April 1,2009
venske & spanle 'coming together' at thatcher projects
new york gallery thatcher projects shows 'coming together', an exhibition of sculptures by the munich and new york-based duo venske & spänle.
defying the confines of their marble medium, the artists' amorphous,works evoke the forms of primordial creatures.
在紐約畫廊展出thatcher projects的'coming together' 主題雕塑展慕尼黑和紐約的雙人藝術家連展venske & spänle。 這個展覽將推翻一般性的大理石媒材表現,藝術家以去除媒材法則召喚原始物態的自由形式來做為創作主體表現。

helotroph weisser riese, 2009
defying the confines of their marble medium, the artists' amorphous,works evoke the forms of primordial creatures.
在紐約畫廊展出thatcher projects的'coming together' 主題雕塑展慕尼黑和紐約的雙人藝術家連展venske & spänle。 這個展覽將推翻一般性的大理石媒材表現,藝術家以去除媒材法則召喚原始物態的自由形式來做為創作主體表現。

helotroph weisser riese, 2009
like a newly discovered species, venske & spänle's carved marble organisms give rise to a distinct
nomenclature and genealogy. smörfs, gumpfoten, helotrophen, sauger, orophyten and a variety of other.characters populate the marble family of venske & spänle's sculptural world.
這些作品乍看有如初被發現的新物種, venske & spänle' s將作品表現的像極進化且已被歸類又帶著韻律感的有機大理石生物。
smörfs, gumpfoten, helotrophen, sauger, orophyten,全被融於各樣的文字與生活物件符號.這像是齊聚於venske & spänle' s大理石雕刻家庭的世界中。

這個展覽將合併3D動畫的視覺延伸,
以連接實際雕塑與他們家庭生活空間的相對性,
並搗亂現實與邏輯世界。
venske & spänle: 'coming together'
thatcher projects
until april 25, 2009
LOFT design 洛夫德創意顧研 淺譯2009/4
nomenclature and genealogy. smörfs, gumpfoten, helotrophen, sauger, orophyten and a variety of other.characters populate the marble family of venske & spänle's sculptural world.
這些作品乍看有如初被發現的新物種, venske & spänle' s將作品表現的像極進化且已被歸類又帶著韻律感的有機大理石生物。
smörfs, gumpfoten, helotrophen, sauger, orophyten,全被融於各樣的文字與生活物件符號.這像是齊聚於venske & spänle' s大理石雕刻家庭的世界中。

'helotroph im gelben eimer',2009 and installation view
bulbous and swelling,or stretching and slinking, the forms seem poised at the point of motion, almost capable of expanding
beyond their marble skin. disarmingly organic, the sculptures exude individual identities and personalities.
每件作品都好似肥碩的球莖或不斷膨漲延展的流竄物體,形式上以緩和持續的動作進行著,好像不斷的溢滿於大理石 表層之外的汁液。
這些大理石雕塑作品竟能流露出,讓人失去警覺性的特質。

'helotroph in der gelben tuete', 2009
with human-like characteristics, venske & spänle's marble life forms radiate an undeniable appeal that
probes the concept of the human as a companion to these marble sculptures and consciously explores the
interaction between human beings and the sculptural environment created by the artists. the installation
will incorporate a 3-D animation, linking the actual sculptures to their cyber-space counterparts, blurring .the real and the digital worlds they inhabit.
如同人的性靈特徵, venske & spänle' s的大理石作品所發出的量能生態似乎是提供所有對人性的探索跡路,
就像每件大理石雕塑作品之間有如伴侶生活的親密潛意識在延伸探索著人與藝術作品在環境裡相互作用的曖昧元素。

bulbous and swelling,or stretching and slinking, the forms seem poised at the point of motion, almost capable of expanding
beyond their marble skin. disarmingly organic, the sculptures exude individual identities and personalities.
每件作品都好似肥碩的球莖或不斷膨漲延展的流竄物體,形式上以緩和持續的動作進行著,好像不斷的溢滿於大理石 表層之外的汁液。
這些大理石雕塑作品竟能流露出,讓人失去警覺性的特質。

'helotroph in der gelben tuete', 2009
with human-like characteristics, venske & spänle's marble life forms radiate an undeniable appeal that
probes the concept of the human as a companion to these marble sculptures and consciously explores the
interaction between human beings and the sculptural environment created by the artists. the installation
will incorporate a 3-D animation, linking the actual sculptures to their cyber-space counterparts, blurring .the real and the digital worlds they inhabit.
如同人的性靈特徵, venske & spänle' s的大理石作品所發出的量能生態似乎是提供所有對人性的探索跡路,
就像每件大理石雕塑作品之間有如伴侶生活的親密潛意識在延伸探索著人與藝術作品在環境裡相互作用的曖昧元素。

這個展覽將合併3D動畫的視覺延伸,
以連接實際雕塑與他們家庭生活空間的相對性,
並搗亂現實與邏輯世界。
venske & spänle: 'coming together'
thatcher projects
until april 25, 2009
LOFT design 洛夫德創意顧研 淺譯2009/4
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