Light echo

"This hypnotically beautiful marriage of Indian and Iranian classical music proceeds through impulsive echoes and flurries, the sitar's glistening jangle and the searing skitter of the spike fiddle rising as though through a vast cathedral-like space. ...

這張希低在很久之前朋友給的某張自選集的片斷裡聽過，後來才發現是在ＥＣＭ出的這張希低裡啊，是很適合安靜、靜心、冥想的那樣一張希低，很安穩的帶入一種夢幻的空間，用傳統古典的樂器去重新體會那樣具時代感的頓悟。

"Born in 1997, this ensemble created a series of albums over three subsequent years that merged Persian and Hindustani concert music into a new stream of classical balladry and improvisation. As satisfying as the studio recordings proved, none of those equal the pinnacle of beauty or concentrated metaphysic disclosed in The Rain, a live recital from May 28, 2001 in Bern, Switzerland. Released by ECM Records, international watchdog for established top-end performers breaking from tradition, it was perhaps only a matter of time before Ghazal received the opportunity to have their experimental sound captured in palatial acoustic splendor." - Steve Taylor, RootsWorld (Read the complete article)

"Ghazal is the inspired fusion of Persian and Indian in the hands of Iranian kamancheh player Kayhan Kalhor and sitar player Shujaat Kahn. ... Sandeep Das joins them on tabla. There's a real historical sense in this meeting of cultures as Hindustani music came under a strong Persian influence during the Mughal period and the traditions share several modes and tunings, which are explored in this recording. But you don't need to know any of this to enjoy the music - it's the artistry and personality of the players that make it so seductive. The contrasting textures of the sinewy kamancheh and sparkling jangle of the sitar, the echoing and developing of phrases between the two players, the moments of repose and meditation rising to spectacular pyrotechnics. And the fine, understated vocals from Shujaat Khan. The music on this disc is architectural like the filigree screen on the cover - rich in ornament and detail, but sustained by arch-like structures." - Songlines

"This hypnotically beautiful marriage of Indian and Iranian classical music proceeds through impulsive echoes and flurries, the sitar's glistening jangle and the searing skitter of the spike fiddle rising as though through a vast cathedral-like space. ... While both musicians are adept in their traditions' complementary modes - ancient melodic structures - there is nothing dry or academic about the improvised music they make. Rather, it is superbly lyrical, full of fire and tenderness and highly accessible. Building quickly to the instrumental pyrotechnics that Westerners love, it leaves space for contemplation, employing non-Eastern musical ideas - the rhythmic imitation of rain and certain kinds of melodic repetition - in ways that will spark in the Western mind, but without a trace of gimmickry." - Daily Telegraph