT: 208px" height="208" hspace="4" src="http://blog.roodo.com/ellacf/cde300b8.jpg" width="218" align="baseline" border="0" /></strong></font><font face="Verdana"><font size="2"><br /><font face="tahoma,arial,helvetica,sans-serif" color="#003333"><strong>Chung-Kuei </strong>by<strong> <br /></strong></font><a href="http://www.cyf-bodehi.com.tw/"><font face="tahoma,arial,helvetica,sans-serif" color="#003333"><strong>C.Y.F. Classical Puppet Art</strong></font></a><font color="#003333"><font face="tahoma,arial,helvetica,sans-serif"> <br /><br /><u><font face="Verdana" size="1">http://www.cyf-bodehi.com.tw/4exhivition/onlyone/jing/catch01.htm</font></u><font size="2"><br /><a href="http://www.cyf-bodehi.com.tw/4exhivition/talk/catch.htm"><font face="Verdana" color="#003333" size="1">http://www.cyf-bodehi.com.tw/4exhivition/talk/catch.htm</font></a><font color="#003333"><font face="Verdana" size="4">  <br /></font></font></font></font></font></font></font></p><font face="Verdana"><font size="2"><font color="#003333"><font face="tahoma,arial,helvetica,sans-serif"><p align="center"><font face="verdana,arial,helvetica,sans-serif">天有天官將，地有地煞神；雷打不孝子，火燒無良心。吾乃鐘魁是也！</font></p></font></font></font><a href="http://www.cyf-bodehi.com.tw/4exhivition/onlyone/jing/catch01.htm"><font color="#003333" size="1"><br /></font></a></font><font face="Verdana" size="2"><font color="#003333"><br /></font></font>
		
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	<link>http://blog.roodo.com/ellacf/archives/1143627.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1143627.html</guid>
	<category>Art</category>
	<pubDate>Sun, 19 Feb 2006 14:31:45 +0800</pubDate>
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	<title>Hello,  there.</title>
	<description><![CDATA[
			See the world  by  Wang Shiu-chih  http://www.arttime.com.tw/artist/wangsc/index.htm
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			<p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/df9614fc.jpg" align="baseline" vspace="8" border="0" /><br /><font face="tahoma,arial,helvetica,sans-serif"><font size="2"><strong>See the world  </strong>by</font><strong><font size="2">  Wang Shiu-chih<br />  </font></strong><a href="http://www.arttime.com.tw/artist/wangsc/index.htm" target="_blank"><font size="2">http://www.arttime.com.tw/artist/wangsc/index.htm</font></a></font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1143847.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1143847.html</guid>
	<category>Art</category>
	<pubDate>Sun, 19 Feb 2006 14:30:49 +0800</pubDate>
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	<title>My childhood</title>
	<description><![CDATA[
			Hey! Here comes a work displayed at the gallery of Tai Hwa Pottery. No kidding. This is what my early childhood exactly looked like - humble, stupid, and cute! I love it.  ^__^
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			<p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">Hey! Here comes a work displayed at the gallery of <a href="http://www.thp.com.tw/" target="_blank">Tai Hwa Pottery</a>. No kidding. This is what my early childhood exactly looked like - humble, stupid, and cute! I love it.  ^__^</font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/b1d79e86.jpg" align="baseline" border="0" /></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1069727.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1069727.html</guid>
	<category>Art</category>
	<pubDate>Wed, 01 Feb 2006 01:00:08 +0800</pubDate>
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	<title>An outsider</title>
	<description><![CDATA[
			Here are some photos that I took in the glass gallery of the V&amp;A museum during my visit. I didn't write down who made these artworks. Looking at them, I am just thinking:What if I've been an outsider from myslef for a long long time?   
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			<p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">Here are some photos that I took in the glass gallery of the V&amp;A museum during my visit. I didn't write down who made these artworks. Looking at them, I am just thinking:</font></p><p align="center"><font face="verdana,arial,helvetica,sans-serif"><font size="2"><font color="#006699">What if I've been an outsider from myslef for a long long time?</font>   </font></font></p><p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/3af50759.jpg" align="baseline" border="0" /></font></p><p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"></font></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/1056292.html">(繼續閱讀...)</a>
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	<link>http://blog.roodo.com/ellacf/archives/1056292.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1056292.html</guid>
	<category>Art</category>
	<pubDate>Fri, 27 Jan 2006 23:11:26 +0800</pubDate>
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<item>
	<title>Heaven?</title>
	<description><![CDATA[
			Photo by Yann Arthus-Bertrand     one of the best photographers on earth
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			<p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/9a2d3f26.jpg" align="baseline" vspace="3" border="0" /><br /><font face="Verdana" size="2">Photo by <a href="http://www.yannarthusbertrand.com/" target="_blank">Yann Arthus-Bertrand</a> <br />    one of the best photographers on earth</font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1041562.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1041562.html</guid>
	<category>Art</category>
	<pubDate>Mon, 23 Jan 2006 23:55:41 +0800</pubDate>
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	<title>Ron Mueck</title>
	<description><![CDATA[
			Ron Mueck's works ignite a very eerie feeling by leading people to watch the human beings between the true and false. For me, it's not a matter of the realism. It's more about the Existentialism. Don't they make you think of Kafka's The Metamorphosis or Camus's The Stranger? Something that we could only sense with our hearts before now can be seen in our eyes. How amazing and extraordinary! Try experience more through seeing these:Washington Post    James Cohan Gallery   49th Venice Biennial Untitled (Boy), 1999, Mixed media, 490 x 490 x 250 cm
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			<p align="left"><font face="verdana,arial,helvetica,sans-serif"><font size="2"><font color="#666666">Ron Mueck's works ignite a very eerie feeling by leading people to watch the human beings between the true and false. For me, it's not a matter of the realism. It's more about the Existentialism. </font><font face="verdana,arial,helvetica,sans-serif"><font size="2"><font color="#666666">Don't they make you think of </font><a href="http://en.wikipedia.org/wiki/Franz_Kafka" target="_blank"><font color="#666666">Kafka</font></a><font color="#666666">'s </font><a href="http://www.kafka-franz.com/metamorphosis.htm" target="_blank"><font color="#666666">The Metamorphosis</font></a><font color="#666666"> or </font><a href="http://en.wikipedia.org/wiki/Albert_Camus" target="_blank"><font color="#666666">Camus</font></a><font color="#666666">'s </font><a href="http://en.wikipedia.org/wiki/The_Stranger_(novel)" target="_blank"><font color="#666666">The Stranger</font></a><font color="#666666">? Something that we could only sense with our hearts before now can be seen in our eyes. How amazing and extraordinary! </font></font></font><font color="#666666">Try experience more through seeing these:</font></font></font></p><p align="center"><font face="tahoma,arial,helvetica,sans-serif" size="2"><a href="http://www.washingtonpost.com/wp-dyn/content/gallery/2005/12/29/GA2005122900888_index_frames.htm?startat=1" target="_blank"><font color="#666666">Washington Post</font></a><font color="#666666">    </font></font><font face="tahoma,arial,helvetica,sans-serif" size="2"><a href="http://www.jamescohan.com/artists/ronmueck/" target="_blank"><font color="#666666">James Cohan Gallery</font></a><font color="#666666">   </font></font><font face="tahoma,arial,helvetica,sans-serif" size="2"><a href="http://www.universes-in-universe.de/car/venezia/bien49/plat1/e-mueck.htm" target="_blank"><font color="#666666">49th Venice Biennial</font></a><font color="#666666"> </font></font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/d254d7d1.jpg" align="baseline" vspace="3" border="0" /><br /><font face="tahoma,arial,helvetica,sans-serif" color="#003366" size="2">Untitled (Boy), 1999, Mixed media, 490 x 490 x 250 cm</font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1032059.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1032059.html</guid>
	<category>Art</category>
	<pubDate>Sat, 21 Jan 2006 15:34:12 +0800</pubDate>
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	<title>What happen to you, Sir?</title>
	<description><![CDATA[
			Glenn Brown: Mark E Smith as Pope Innocent XOil on wood, 55.6 x 54 cm, 1999
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			<p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/68df3f66.jpg" align="baseline" vspace="3" border="0" /><br /><font face="tahoma,arial,helvetica,sans-serif" size="2"><a href="http://www.the-artists.org/ArtistView.cfm?id=330F43E0-E4A8-4080-9A47C9FE5B025496" target="_blank">Glenn Brown</a>: <a href="http://www.visi.com/fall/news/pics/glenn_brown.jpg" target="_blank">Mark E Smith as Pope Innocent X</a><br />Oil on wood, 55.6 x 54 cm, 1999</font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1023272.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1023272.html</guid>
	<category>Art</category>
	<pubDate>Thu, 19 Jan 2006 16:11:56 +0800</pubDate>
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	<title>Do you wanna free yourself?</title>
	<description><![CDATA[
			To Spencer Tunick: You are cool !
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	</description>
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			<p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2">To <a href="http://spencertunick.com/" target="_blank">Spencer Tunick</a>: You are cool !</font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/57a877a8.jpg" align="baseline" border="0" /></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1019047.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1019047.html</guid>
	<category>Art</category>
	<pubDate>Wed, 18 Jan 2006 18:01:03 +0800</pubDate>
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	<title>Matthew Barney</title>
	<description><![CDATA[
			I’m now studying Matthew Barney – The Cremaster Cycle and don’t yet understand him very well, even though I have bought his DVD when I was in Paris. Some art critics said it is almost impossible to decode Matthew Barney’s works because he applies too many abstruse art forms and biological languages. However, Matthew’s dashing, flossy, bizarre and headlong individual world which is without any constraints can truly lead me to an unknown mental arena, which is extremely mysterious, another good sample to explain how contemporary art is more like an adventure than a visual art. Good to explore! *http://www.guggenheim.org/exhibitions/past_exhibitions/barney/*http://www.cremasterfanatic.com/index.html
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			<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-font-kerning: 0pt; mso-bidi-font-family: 新細明體">I’m now studying <a href="http://www.pbs.org/art21/artists/barney/" target="_blank">Matthew Barney</a> – <a href="http://www.cremaster.net/">The Cremaster Cycle</a> and don’t yet understand him very well, even though I have bought his DVD when I was in <city w:st="on" /><place w:st="on" />Paris</place /></city />. Some art critics said it is almost impossible to decode Matthew Barney’s works because he applies too many abstruse art forms and biological languages. However, Matthew’s dashing, flossy, bizarre and headlong individual world which is without any constraints can truly lead me to an unknown mental arena, which is extremely mysterious, another good sample to explain how contemporary art is more like an adventure than a visual art. Good to explore! </span></span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana"></span></p><p align="center" /><p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/4788a2b3.jpg" align="baseline" border="0" /></font></p><p><font face="verdana,arial,helvetica,sans-serif" size="2"></font></p><p align="right"><font face="verdana,arial,helvetica,sans-serif" size="2"></font></p><p><font face="verdana,arial,helvetica,sans-serif" size="2">*</font><a href="http://www.guggenheim.org/exhibitions/past_exhibitions/barney/"><font face="verdana,arial,helvetica,sans-serif" size="2">http://www.guggenheim.org/exhibitions/past_exhibitions/barney/</font></a></p><p><font face="verdana,arial,helvetica,sans-serif" size="2">*</font><a href="http://www.cremasterfanatic.com/index.html" target="_blank"><font face="verdana,arial,helvetica,sans-serif" size="2">http://www.cremasterfanatic.com/index.html</font></a></p><p /><p />
		
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	<link>http://blog.roodo.com/ellacf/archives/1018706.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1018706.html</guid>
	<category>Art</category>
	<pubDate>Wed, 18 Jan 2006 16:45:31 +0800</pubDate>
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	<title>The honors belong to people who can face thier own history</title>
	<description><![CDATA[
			Jewish Museum in Berlin - designed by architect Daniel Libeskindhttp://www.gallagherstravels.com/international_places/Germany/story005/http://www.rockwool.dk/sw58010.asp
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			<p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><a href="http://www.juedisches-museum-berlin.de/site/EN/homepage.php?meta=TRUE">Jewish Museum in Berlin</a> - designed by architect <a href="http://www.daniel-libeskind.com/daniel/index.html" target="_blank">Daniel Libeskind</a></font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/87ea41bf.jpg" align="baseline" vspace="3" border="0" /><br /><a href="http://www.gallagherstravels.com/international_places/Germany/story005/"><font face="verdana,arial,helvetica,sans-serif" size="1">http://www.gallagherstravels.com/international_places/Germany/story005/</font></a></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/bef64aa1.jpg" align="baseline" border="0" /><br /><a href="http://www.rockwool.dk/sw58010.asp"><font face="verdana,arial,helvetica,sans-serif" size="1">http://www.rockwool.dk/sw58010.asp</font></a></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1015315.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1015315.html</guid>
	<category>Art</category>
	<pubDate>Tue, 17 Jan 2006 21:04:11 +0800</pubDate>
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	<title>Simple is the best</title>
	<description><![CDATA[
			Free Money by Tom Otterness
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			<p align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/a4848a94.jpg" align="baseline" vspace="3" border="0" /><br /><a href="http://www.tomostudio.com/" target="_blank">Free Money by Tom Otterness</a></font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/1014562.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/1014562.html</guid>
	<category>Art</category>
	<pubDate>Tue, 17 Jan 2006 18:00:55 +0800</pubDate>
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	<title>Roaming around</title>
	<description><![CDATA[
			Christopher Cheung's works are now hung in our gallery. An art critic about Cheung's works by Day-hsi Chin in 1994 is quite refined and touching:A TELLING TALE OF A MAN BORN INTO THE WRONG EXISTENCEI have a recurring dream: I am aboard a train, but only as it starts to move do I realize that it is going in the opposite direction of my intended destination.In that dream state, I did not have time to feel the tragedy of the situation nor to examine the reasons and experience remorse. All I felt was a sense of utter loss, and the fear of inevitably heading towards a boundless, indescribable terror which lurks in the vast darkness.First and foremost, this terror is strange and eerie. If I was the one who decided on my destination, and I who decided on the train to board, if these two contradictory and self-defeating choices originated from me, then the latter choice would have betrayed the former. This would be tragic indeed, It would also be a source of terror, but confined to one level within human proportions which would make it at least tolerable.
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			<p><font face="verdana,arial,helvetica,sans-serif" size="2">Christopher Cheung's works are now hung in our gallery. </font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/6df9851d.jpg" align="baseline" border="0" /></p><p><font face="verdana,arial,helvetica,sans-serif" size="2">An art critic about Cheung's works by Day-hsi Chin in 1994 is quite refined and touching:<br /><br /></font><font face="tahoma,arial,helvetica,sans-serif" color="#006699" size="2"><u>A TELLING TALE OF A MAN BORN INTO THE WRONG EXISTENCE</u></font></p><p><font face="tahoma,arial,helvetica,sans-serif" color="#006699" size="2">I have a recurring dream: I am aboard a train, but only as it starts to move do I realize that it is going in the opposite direction of my intended destination.</font></p><p><font face="tahoma,arial,helvetica,sans-serif" color="#006699" size="2">In that dream state, I did not have time to feel the tragedy of the situation nor to examine the reasons and experience remorse. All I felt was a sense of utter loss, and the fear of inevitably heading towards a boundless, indescribable terror which lurks in the vast darkness.</font></p><p><font face="tahoma,arial,helvetica,sans-serif" color="#006699" size="2">First and foremost, this terror is strange and eerie. If I was the one who decided on my destination, and I who decided on the train to board, if these two contradictory and self-defeating choices originated from me, then the latter choice would have betrayed the former. This would be tragic indeed, It would also be a source of terror, but confined to one level within human proportions which would make it at least tolerable.</font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/905014.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/905014.html</guid>
	<category>Art</category>
	<pubDate>Sat, 24 Dec 2005 00:39:58 +0800</pubDate>
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	<title>Round Sky &amp; Square Ground</title>
	<description><![CDATA[
			‘Round Sky &amp; Square Ground’ is a tableware collection designed by Chen Jun-Liang. He just won the ‘Design for Asia Award 2004 (DFA)’ from Hong Kong Design Center. I admire his innovative ideas that break the concept of bases for traditional pottery. He turned ‘round’ to ‘square’. A simple idea made a design outdrawing. Now even the president caters his honored guests with Chen’s tableware. Cool.
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			<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"><a href="http://www.ceramics.tpc.gov.tw/TBG/index-E.html">‘Round Sky &amp; Square Ground’</a> is a tableware collection designed by Chen Jun-Liang. He just won the ‘<a href="http://www.hkdesigncentre.org/about/news_10.asp" target="_blank">Design for Asia Award 2004 (DFA)</a>’ from Hong Kong Design Center. I admire his innovative ideas that break the concept of bases for traditional pottery. He turned ‘round’ to ‘square’. A simple idea made a design outdrawing. Now even the president caters his honored guests with Chen’s tableware. Cool.</span></p><p /><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/25707339.jpg" align="baseline" border="0" /></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/888549.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/888549.html</guid>
	<category>Art</category>
	<pubDate>Tue, 20 Dec 2005 16:59:19 +0800</pubDate>
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<item>
	<title>David LaChapelle</title>
	<description><![CDATA[
			This is a photographer who can mix up the components of fashion and art well. See how funky and eye-popping his works are!  http://www.davidlachapelle.comi-D magazine Rize : David LaChapelle's Documentary Filmhttp://www.msnbc.msn.com/id/8336696/site/newsweek/Art really heals, in all kinds of circumstance. = )
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			<p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">This is a photographer who can mix up the components of fashion and art well. See how funky and eye-popping his works are!  <a href="http://www.davidlachapelle.com" target="_blank"><font face="Tahoma" size="2">http://www.davidlachapelle.com</font></a></font></p><p align="center"><font face="verdana,arial,helvetica,sans-serif"><font size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/355071cb.jpg" align="baseline" vspace="2" border="0" /><br /><font face="tahoma,arial,helvetica,sans-serif" size="1">i-D magazine</font> </font></font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/83dba2f8.jpg" align="baseline" vspace="2" border="0" /><br /><font face="tahoma,arial,helvetica,sans-serif" size="1"><strong>Rize</strong> : David LaChapelle's Documentary Film<br /><a href="http://www.msnbc.msn.com/id/8336696/site/newsweek/" target="_blank">http://www.msnbc.msn.com/id/8336696/site/newsweek/</a></font></p><p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2">Art really heals, in all kinds of circumstance. = )</font></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/846636.html">(繼續閱讀...)</a>
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	<link>http://blog.roodo.com/ellacf/archives/846636.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/846636.html</guid>
	<category>Art</category>
	<pubDate>Sat, 10 Dec 2005 17:22:37 +0800</pubDate>
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	<title>A Big Laugh</title>
	<description><![CDATA[
			I just couldn't stop laughing at these funny designs! http://www.moma.org/exhibitions/2005/safe/.Infant Spoons soft bite safty spoons. n.d. Gerber Company Design (USA, est.1928)BananaBunker. 2000Paul R. Stremple (American, born 1961) and Margaret Breuker (American, born 1968) of  Cultured Containers (USA, est 2001)Guardian Angel Handbag. 2002Carolien Vlieger (Dutch, born 1975) and Hein van Dam (Dutch, born 1974)
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			<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2">I just couldn't stop laughing at these funny designs! </font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2"><a href="http://www.moma.org/exhibitions/2005/safe/" target="_blank"><font size="1">http://www.moma.org/exhibitions/2005/safe/</font></a></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-US"><font face="Verdana" size="2"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-US"><font face="Verdana" color="#cccccc" size="2">.</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="Verdana" size="2"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="Verdana" size="2"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="Verdana" size="2"></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="Verdana" size="2"><span lang="EN-US"><img hspace="0" src="http://blog.roodo.com/ellacf/85a95d00.jpg" align="baseline" border="0" /><br /></span><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif"><font size="2"><font color="#666666"><strong>Infant Spoons soft bite safty spoons.</strong> <br /></font></font><font face="verdana,arial,helvetica,sans-serif" size="1">n.d. Gerber Company Design (USA, est.1928)</font></font></span></font></span><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="Verdana" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/6792ce0d.jpg" align="baseline" border="0" /></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2"><strong><font color="#666666">BananaBunker. 2000</font><br /></strong></font></span><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="1">Paul R. Stremple (American, born 1961) and Margaret Breuker <br />(American, born 1968) of  Cultured Containers (USA, est 2001)</font></span></p></p><p align="center"><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/162f5eef.jpg" align="baseline" border="0" /><br /></font></span><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="2"><strong><font color="#666666">Guardian Angel Handbag. 2002</font><br /></strong></font></span><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="1">Carolien Vlieger (Dutch, born 1975) and </font></span><span lang="EN-US"><font face="verdana,arial,helvetica,sans-serif" size="1">Hein van Dam (Dutch, born 1974)</font></span></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/811612.html">(繼續閱讀...)</a>
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	<link>http://blog.roodo.com/ellacf/archives/811612.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/811612.html</guid>
	<category>Art</category>
	<pubDate>Fri, 02 Dec 2005 14:02:01 +0800</pubDate>
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<item>
	<title>&#039;Taiwan Red&#039; in vogue</title>
	<description><![CDATA[
			A good article to share: 'Taiwan Red' in vogue  Local designers and artists have adopted the 'traditional color' to help foster a Taiwanese identityhttp://www.taipeitimes.com/News/feat/archives/2005/12/01/2003282548By Ho Yi / Dec 01, 2005 / Published on TaipeiTimesThe first Taiwanese designers to show off a collection at Paris fashion week, Chien Yu-feng (簡鈺峰) and Shawn Pan (潘伯勳) went back to their cultural roots in search of inspiration for their ready-to-wear designs. During a trip back home last year, the duo were introduced to a traditional color tone that was often used in folk customs and they then applied it to their Autumn/Winter 2005 collection in Paris. The &quot;Taiwan Red&quot; series put the pair in the spotlight and gave them the opportunity of becoming the first Asians to design costumes for the Miss France beauty pageant this year. http://fashionweek.free.fr/PAPF_PE06/Shawnyi/index.html
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			<p><font face="tahoma,arial,helvetica,sans-serif" size="2">A good article to share: <br /><img style="WIDTH: 123px; HEIGHT: 155px" height="155" hspace="3" src="http://blog.roodo.com/ellacf/b65d03d0.jpg" width="123" align="right" border="0" /></font></p><p><font face="verdana,arial,helvetica,sans-serif" size="2"><strong><font color="#660033" size="3">'Taiwan Red' in vogue  <br /></font><font color="#cc3300">Local designers and artists have adopted the 'traditional color' to help foster a Taiwanese identity</font><br /></strong><font face="tahoma,arial,helvetica,sans-serif"><a href="http://www.taipeitimes.com/News/feat/archives/2005/12/01/2003282548"><font face="tahoma,arial,helvetica,sans-serif">http://www.taipeitimes.com/News/feat/archives/2005/12/01/2003282548</font></a><br />By Ho Yi / Dec 01, 2005 / Published on TaipeiTimes</font></font></p><p><font face="verdana,arial,helvetica,sans-serif" size="2">The first Taiwanese designers to show off a collection at Paris fashion week, <a href="http://www.taipeitimes.com/News/feat/archives/2005/11/24/2003281559/print" target="_blank">Chien Yu-feng (簡鈺峰) and Shawn Pan (潘伯勳)</a> went back to their cultural roots in search of inspiration for their ready-to-wear designs. During a trip back home last year, <a href="http://www.yufengshawn.com/">the duo</a> were introduced to a traditional color tone that was often used in folk customs and they then applied it to their Autumn/Winter 2005 collection in Paris. </font></p><p><font face="Verdana" size="2">The &quot;Taiwan Red&quot; series put the pair in the spotlight and gave them the opportunity of becoming the first Asians to design costumes for the Miss France beauty pageant this year. </font></p><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/45e47269.jpg" align="baseline" border="0" /><br /><a href="http://fashionweek.free.fr/PAPF_PE06/Shawnyi/index.html"><font face="tahoma,arial,helvetica,sans-serif" size="2">http://fashionweek.free.fr/PAPF_PE06/Shawnyi/index.html</font></a></p>
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	<guid>http://blog.roodo.com/ellacf/archives/809954.html</guid>
	<category>Art</category>
	<pubDate>Fri, 02 Dec 2005 06:03:00 +0800</pubDate>
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<item>
	<title>Mr. Lee</title>
	<description><![CDATA[
			Yesterday when my boss passed by our desks, he said ‘Guys. Keep going! I believe in our artists. They are really good!’ You know…this truly speaks to our hearts. As time went by, I felt myself more and more fond of this gallery, our two bosses and the artwork. I think I’ve made a good decision to join them. Yes, we have to keep going – move forward.One of our artists is Lee Ming-Tse. His painting ‘Mr. Lee’ made me laugh loudly. His works usually borrow the language from comic books and reflect a specific Taiwanese life philosophy. Wondering who bought it. I envy the guys who collect his works.Mr. Lee. 1993. 59x38cm. Acrylic on paperMany art critics that have reviewed Lee’s work, but I like the comments of J.J. Shih most. This is what he said:
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			<p><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">Yesterday when my boss passed by our desks, he said <br />‘Guys. Keep going! I believe in our artists. They are really good!’ <br />You know…this truly speaks to our hearts. As time went by, I felt myself more and more fond of this gallery, our two bosses and the artwork. I think I’ve made a good decision to join them. Yes, we have to keep going – move forward.</span></p><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"></span></p><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">One of our artists is Lee Ming-Tse. His painting ‘Mr. Lee’ made me laugh loudly. His works usually borrow the language from comic books and reflect a specific Taiwanese life philosophy. Wondering who bought it. I envy the guys who collect his works.</span></p><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"><p /><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/d89f33fd.jpg" align="baseline" border="0" /><br /><font face="tahoma,arial,helvetica,sans-serif" color="#003333">Mr. Lee. 1993. 59x38cm. Acrylic on paper</font></p><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">Many art critics that have reviewed Lee’s work, but I like the comments of J.J. Shih most. This is what he said:</span></p></span>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/783270.html">(繼續閱讀...)</a>
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	<guid>http://blog.roodo.com/ellacf/archives/783270.html</guid>
	<category>Art</category>
	<pubDate>Sat, 26 Nov 2005 13:19:16 +0800</pubDate>
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<item>
	<title>Through the terror</title>
	<description><![CDATA[
			I’ve spent a lot of time on an artist named Chieh-Jen Chen 陳界仁 these two days. Even though he is not an artist who I’m supposed to take care of at all. I've been building up a 'VIP Sales Kit' for his works. Anyway…while working for a small company like this, you’d got to be ready for anything that will hit right on your forehead for any reason at anytime. I’m stressed.    
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			<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"><font face="verdana,arial,helvetica,sans-serif">I’ve spent a lot of time on an artist named </font><a href="http://chenchiehjen.net/" target="_blank"><font face="verdana,arial,helvetica,sans-serif">Chieh-Jen Chen 陳界仁</font></a><font face="verdana,arial,helvetica,sans-serif"> these two days. Even though he is not an artist who I’m supposed to take care of at all. I've been building up a 'VIP Sales Kit' for his works. Anyway…while working for a small company like this, you’d got to<span style="mso-spacerun: yes"> </span>be ready for anything that will hit right on your forehead for any reason at anytime.<span style="mso-spacerun: yes"> </span>I’m stressed.</font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">    </span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="center"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"><img hspace="0" src="http://blog.roodo.com/ellacf/84f5f02e.jpg" align="baseline" border="0" /></span></p><p />
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/700287.html">(繼續閱讀...)</a>
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	<guid>http://blog.roodo.com/ellacf/archives/700287.html</guid>
	<category>Art</category>
	<pubDate>Wed, 09 Nov 2005 16:45:03 +0800</pubDate>
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	<title>Newman and Abstract Art</title>
	<description><![CDATA[
			I tried to do some summarizing of Chapter 3. Abstract art: Reading Barnett Newman's Eve, but now it's getting tougher. I've entered an area where I am just becoming familiar with.&nbsp;For now I can only mark somethings out for myself to memorize:  
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			<p align="left" /><p><font face="verdana,arial,helvetica,sans-serif" size="2"><font color="#666666"></font></font></p><p><font face="verdana,arial,helvetica,sans-serif" size="2"><font color="#666666">I tried to do some summarizing of <u><strong>Chapter 3. Abstract art: Reading Barnett Newman's Eve</strong></u>, b</font><font color="#666666">ut now it's getting tougher. I've entered an area where I am just becoming familiar with.</font></font></p><p><font face="Verdana" color="#666666" size="2">&nbsp;</font></p><p /><font face="Verdana" color="#666666" size="2"><p align="center"><img hspace="0" src="http://blog.roodo.com/ellacf/32d86fe7.jpg" align="baseline" border="0" /></p></font><p><font face="Verdana" color="#666666" size="2">For now I can only mark somethings out for myself to memorize:  </font></p>
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	<guid>http://blog.roodo.com/ellacf/archives/631135.html</guid>
	<category>Art</category>
	<pubDate>Mon, 24 Oct 2005 18:38:52 +0800</pubDate>
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	<title>Marcel Duchamp</title>
	<description><![CDATA[
			If you have ever read art history of the 20th century, you must know Marcel Duchamp (1887-1968). He is commonly thought to be the most inspiring and influential person in moden art. I've spent about 8 hours reading 'Chapter 2: Interpreting the Readymade: Marcel Duchamp's Bottlerack' of the book 'Frameworks for Modern Art' by Yale - 8 hrs for 50 pages, I am truely slow in English reading &gt;&lt;&quot;
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			<p><font face="verdana,arial,helvetica,sans-serif" size="2">If you have ever read art history of the 20th century, you must know <strong><u><font color="#0000ff"><a href="http://www.artcyclopedia.com/artists/duchamp_marcel.html">Marcel Duchamp (1887-1968)</a>.</font></u></strong> He is commonly thought to be the most inspiring and influential person in moden art. I've spent about 8 hours reading '<font color="#0000ff"><strong><u>Chapter 2: Interpreting the Readymade: Marcel Duchamp's Bottlerack</u></strong></font>' of the book '<strong><u><font color="#0000ff">Frameworks for Modern Art</font></u></strong>' by Yale - 8 hrs for 50 pages, I am truely slow in English reading &gt;&lt;&quot;</font></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/601815.html">(繼續閱讀...)</a>
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	<guid>http://blog.roodo.com/ellacf/archives/601815.html</guid>
	<category>Art</category>
	<pubDate>Mon, 17 Oct 2005 01:29:47 +0800</pubDate>
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	<title>旅行中的驢子</title>
	<description><![CDATA[
			Paola Pivi 'Untitled' (donkey, detail) 2003這隻站立在河流中失去動力的汽船上的donkey(驢子)，垂頭喪氣的樣子，看起來頗為失魂，可是才兩歲的他可也已經遊遍世界各地，包括美、英、法以及2003年的威尼斯雙年展了喔！這是一位居住在英國的義大利年輕女藝術家Paola Pivi的作品，目前正參予倫敦Hayward藝廊「寰宇經驗Universal Experience」展出，這場展覽在今年稍早前展出於芝加哥當代藝術館，吸引了大批的群眾參觀及不少媒體的關注；用這隻donkey來討論全球化的旅遊現象，想來也是挺貼切的事，因為畫面中的主角正是出現在他最不可能出現的地方…汽船？河流？Paola Pivi搞笑的功力還真是不賴！
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			<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-pagination: widow-orphan"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"><font face="verdana,arial,helvetica,sans-serif" size="1"><strong><img hspace="0" src="http://blog.roodo.com/ellacf/303b4555.jpg" align="baseline" vspace="3" border="0" /><br />Paola Pivi 'Untitled' (donkey, detail) 2003</strong></font></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-pagination: widow-orphan"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"><font face="verdana,arial,helvetica,sans-serif"></font></span></p><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; mso-pagination: widow-orphan"><font face="verdana,arial,helvetica,sans-serif"><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">這隻站立在河流中失去動力的汽船上的</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">donkey(</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">驢子</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">)</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">，垂頭喪氣的樣子，看起來頗為失魂，可是才兩歲的他可也已經遊遍世界各地，包括美、英、法以及</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">2003</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">年的威尼斯雙年展了喔！這是一位居住在英國的義大利年輕女藝術家</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">Paola Pivi</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">的作品，目前正參予倫敦</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">Hayward</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">藝廊「<a href="http://www.hayward.org.uk/current_exhib_detail.asp?i=88">寰宇經驗</a></span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"><a href="http://www.hayward.org.uk/current_exhib_detail.asp?i=88">Universal Experience</a></span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">」展出，這場展覽在今年稍早前展出於芝加哥當代藝術館，吸引了大批的群眾參觀及不少媒體的關注；用這隻</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">donkey</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">來討論全球化的旅遊現象，想來也是挺貼切的事，因為畫面中的主角正是出現在他最不可能出現的地方</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">…</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">汽船？河流？</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt">Paola Pivi</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: Verdana; mso-bidi-font-size: 12.0pt">搞笑的功力還真是不賴！</span></font><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 12.0pt"></span></p><p />
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	<category>Art</category>
	<pubDate>Sat, 08 Oct 2005 17:08:29 +0800</pubDate>
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	<title>資本主義的藝術世界</title>
	<description><![CDATA[
			日本女攝影師Mika Ninagawa的作品，做法很新穎，時尚攝影的手法讓她的作品能在日本許多國際精品門市展出。在這個十倍速時代，求新求變可是不能等待的...(http://www.ninamika.com/home/home.html)
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			<p><font face="verdana,arial,helvetica,sans-serif"><font size="2">日本女攝影師Mika Ninagawa的作品，做法很新穎，時尚攝影的手法讓她的作品能在日本許多國際精品門市展出。在這個十倍速時代，求新求變可是不能等待的...(</font><a href="http://www.ninamika.com/home/home.html" target="_blank"><font size="2">http://www.ninamika.com/home/home.html</font></a><font size="2">)</font></font><img hspace="3" src="http://blog.roodo.com/ellacf/1ab9c3bd.jpg" align="baseline" vspace="3" border="0" /></p>
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	<link>http://blog.roodo.com/ellacf/archives/534503.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/534503.html</guid>
	<category>Art</category>
	<pubDate>Thu, 29 Sep 2005 09:58:20 +0800</pubDate>
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	<title>司徒強</title>
	<description><![CDATA[
			白天連趕了三個展，最喜歡的還是司徒強的玫瑰，可惜沒有畫冊可以買，這位做人開朗可愛看起來極為豁達的阿伯，作品卻是如此深沉又充滿詩意，將藝術作品比對藝術家本人，我內心的悸動竟莫名地擴散開來．阿伯應該快飛回美國去了吧，希望他日還能再相逢啊！我心裡不停這樣想著.. 司徒強 Keung Szeto, &quot;Fall&quot; - 1997 to 1998acrylic, lace, fabric burlap on linen, 25 x 34.25 inches (63.5 x 87 cm)
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			<p><font face="Verdana" size="2"><font face="Verdana"><img hspace="8" src="http://blog.roodo.com/ellacf/c7fad52e.jpg" align="left" border="0" />白天連趕了三個展，最喜歡的還是司徒強的玫瑰，可惜沒有畫冊可以買，這位做人開朗可愛看起來極為豁達的阿伯，作品卻是如此深沉又充滿詩意，將藝術作品比對藝術家本人，我內心的悸動竟莫名地擴散開來．</font></font></p><p><font face="Verdana" size="2"><font face="Verdana">阿伯應該快飛回美國去了吧，希望他日還能再相逢啊<font face="新細明體">！</font>我心裡不停這樣想著..</font></font> <br /></p><p><font color="#cc99ff"><font color="#ccccff"><font color="#006666"><font face="verdana,arial,helvetica,sans-serif" color="#000000" size="1"><font color="#006666">司徒強 Keung Szeto, </font></font></font></font></font><font face="verdana,arial,helvetica,sans-serif" color="#006666" size="1">&quot;Fall&quot; - 1997 to 1998<br />acrylic, lace, fabric burlap on linen, 25 x 34.25 inches (63.5 x 87 cm)</font></p>
		
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	<link>http://blog.roodo.com/ellacf/archives/522966.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/522966.html</guid>
	<category>Art</category>
	<pubDate>Sun, 25 Sep 2005 11:37:36 +0800</pubDate>
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	<title>角度高低各不同</title>
	<description><![CDATA[
			波蘭的雕塑藝術家Magdalena Abakanowicz的作品，充滿了“體積”、“材質”與“空間”等當代藝術範疇中很曼妙的元素，相同的造型以不同的體積呈現，或相同的設計以不同的材質呈現，總能帶來不同的效果；Abakanowbicz的藝術中的巨大與數量累積，讓人對作品不自主的心生崇敬，經過思考後的材質運用則引人遐想；空間是一種玄妙的韻律，美好的空間讓人會忍不住歌唱，充滿壓力的空間則讓人想咆哮或尖叫，Abakanowbicz就像在把玩空間的編曲者，遊走在空間中的人們則像在舞蹈，在藝術品中遊走，一定是件很有趣的事吧！ NEGEV , 1987, stone , 7 discss , dia. 280 cm, width 60 cm 
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			<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font face="verdana,arial,helvetica,sans-serif"><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">波蘭的雕塑藝術家</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-hansi-font-family: 'Times New Roman'"><a href="http://www.abakanowicz.art.pl/" target="_blank">Magdalena Abakanowicz</a></span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">的作品，<br />充滿了</span><span lang="EN-US" style="FONT-SIZE: 10pt; mso-ascii-font-family: Verdana">“</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">體積</span><span lang="EN-US" style="FONT-SIZE: 10pt; mso-ascii-font-family: Verdana">”</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">、</span><span lang="EN-US" style="FONT-SIZE: 10pt; mso-ascii-font-family: Verdana">“</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">材質</span><span lang="EN-US" style="FONT-SIZE: 10pt; mso-ascii-font-family: Verdana">”</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">與</span><span lang="EN-US" style="FONT-SIZE: 10pt; mso-ascii-font-family: Verdana">“</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">空間</span><span lang="EN-US" style="FONT-SIZE: 10pt; mso-ascii-font-family: Verdana">”</span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">等當代藝術範疇中很曼妙的元素，相同的造型以不同的體積呈現，或相同的設計以不同的材質呈現，總能帶來不同的效果；</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-hansi-font-family: "><a href="http://www.abakanowicz.art.pl/" target="_blank">Abakanowbicz</a></span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">的藝術中的巨大與數量累積，讓人對作品不自主的心生崇敬，經過思考後的材質運用則引人遐想；空間是一種玄妙的韻律，美好的空間讓人會忍不住歌唱，充滿壓力的空間則讓人想咆哮或尖叫，</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-hansi-font-family: "><a href="http://www.abakanowicz.art.pl/" target="_blank">Abakanowbicz</a></span><span style="FONT-SIZE: 10pt; FONT-FAMILY: 新細明體; mso-ascii-font-family: Verdana; mso-hansi-font-family: ">就像在把玩空間的編曲者，遊走在空間中的人們則像在舞蹈，在藝術品中遊走，一定是件很有趣的事吧！<br /></span></font><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-hansi-font-family: "></span></p><p /><p><img hspace="0" src="http://blog.roodo.com/ellacf/9b6d9ae6.jpg" align="baseline" vspace="3" border="0" /><br /><!--StartFragment --><font size="3"><font size="1"> <b><a href="http://www.abakanowicz.art.pl/prace/14.html" target="_blank">NEGEV</a></b> , 1987, stone , 7 discss , dia. 280 cm, width 60 cm</font> </font></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/507178.html">(繼續閱讀...)</a>
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	<guid>http://blog.roodo.com/ellacf/archives/507178.html</guid>
	<category>Art</category>
	<pubDate>Wed, 21 Sep 2005 15:36:05 +0800</pubDate>
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<item>
	<title>我怎麼看 Franko B ?</title>
	<description><![CDATA[
			'Birth'  by Franko B   http://www.franko-b.com 1960年代後期開始，西方當代藝術界由行動藝術(Performance Art)衍生出以肢體為文本的臨場藝術(Live Art)與人體藝術(Body Art)，到了90年代 Franko B讓這項藝術再次成為藝壇的焦點；最新的一次在2003年倫敦Tate Modern當代博物館演出作品 &quot;I miss you&quot;，Franko B讓自己滴留鮮血來回步行在白色的時裝展台上，直到出血過多暈厥為止，再次引爆人們對這種藝術行動的激烈爭論甚或撻閥． 
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			<div class="s_530c" style="WORD-BREAK: break-all" align="center"></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/f5a9772f.jpg" align="baseline" border="0" /><br /><span class="style143"><font size="1">'Birth'  by Franko B   </font></span><a href="http://www.franko-b.com/" target="_blank"><font size="1">http://www.franko-b.com</font></a> </font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><br />1960年代後期開始，西方當代藝術界由行動藝術(Performance Art)衍生出以肢體為文本的臨場藝術(Live Art)與人體藝術(Body Art)，到了90年代 Franko B讓這項藝術再次成為藝壇的焦點；最新的一次在2003年倫敦Tate Modern當代博物館演出作品 &quot;<a href="http://www.tate.org.uk/modern/exhibitions/liveculture/frankob.htm">I miss you</a>&quot;，Franko B讓自己滴留鮮血來回步行在白色的時裝展台上，直到出血過多暈厥為止，再次引爆人們對這種藝術行動的激烈爭論甚或撻閥．<br /></font><font face="verdana,arial,helvetica,sans-serif" size="2"> </font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><img height="1" src="img/space.gif" width="473" /></font></div><div class="s_530c" style="WORD-BREAK: break-all" align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font size="2"><font face="verdana,arial,helvetica,sans-serif"></font></font></div>
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	<category>Art</category>
	<pubDate>Fri, 16 Sep 2005 01:16:17 +0800</pubDate>
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<item>
	<title>Translation</title>
	<description><![CDATA[
			今年八月初在巴黎的巴黎東京館(Palais De Tokyo)看了一個值回票價的展覽'Translation',門票只要ㄧ歐元，趁還記憶猶新趕快做個紀錄。'Translation'主要展出的是希臘企業家Dakis Joannou的收藏品，集結了來自世界各國的當紅藝術家作品，這場展出被稱之為「視覺的歌劇」，意圖突顯當代特殊社群所擁有的獨立自由精神，在展場入口處就可以嗅到濃厚的屬於都會的狂放不羈的風格。
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			<div class="pict"><img hspace="0" src="http://blog.roodo.com/ellacf/5eda48db.jpg" align="left" border="0" /></div><div class="pict"><font face="verdana,arial,helvetica,sans-serif" size="2"></font></div><div class="pict"><font face="verdana,arial,helvetica,sans-serif" size="2">今年八月初在巴黎的巴黎東京館(Palais De Tokyo)看了一個值回票價的展覽'Translation',門票只要ㄧ歐元，趁還記憶猶新趕快做個紀錄。<br /></font></div><p><font face="verdana,arial,helvetica,sans-serif" size="2"><br />'Translation'主要展出的是希臘企業家Dakis Joannou的收藏品，集結了來自世界各國的當紅藝術家作品，這場展出被稱之為「視覺的歌劇」，意圖突顯當代特殊社群所擁有的獨立自由精神，在展場入口處就可以嗅到濃厚的屬於都會的狂放不羈的風格。<br /></font></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/503258.html">(繼續閱讀...)</a>
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	<link>http://blog.roodo.com/ellacf/archives/503258.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/503258.html</guid>
	<category>Art</category>
	<pubDate>Sat, 10 Sep 2005 22:45:18 +0800</pubDate>
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<item>
	<title>Pretty World</title>
	<description><![CDATA[
			天氣很熱，太陽高高的，熱帶的氣候帶動我血液裡跳動的細胞，來一首Ono Lisa森巴曲風的Pretty World 吧！今天的我，很陽光。站在台北捷運圓山站架高的月台上，面向著藍藍的天、綠油油的圓山公園與白白的市立美術館，一架往松山機場的飛機正低空掠過，兩個可能來自俄羅斯的白人情侶在月台上摟抱著，暖暖的風吹過我的面頰，好想來段雞精廣告裡的踢躂舞。
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			<font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/aca7680f.jpg" align="left" border="0" /><br />天氣很熱，太陽高高的，熱帶的氣候帶動我血液裡跳動的細胞，來一首Ono Lisa森巴曲風的Pretty World 吧！<br />今天的我，很陽光。<br /><br />站在台北捷運圓山站架高的月台上，面向著藍藍的天、綠油油的圓山公園與白白的市立美術館，一架往松山機場的飛機正低空掠過，兩個可能來自俄羅斯的白人情侶在月台上摟抱著，暖暖的風吹過我的面頰，好想來段雞精廣告裡的踢躂舞。</font><br />
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/503859.html">(繼續閱讀...)</a>
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	<link>http://blog.roodo.com/ellacf/archives/503859.html</link>
	<guid>http://blog.roodo.com/ellacf/archives/503859.html</guid>
	<category>Art</category>
	<pubDate>Wed, 07 Sep 2005 16:59:56 +0800</pubDate>
</item>
<item>
	<title>當代攝影藝術</title>
	<description><![CDATA[
			Izima Kaoru: Tominaga Ai wears Prada, 2003拜讀Charlotte Cotton的'The Photograph As Contemporary Art'一書，內容中對欣賞當代攝影作品的的觀點十分精闢而有系統，簡單摘要如下：當代攝影的七種表現形式:1. 觀念藝術紀錄攝影 始自1960至1970年代的觀念藝術表現，從發展中的事件擷取出精華的片段，成為藝術表演事件的一項見證與紀錄。如當代藝術之父Marchel Duchamp 著名的&quot;Fountain小便池&quot;，如今原作早已不復存在，僅留下相片可以作為Duchamp 對當代藝術理念的一項見證。另一個例子如英國當代藝術家Gillian Wearing的作品(下圖)，Gillian走向倫敦街頭，要求路上的陌生人將心中的話寫在白板子上，並為他們拍照，以這些人物照對比於傳統的人像攝影，表達透過藝術家預先計畫的策略與理念涉入，能為作品帶來更具深度的影像經驗與體會。Gillian Wearing:I have been certified as mildly insane,1992-3......2. 舞臺場景攝影 承襲攝影藝術開始前的18到19世紀比喻式繪畫風格(figurative painting)，創作者以平面作為舞台，預先架構表演內容，伴隨著光線掌控、人物姿勢與道具擺設，使作品呈現出說故事的敘述風格與戲劇效果，對於這類作品的詮釋則仰賴觀賞者自身的心理思維。Philip-Lorca diCorcia: Eddie Anderson; 21 yrs old; Houston, 1990-92......3. 無表情攝影 這類作品對影像做全然客觀的檢視，去除任何戲劇化的、主觀的、誇張的元素，透過巨大的面積或高度清晰的畫質，演繹出一種冷調的、脫離的、略顯尖銳的中立美感；試圖跳脫屬於個人的觀點，而投向更為巨大史詩般的自然力量。 這類作品大多屬於地景或建築攝影，在1980年中期至1990年早期間達到高峰，並加速去除了攝影與純藝術之間的界線。Richard Misrach: Swamp and Pipeline, 1998....4. 物件攝影受1960年代中期後極限主義雕塑與地景藝術的影響，以歪斜的姿態擷取日常生活中容易被忽略的物件，探索物體或空間本身的的各種可能性，透過攝影者具主觀與高度敏感的篩選，使當代生活中的靜物寫真成為一種具象徵性的語言符號，成為推動另一種可能的力量的開端。Wolfgang Tillmans:Still Life in New York, 2001.....5. 親密生活 以日記般的業餘的弔詭手法，將人與人親密互動等熟悉畫面以意外的角度呈現；這類作品通常並沒有使用十分高超的攝影技術，特意突顯一種非藝術領域的生活經驗值，不經意地驅動觀賞者的情緒，使其在自然的狀態下重新檢視自己的私領域或與社會關係的連結等議題。Ryan McGinley ........6. 歷史餘波攝影 這一類作品含括了大量的紀實與新聞攝影，迴避災難現場當下的殘酷影像，以攝影師思慮過後的影像擷取方式陳述特定歷史、政治、社會或生態事件發生後的狀態，在報紙或雜誌的編輯頁上曝光，不斷挑戰人們對紀錄式影像認知的極限。Zwelethu Mthethwa: Untitled, 2003.......7. 預存的影像攝影師意圖探索人們在心中預藏的影像，利用重現歷史上著名或大家所熟悉的影像的手法，讓我們更清楚自己究竟是如何去感知特定的圖像(what we see and how we see)，或是我們如何看待特定的歷史事件或文化。這一類的作品常見於近幾年的廣告攝影中。Joachim Schmid: Untitled...... .當代攝影藝術先驅William Eggleston (b. 1939)Stephen Shore (b. 1947)Bernd &amp; Hilla Becher (b. 1931/1934)Seydou Keita (1921-2001)David Goldblatt (b. 1930)Ralph Eugene Meatyard (1925-72).
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	</description>
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			<p><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/ec82fed9.jpg" align="baseline" border="0" /><br /></font><font face="verdana,arial,helvetica,sans-serif" size="2"><a href="http://www.galerieandreasbinder.de/galerien_muenchen/izimakaorugal.htm" target="_blank">Izima Kaoru</a>: Tominaga Ai wears Prada, 2003</font></p><p><font face="verdana,arial,helvetica,sans-serif" size="2">拜讀Charlotte Cotton的'The Photograph As Contemporary Art'一書，內容中對欣賞當代攝影作品的的觀點十分精闢而有系統，簡單摘要如下：<br /><br />當代攝影的七種表現形式:</font></p><p><img onerror="function anonymous()<br />
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}" hspace="5" src="http://blog.roodo.com/ellacf/6f8582ef.jpg" align="left" vspace="5" border="0" /></p><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2">1. 觀念藝術紀錄攝影 <br /><br />始自1960至1970年代的觀念藝術表現，從發展中的事件擷取出精華的片段，成為藝術表演事件的一項見證與紀錄。如當代藝術之父Marchel Duchamp 著名的&quot;Fountain小便池&quot;，如今原作早已不復存在，僅留下相片可以作為Duchamp 對當代藝術理念的一項見證。另一個例子如英國當代藝術家Gillian Wearing的作品(下圖)，Gillian走向倫敦街頭，要求路上的陌生人將心中的話寫在白板子上，並為他們拍照，以這些人物照對比於傳統的人像攝影，表達透過藝術家預先計畫的策略與理念涉入，能為作品帶來更具深度的影像經驗與體會。<br /></font></div><font face="verdana,arial,helvetica,sans-serif" size="2"><div class="s_530c" style="WORD-BREAK: break-all"><br /><a href="http://www.artcyclopedia.com/artists/wearing_gillian.html" target="_blank">Gillian Wearing</a>:<br />I have been certified as mildly insane,<br />1992-3<br /><font color="#ffffff">.<br />.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font color="#ffffff">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font color="#ffffff">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font color="#ffffff">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font color="#ffffff">.</font></div></font><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><img height="1" src="img/space.gif" width="484" /></font></div><div class="s_530c" style="WORD-BREAK: break-all" align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img onerror="function anonymous()<br />
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}" hspace="5" src="http://blog.roodo.com/ellacf/a981b4cf.jpg" align="left" vspace="5" border="0" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2">2. 舞臺場景攝影 <br /><br />承襲攝影藝術開始前的18到19世紀比喻式繪畫風格(figurative painting)，創作者以平面作為舞台，預先架構表演內容，伴隨著光線掌控、人物姿勢與道具擺設，使作品呈現出說故事的敘述風格與戲劇效果，對於這類作品的詮釋則仰賴觀賞者自身的心理思維。<br /><a href="http://www.artcyclopedia.com/artists/dicorcia_philip-lorca.html" target="_blank">Philip-Lorca diCorcia</a>: Eddie Anderson; 21 yrs old; Houston, 1990-92</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" color="#ffffff" size="2">.<br /></font><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><img height="1" src="img/space.gif" width="484" /></font><font face="verdana,arial,helvetica,sans-serif" size="2"><img onerror="function anonymous()<br />
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}" hspace="5" src="http://blog.roodo.com/ellacf/4f9f7b72.jpg" align="left" vspace="5" border="0" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2">3. 無表情攝影 <br /><br />這類作品對影像做全然客觀的檢視，去除任何戲劇化的、主觀的、誇張的元素，透過巨大的面積或高度清晰的畫質，演繹出一種冷調的、脫離的、略顯尖銳的中立美感；試圖跳脫屬於個人的觀點，而投向更為巨大史詩般的自然力量。 這類作品大多屬於地景或建築攝影，在1980年中期至1990年早期間達到高峰，並加速去除了攝影與純藝術之間的界線。<br /><a href="http://www.artcyclopedia.com/artists/misrach_richard.html" target="_blank">Richard Misrach</a>: Swamp and Pipeline, 1998</font></div><font face="verdana,arial,helvetica,sans-serif" size="2"></font></div><p><font face="verdana,arial,helvetica,sans-serif" size="2"></font></p><p><font face="verdana,arial,helvetica,sans-serif" size="2"></font></p><p><font face="verdana,arial,helvetica,sans-serif" size="2"></font></p><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><img height="1" src="img/space.gif" width="484" /></font></div><div class="s_530c" style="WORD-BREAK: break-all" align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img onerror="function anonymous()<br />
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}" hspace="5" src="http://blog.roodo.com/ellacf/cb77427c.jpg" align="left" vspace="5" border="0" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2">4. 物件攝影<br /><br />受1960年代中期後極限主義雕塑與地景藝術的影響，以歪斜的姿態擷取日常生活中容易被忽略的物件，探索物體或空間本身的的各種可能性，透過攝影者具主觀與高度敏感的篩選，使當代生活中的靜物寫真成為一種具象徵性的語言符號，成為推動另一種可能的力量的開端。</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2">Wolfgang Tillmans:Still Life in New York, 2001</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font color="#ffffff"></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font color="#ffffff"></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font color="#ffffff"></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><img height="1" src="img/space.gif" width="484" /></font></div><div class="s_530c" style="WORD-BREAK: break-all" align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img onerror="function anonymous()<br />
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}" hspace="5" src="http://blog.roodo.com/ellacf/0c2897ae.jpg" align="left" vspace="5" border="0" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2">5. 親密生活 <br /><br />以日記般的業餘的弔詭手法，將人與人親密互動等熟悉畫面以意外的角度呈現；這類作品通常並沒有使用十分高超的攝影技術，特意突顯一種非藝術領域的生活經驗值，不經意地驅動觀賞者的情緒，使其在自然的狀態下重新檢視自己的私領域或與社會關係的連結等議題。<br /><a href="http://www.ryanmcginley.com/">Ryan McGinley</a> </font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" size="2"></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><img height="1" src="img/space.gif" width="484" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" size="2"></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" size="2"></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" size="2"></font></div><div class="s_530c" style="WORD-BREAK: break-all"></div><div class="s_530c" style="WORD-BREAK: break-all" align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img onerror="function anonymous()<br />
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}" hspace="5" src="http://blog.roodo.com/ellacf/1aee2277.jpg" align="left" vspace="5" border="0" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2">6. 歷史餘波攝影 <br /><br />這一類作品含括了大量的紀實與新聞攝影，迴避災難現場當下的殘酷影像，以攝影師思慮過後的影像擷取方式陳述特定歷史、政治、社會或生態事件發生後的狀態，在報紙或雜誌的編輯頁上曝光，不斷挑戰人們對紀錄式影像認知的極限。<br /><br /><a href="http://www.artnet.de/artist/12198/zwelethu-mthethwa.html" target="_blank">Zwelethu Mthethwa</a>: Untitled, 2003</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><br /></font><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" color="#ffffff" size="2">.<img height="1" src="img/space.gif" width="484" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all" align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"><img onerror="function anonymous()<br />
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}" hspace="5" src="http://blog.roodo.com/ellacf/9da0dfcd.jpg" align="left" vspace="5" border="0" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2">7. 預存的影像<br /><br />攝影師意圖探索人們在心中預藏的影像，利用重現歷史上著名或大家所熟悉的影像的手法，讓我們更清楚自己究竟是如何去感知特定的圖像(what we see and how we see)，或是我們如何看待特定的歷史事件或文化。這一類的作品常見於近幾年的廣告攝影中。<br /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><a href="http://sunsite.cs.msu.su/wwwart/archiv/" target="_blank">Joachim Schmid</a>: Untitled<br /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" color="#ffffff" size="2">.</font></div></div><div class="s_530c" style="WORD-BREAK: break-all"><font color="#ffffff"><font face="verdana,arial,helvetica,sans-serif" size="2">.</font> </font><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" color="#ffffff" size="2">.</font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="Verdana" size="2"></font></div><div class="s_530c" style="WORD-BREAK: break-all"><font face="verdana,arial,helvetica,sans-serif" size="2"><img height="1" src="img/space.gif" width="484" /></font></div><div class="s_530c" style="WORD-BREAK: break-all"><div align="center"><font face="verdana,arial,helvetica,sans-serif" size="2"></font></div><font face="verdana,arial,helvetica,sans-serif" size="2">當代攝影藝術先驅<br />William Eggleston (b. 1939)<br />Stephen Shore (b. 1947)<br />Bernd &amp; Hilla Becher (b. 1931/1934)<br />Seydou Keita (1921-2001)<br />David Goldblatt (b. 1930)<br />Ralph Eugene Meatyard (1925-72)<br /></font><br /></div><p /><div class="s_530c" style="WORD-BREAK: break-all"><br /><br /></div></div><div class="s_530c" style="WORD-BREAK: break-all">.<br /></div>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/504079.html">(繼續閱讀...)</a>
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	<category>Art</category>
	<pubDate>Mon, 05 Sep 2005 18:11:29 +0800</pubDate>
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	<title>Gilbert &amp; George</title>
	<description><![CDATA[
			在某報的紐約時報摘要裡看到了Gilbert&amp;George 的報導，恰巧是我十分喜愛的藝術家。Gilbert&amp;George 是由St. Martin School of Art London 畢業，他們當年的畢業作 The-Singing-Sculpture 以藝術家作為藝術本身為課題，不但使他們一舉成名，也使他們 晉身為 行動藝術(Performance Art) 的先趨，他們的許多作品都是色彩強烈、情緒高張的腥羶議題，另一些作品則是能十分直接而精準地傳達人們對日常生活的某種情緒對應。
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	</description>
	<content:encoded><![CDATA[
			<div class="pict"><a href="http://blog.roodo.com/ellacf/65742047.jpg" target="_blank"></a></div><p align="left"><font face="verdana,arial,helvetica,sans-serif" size="2"><img hspace="0" src="http://blog.roodo.com/ellacf/9515614d.jpg" align="baseline" border="0" /><br />在某報的紐約時報摘要裡看到了<span class="style62">Gilbert&amp;George</span> 的報導，恰巧是我十分喜愛的藝術家。<span class="style62">Gilbert&amp;George</span> 是由<span class="style62"><a href="http://www.arts.ac.uk/" target="_blank">St. Martin School of Art London</a></span> 畢業，他們當年的畢業作 <span class="style62">The-Singing-Sculpture</span> 以藝術家作為藝術本身為課題，不但使他們一舉成名，也使他們 晉身為 行動藝術<span class="style62">(Performance Art)</span> 的先趨，他們的許多作品都是色彩強烈、情緒高張的腥羶議題，另一些作品則是能十分直接而精準地傳達人們對日常生活的某種情緒對應。</font></p>
		<a class="acontinues" href="http://blog.roodo.com/ellacf/archives/416136.html">(繼續閱讀...)</a>
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	<category>Art</category>
	<pubDate>Mon, 22 Aug 2005 04:08:49 +0800</pubDate>
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