小閔的古典音樂世界

1.EMI 5099969339929(2CDs)
阿格麗希與克萊曼－2006年柏林演奏會【2CDs】
The Berlin Recital
阿格麗希:鋼琴、克萊曼:小提琴
Martha Argerich/Gidon Kremer
簡介:
EMI Classics相當榮幸能夠發行阿格麗希與克萊曼兩位當代傳奇大師的交會時刻，這場在柏林的音樂會舉行於2006年12月，曲目為舒曼的第二號小提琴奏鳴曲與「兒時情景」，以及巴爾托克的第一號小提奏鳴曲與無伴奏小提琴奏鳴曲。另外有兩首安可曲，分別是克萊斯勒的「愛之悲」與「美麗的羅絲瑪蓮」。慕尼黑的報紙這麼寫著：「兩位音樂巨人的歷史性一刻；他們是室內樂的夢幻搭檔，而他們彼此之間的音樂交流，其他二重奏組合難以比擬。」
在同時期所拍攝的電影之中，克萊曼對他的夢幻搭檔阿格麗希這麼說：「弔詭之處正在於，即使我們沒有在愛戀之中，我們彼此經由音樂交流的親蜜語言，就像普通一對愛戀之人一般；甚至有這種可能，那就是在演奏的當下，我們比任何一對愛侶更像是情人。」此外，舒曼與巴爾托克的作品很難出現在同一場演奏會之中，舒曼代表了德國浪漫傳統充盈的一面；而巴爾托克的音樂更像是從這麼完美的世界脫離出來，他的音樂「精細而稀疏、複雜而難懂」，但這兩個作曲家也有共通之處：他們都是鋼琴家出身，鋼琴創作一直是他們兩人創作的本質，而以此野心十足地延伸至其他類型的作品去，而且他們兩人都抱持著高度的興趣看待音樂訓練，並且將音樂演出提高到一個更寛廣的文化視野。而身為演出者的阿格麗希與克萊曼，也更能從他們的作品裡展現更大更自由的表達空間。
曲目:
CD1.
1-4.舒曼：第二號小提琴奏鳴曲
5-8.巴爾托克：無伴奏小提琴奏鳴曲
CD2.
1-13.舒曼：兒時情景
14-16.巴爾托克：第一號小提奏鳴曲
17.克萊斯勒：愛之悲
18.克萊斯勒：美麗的羅絲瑪蓮

2.EMI 5099926421827(5CDs)
格林德波恩歌劇音樂節的傳奇錄音【5CDs】
The Very Best of Glyndebourne on Record
多位藝人
Glyndebourne Festival Chorus/Glyndebourne Festival Orchestra
簡介:
格林德波恩歌劇音樂節一開始沒有穩定的型式，由一位喜愛音樂的克利斯提（John Christie）所發起，最初只在幾個晚上演出歌劇而已，這些音樂會一開始都是在一間管風琴廳演出的，其名字來源是因為這個房間裡的管風琴，是英國天主教堂以外最大型的。這時的格林德波恩不像國際都市倫敦，只是一個鄉村性質的小城鎮，但由於克利斯提將這項節慶辦得卓然有成，在1920年正式設立組織之後，格林德波恩歌劇音樂節即穩定舉辦，這裡也沒有外觀雄偉的音樂廳，所有演出場所都是1870年改建而成，以它們的嵌板與音色效果而言，很可能是早在16世紀即完成的建築。克利斯提在某個晚間音樂會遇到Audrey Mildmay，兩人不僅相戀結婚，而她後來也成為這個音樂節朝向專業行進的關鍵人物。
想當然爾，兩人的蜜月旅行必定在音樂大城，克利斯提參與了薩爾茲堡與拜魯特樂節，這讓他有了想法，就是將專業的歌劇演出搬到格林德波恩（克利斯提原先的概念就是『南方城鎮的華格納Wagner on the South Downs』，但此舉要等到他的曾孫古斯，2003年將『崔斯坦與依索德』搬到這裡歌劇音樂節裡才告完成。）不過，他們所在的歌劇廳，是一個容納得了交響樂團與300個座位的空間，這比較適合演出規模沒那麼大的、較為親密的歌劇種類，而不適合華格納。在二戰期間，克利斯提挑選三位因為納粹德國而流亡的藝術人士擔任要職：布許（Fritz Busch）擔任音樂指揮、艾伯特（Carl Ebert）擔任藝術總監、賓（Rudolf Bing）擔任歌劇院的首席經理。
第一屆的音樂節於1934年5月28日開幕，曲子是莫札特的「費加洛婚禮」，同年也演出了「女人皆如此」。1936年演出經典的「唐喬萬尼」時有433位樂迷觀賞；1952年到了600人，而1977年已經有850個觀眾了。格林德波恩歌劇音樂節的演出曾經在二戰期間被中斷，因為該歌劇院成為倫敦孩童撤離的避難所。而且歌劇院經營在二戰期間確實很難維持，克利斯提花了一些時間才解除歌劇院面對的財政困難，1962年他去世了，由兒子喬治接手繼續經營，他進一步改善財務體質，使得音樂節能夠持續下去。
到了1980年代，由於興建了一個全新的歌劇院，格林德波恩歌劇音樂節明確地獲得了它應得的祟高地位，而舊的歌劇院則在1992年關門。有許多回憶在那間已關閉的舊劇院發生，很幸運地，包括一大批歌劇錄音都在那裡誕生，它們的精華就在這套CD內，三齣羅西尼的歌劇，還有一系列的莫札特歌劇；當然，還有那部足以名留青史的蓋西文歌劇「波吉與貝絲」錄音。新的歌劇院歷時兩年，花費三千四百萬英磅建造而成（其中90%都來自捐贈），它有1200個座位，也有公認高水準的聲響效果，1994年5月28日在新歌劇院上演的第一齣歌劇，正是在60年前音樂節開幕時所上演的首齣歌劇──莫札特的「費加洛婚禮」。
格林德波恩歌劇音樂節在每年的五月下旬開始，直到當年的八月，大概就是英國的夏季（這也成為它吸引許多樂迷前往英國的重要因素），而在現在它正渡過其75年的紀念，這也正是這套合輯發行的原因。
曲目:
CD1.
莫札特：歌劇「費加洛婚禮」
1.Overture
2.Se a caso Madama (Act 1)
Recorded 28 & 24.VI.1935; The Theatre, Glyndebourne
3.Dunque…O cielo! Il patente del paggio (Act 2 finale) tutti
Recorded 6.VI.1934; The Theatre, Glyndebourne / 2900231 M A, bands 1 – 3
4.Sull’aria…Che soave zeffiretto
5.Ricevate, o pedroncina chorus
Recorded 6.VI.1934; The Theatre, Glyndebourne
Audrey Mildmay (Susanna), Willi Domgraf-Fassbaender (Figaro), Aulikki Rautawaara (Countess), Roy Henderson (Count), Constance Willis (Marcellina), Norman Allin (Bartolo), Heddle Nash (Basilio),  Morgan Jones (Antonio)
Glyndebourne Festival Chorus, Glyndebourne Festival Orchestra [London Symphony Orchestra] / Fritz Busch
莫札特：歌劇「女人皆如此」
6.Una bella serenata (Act 1)
7.Ah guarda, sorella (Act 1)
8.Una donna a quindici anni (Act 2)
9.Donne mio, la fate (Act 2)
10.Fra gli amplessi (Act 2)
Heddle Nash (Ferrando), Willi Domgraf-Fassbaender (Guglielmo), John Brownlee (Don Alfonso), Ina Souez (Fiordiligi), Luise Helletsgruber (Dorabella), Irene Eisingler (Despina) / Glyndebourne Festival Orchestra [London Symphony Orchestra] / Fritz Busch / Recorded 25 – 28.VI.1935; The Theatre, Glyndebourne
莫札特：歌劇「唐喬萬尼」
11.Madamina, il catalogo è questo… (Act 1) 5.47
12.Finch’ han dal vino (Act 1) 1.20
13.Vedrai carino (Act 2)  3.52
14.O statua gentilissima (Act 2)  3.35
15.Che grido è questo mai? (Act 2) 8.47
16.Ah, dov’è il perfido? (Epilogue to Act 2) 5.58
John Brownlee (Don Giovanni), Salvatore Baccaloni (Leporello), Audrey Mildmay (Zerlina), David Franklin (Commendatore), Ina Souez (Donna Anna), Luise Helletsgruber (Donna Elvira), Kolomon von Pataky (Don Ottavio), Roy Henderson (Masetto) / Glyndebourne Festival Chorus, Glyndebourne Festival Orchestra [London Symphony Orchestra] / Fritz Busch / Recorded 29.VI. – 5.VII.1936; The Theatre, Glyndebourne
蓋伊、佩普許：乞丐歌劇
17.O Polly, you might have toyed and kissed
18.My heart was so free
19.Were I laid on Greenland’s coast
20.How happy could I be with either
21.I’m bubbled, I’m troubled
22.Cease your funning
23.The modes of the court
24.Would I might be hanged
SirMichael Redgrave (Macheath), Audrey Mildmay (Polly Peachum), Constance Willis (Mrs. Peachum), Roy Henderson (Peachum), Linda Gray (Lucy), Bruce Flegg (Filch) / Glyndebourne Festival Chorus, Glyndebourne Festival Orchestra [Orchestra of 15 players] / Michael Mudie / Recorded 11, 12 & 15.IV.1940; No. 1 Abbey Road Studios, London
CD2.
布列頓：歌劇「魯克莉西雅的失身」
1.Tarquinius does not wait (Act 1)
2.She sleeps as a rose (Act 2)
3.Flowers bring to every year (Act 2)
Peter Pears (Male Chorus), Joan Cross (Female Chorus), Nancy Evans (Lucretia), Flora Nielsen (Bianca) / English Opera Group Chamber Orchestra / Reginald Goodall (piano) / Recorded 17 – 19.VII.1947; No. 1 Abbey Road Studios, London
威爾第：歌劇「馬克白」
4.Una macchia è qui tuttora! (Act IV)
Margherita Grandi (Lady Macbeth), Vera Terry (Dama), Ernest Frank (Medico) / Royal Philharmonic Orchestra / Sir Thomas Beecham / Recorded: 16.I.1948; No. 1 Abbey Road Studios, London
莫札特：歌劇「女人皆如此」
5.Soave sia il vento (Act 1)
6.Prenderò quel brunettino (Act 2)
7.Il core vi dono (Act 2)
Sena Jurinac (Fiordiligi), Blanche Thebom (Dorabella), Mario Borriello (Don Alfonso), Erich Kunz (Guglielmo) / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Fritz Busch / Recorded 14 & 15.VII.1950; The Theatre, Glyndebourne
莫札特：歌劇「伊多梅尼歐」
8.Vedrommi intorno (Act 1)  3.40
9.Placido è il mar (Act 2) 3.45
10.Zeffiretti lusighieri (Act 3) 4.00
Richard Lewis (Idomeneo), Sena Jurinac (Ilia), Dorothy McNeil (Elettra) / Glyndebourne Festival Chorus / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Fritz Busch / Recorded 2 & 3.VII.1951; No. 1 Abbey Road Studios, London
羅西尼：歌劇「灰姑娘」
11.Miei rampolli, miei rampolli femminini (Act 1)
12.Nel volto estatico (Act 1)
13.*Nacqui all’affanno (Act 2, finale)
Marina de Gabarain (Angelina = Cenerentola), Juan Oncina (Don Ramiro), Ian Wallace (Don Magnifico), Sesto Bruscantini (Dandini), Hervey Alan (Alidoro), Alda Noni (Clorinda), Fernanda Cadoni (Tisbe) / Glyndebourne Festival Chorus / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Vittorio Gui / Recorded 17-21.XI.1953 & *15.II.1954; No. 1 Abbey Road Studios, London
布索尼：歌劇「阿利奇諾」
14.Mit dem Schwerte, mit der Laute
Murray Dickie (Leandro),  Elaine Malbin (Colombina), Kurt Gester (Arlecchino) / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Sir John Pritchard / Recorded 17-20.VII.1954; No. 1 Abbey Road Studios, London
史特拉汶斯基：歌劇「士兵的故事」
15.Tango
16.Waltz
17.Ragtime
18.The Devil’s Dance
19.The Little Choral
20.The Devil’s Song
21.The Great Choral
22.Ttiumphal March of the Devil (begin with the laugh)
Robert Helpmann (The Devil), Terence Longdon (The Soldier), Anthony Nicholls (The Narrator) / Chamber Ensemble [Members of Royal Philharmonic Orchestra] / Sir John Pritchard / Arthur Leavins, violin; Edmond Chesterton, double-bass; Jack Brymer, clarinet; Gwydion Brooke, bassoon; Richard Walton, cornet; Sidney Langston, trombone; Stephen Whittaker, percussion / Recorded 12, 13, 25 & 28.IV. and 4 & 25.V.1955; No. 3 Abbey Road Studios, London
CD3.
莫札特：歌劇「費加洛婚禮」
1.Bravo, signor padrone!...Se vuol ballare (Act 1)
2.E Susanna non vien!...Dove sono
3.*In quegl’anni (Act 4)
4.Pace, pace mio dolce tesoro (Act 4, Finale) tutti
Sesto Bruscantini (Figaro), Graziella Sciutti (Susanna), Sena Jurinac (Countess), Franco Calabrese (Count), Hughes Cuénod (Basilio), Ian Wallace (Bartolo), Rise Stevens (Cherubino), Monica Sinclair (Marcellina), Jeanette Sinclair (Barbarina), Gwyn Griffiths (Antonio), Daniel McCoshan (Don Curzio) / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Vittorio Gui / Recorded 4 – 9 & 11 – 12.VII.1955; No. 1 Abbey Road Studios, London
莫札特：歌劇「伊多梅尼歐」
5.Ah perchè pria…Spiegarti non poss’io (Act 3)
6.Andrò ramingo (Act 3)
7.Oh smania!...D’Oreste, d’Alace (Act 3)
Richard Lewis (Idomeneo), Sena Jurinac (Ilia), Leopold Simoneau (Idamante), Lucille Udovick (Elettra) / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Sir John Pritchard / Recorded 6 & 30.VII.1956; Kingsway Hall and 7.VII & 4, 6, 8, 13, 26, 27.VIII.1956; No. 1 Abbey Road Studios, London
羅西尼：歌劇「歐利伯爵」
8.O bon ermite (Act 1) b, a, c[
9.À la faveur (Act 2) b, c, a[
Juan Oncina (Le Comte Ory), Cora Canne-Meuer (Isolier), Sari Barabas (La Comtesse Adèle), Flora Nielsen (Bianca) / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Vittorio Gui / Recorded 28 – 31.VIII. and 1, 2 & 5.IX.1956; No. 1 Abbey Road Studios, London
羅西尼：歌劇「塞維里亞理髮師」
10.La ran  la le ra…Largo al factotum (Act 1)
11.La calunnia è un venticello (Act 1)
12.Fermi tutti. Nessun si mova (Act 1, Finale) tutti
13.Ah, qual colpo inespettato!...Zitti, ziti, piano, piano (Act 2)
Sesto Bruscantini (Figaro), Luigi Alva (Il conte d’Almaviva), Victoria de los Angeles (Rosina), Carlo Cava (Basilio), Ian Wallace (Bartolo), Laura Sarti (Berta), John Rhys Evans (Un ufficiale) / Glyndebourne Festival Chorus / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Vittorio Gui / Recorded 4 – 7 & 9 – 11.IX.1962; No. 1 Abbey Road Studios, London
蒙台威爾第：歌劇「波佩亞之加冕」
14.Put ti miro, pur ti stringo (Act 3, Finale)  4.19
Magda László (Poppea), Richard Lewis (Nerone) / Glyndebourne Festival Orchestra [Royal Philharmonic Orchestra] / Sir John Pritchard / Recorded 1, 3 & 31.VII and 1 – 3, 6 & 8.VIII.1963; No. 1 Abbey Road Studios, London
CD4.
莫札特：歌劇「後宮誘逃」
1.Ach ich liebte, war so glücklich (Act 1)
2.O! wie will ich triumphieren (Act 3)
3.Welch ein Geschick (Act 3)
Dame Margaret Price (Constanze), Ryland Davies (Belmonte), Noel Mangin (Osmin) / London Philharmonic Orchestra / Sir John Pritchard / Recorded 22 – 24.VII.1972; The Organ Room, Glyndebourne
莫札特：歌劇「唐喬萬尼」
4.Là ci darem la mano (Act 1)
5.Or sai chi l’onore (Act 1)
6.Dalla sua pace (Act 1)
7.Riposate, vezzose ragazze (Act 1, Finale) tutti
8.Deh vieni alla finestra (Act 2) a
Sir Thomas Allen (Don Giovanni), Carol Vaness (Donna Anna), Keith Lewis (Don Ottavio), Elizabeth Gale (Zerlina), Richard Van Allan (Leporello), Maria Ewing (Donna Elvira), John Rawnsley (Masetto) / London Philharmonic Orchestra / Bernard Haitink / Recorded 3 – 12.I.1984; No. 1 Abbey Road Studios, London
莫札特：歌劇「女人皆如此」
9.Smanie implacabili (Act 1)   1.46
10.Come scoglio immoto resta (Act 1)   4.36
11.Non siete ritrosi, occhietti vezzosi (Act 1)  1.35
12.Un’aura amorosa (Act 1) 4.43
13.Dammi un bacio, o mio tesoro (Act 1, Finale) tutti  3.22
Carol Vaness (Fiordiligi), Delores Ziegler (Dorabella), John Aler (Ferrando), Dale Duesing (Guglielmo), Lilian Watson (Despina), Claudio Desderi (Don Alfonso) / London Philharmonic Orchestra / Bernard Haitink / Recorded 16 – 21, 23, 26 & 27.II.1986; No. 1 Abbey Road Studios, London
莫札特：歌劇「費加洛婚禮」
14.Non più andrai (Act 1)   3.38
15.Porgi, amor (Act 2)  4.33
16.Voi, che sapete (Act 2)   2.52
17.Vedrò, mentr’io sospiro (Act 3)    3.30
18.L’ho perduta, me meschina! (Act 4)   1.49
19.Deh vieni, non tardar (Act 1)   3.52
Claudio Desderi (Figaro), Gianna Rolandi (Susanna), Dame Felicity Lott (Countess), Richard Stilwell (Count), Faith Esham (Cherubino), Anne Dawson (Barbarina) / London Philharmonic Orchestra / Bernard Haitink / Recorded 17 – 21 & 24 – 26.II.1987; No. 1 Abbey Road Studios, London
CD5.
蓋西文：歌劇「波吉與貝絲」
1.Summertime… (Act 1, Scene 1) d, chorus
2.Bess, you is my woman now (Act 2, Scene 1)
3.Oh, I can’t sit down… (Act 2, Scene 1)
4.It ain’t necessarily so…(Act 2, Scene 2)
5.Bess is gone… (Act 3)
Sir Willard White (Porgy), Cynthia Haymon (Bess), Damon Evans (Sporting Life), Harolyn Blackwell (Clara), Marietta Simpson (Maria), Maureen Brathwaite (Lily), Cynthia Clarey (Serena), Barrington Coleman (Mingo) / The Glyndebourne Chorus / London Philharmonic Orchestra / Sir Simon Rattle / Recorded 8, 10, 11, 13, 14 & 16 – 19.II.1988; No. 1 Abbey Road Studios, London
雷哈爾：歌劇「風流寡婦」
6.O Vaterland, du machst bei Tag…Da geh’ich zu Maxim (Act 1)
7.Es lebt’ eine Vilja… (Act 2)
8.Lippen schweigen (Act 3)
Dame Felicity Lott (Hanna Glawari), Thomas Hampson (Graf Danilo Danilowitsch) / The Glyndebourne Chorus / London Philharmonic Orchestra / Franz Welser-Möst / Recorded 18, 20 & 22.VII.1993; The Royal Festival Hall, London
格林德波恩的木管小夜曲
道夫：花園裡的角色
9.Dancing in the Dark
10.Susanna in the Rain
11.A Conversation
12.Barbarina Alone
13.The Countess interrupts a Quarrel
14.Voices in the Garden
15.Nocturne: Figaro and Susanna
Members of the Orchestra of the Age of Enlightenment / Paul Goodwin & Catherine Latham (oboe), Nicholas Bucknall & Timothy Lines (clarinet) / Andrew Watts & Frances Eustace (bassoon), Roger Montgomery & Robert Maskell (natural horn) / directed by the Composer / Recorded: 22.XI,1991; Henry Wood Hall, London
1997年EMI格林德波恩百年聲樂音樂會
德弗札特：歌劇「露莎卡」
16.Měsíčku na nebi hlubokém (Song to the Moon) (Rusalka; Act 1)
Amanda Roocroft, soprano
肯恩：歌劇「畫舫璇宮」
17.Ol’ Man River (Joe; Act 1)
Willard White, bass
威爾第：歌劇「法斯塔夫」
VERDI: Falstaff
18.È sogno? O realtà? (Ford; Act 2)
Thomas Hampson, baritone
19.Sul fil d’un soffio etesio (Nanetta, Act 3)
Alison Hagley, soprano
韓德爾：歌劇「瑟蜜麗」
20.Where’er you walk (Jupiter; Act 2)
John Mark Ainsley, tenor
伯恩斯坦：歌劇「憨第德」
21.Glitter and be gay (Cunegonde; Act 1)
Natalie Dessay, soprano
London Philharmonic Orchestra / [16] & [17] Franz Welser-Möst; [18] – [21] Andrew Davis / Recorded Live: 27.IV.1997; The Theatre, Glyndebourne

3.EMI 5099926816128(6CDs)
斯堪地納維亞之聲【6CDs】
The Sound of Scandinavia
多位藝人
Various
簡介:
長久以來，已經很少看到主題如此特別（非XXX大全集），而收藏量又如此豐富的大廠錄音了。這套「斯堪地納維亞之聲」（The Sound of Scandinavia）共六張CD，收錄許多北歐作曲家（其中有一些在國際上的確是名不見經傳）的重要作品集，除了我們熟知的葛利格、西貝流士，還有並沒有那麼熟悉的尼爾森之外，還有Armas Järnefelt、Johan Svendsen、Ture Rangström、Wilhelm Stenhammar、Lars-Erik Larsson、Dag Wirén、Hans Christian Lumbye、Franz Berwald等人的作品集，樂團與指揮也幾乎是北歐出身的重要音樂人物或團體，雖然國際知名的人物只有鋼琴家安斯涅。「斯堪地納維亞之聲」讓我們對北歐的作曲環境與傳統有更深入的認識。
曲目:
CD1.
1.Niels W. Gade: Efterklang af Ossian (Echoes of Ossian) op.1
The Royal Danish Orchestra / Johan Hye-Knudsen / Digital remastering (p) 2009 by EMI Records Ltd.
2-4.Franz Berwald: Piano Concerto in D
with Marian Migdal / Royal Philharmonic Orchestra / Ulf Björlin / (p) 1977 The copyright in this sound recording is owned by EMI Svenska AB / Digital remastering (p) 1994 by EMI Records Ltd.
5.Armas Järnefelt: Praeludium
Bournemouth Symphony Orchestra / Paavo Berglund / (p) 1974 The copyright in this sound recording is owned by EMI Records Ltd / Digital remastering (p) 1991 by EMI Records Ltd.
Carl Nielsen:
6.Æbleblomst
7.Skal blomsterne da visne
8.Sænk kun dit hoved, du blomst
9.Den første lærke
Edvard Grieg:
10.Våren
11.Med en vandlije
12.Jeg elsker dig
Barbara Hendricks, Roland Pöntinen / (p) 2002 The copyright in this sound recording is owned by EMI Records Ltd.
Ture Rangström:
13.Den enda stunden
14.Flickan under nymånen
15.Bön till natten
16.Melodi
17.Villemo
18.Pan
Jean Sibelius:
19.Svarta rosor
20.Diamanten på marssnön
Solveig Kringelborn, Malcolm Martineau / (p) 1998 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
21.Wilhelm Stenhammar: Ballad – Florez och Blanzeflor, Op.3
Ingvar Wixell / Swedish Radio Symphony Orchestra / Stig Westerberg / (p) 1974 The copyright in this sound recording is owned by EMI Svenska AB. / Digital remastering (p) 1994 by EMI Records Ltd.
CD2.
1.Johan Svendsen: Karneval i Paris (Carnaval in Paris), Op.9
Trondheim Symphony Orchestra / Ole Kristian Ruud / (p) 1996 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
Hans Christian Lumbye:
2.Drømmebilleder – Fantasie
3.Dronning Louise – Vals
4.Københavns Jernbanedamp – Galop
5.Salut for August Bournonville – Galop
6.Columbine – Polka Mazurka
7.Amelie Vals
8.Britta Polka
9.Champagne Galop
Copenhagen Tivoli Orchestra / Lavard Friisholm / (p) 1960 The copyright in this sound recording is owned by EMI Denmark / Digital remastering (p) 2009 by EMI Records Ltd.
10-12.Carl Nielsen: Little Suite for string orchestra, Op.1
Norwegian Chamber Orchestra / Iona Brown / (P) 1996 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
13.Hugo Alfvén: Swedish Rhapsody No.1, Op.19 'Midsummer Vigil'
Bournemouth Symphony Orchestra / Paavo Berglund / (p) 1974 The copyright in this sound recording is owned by EMI Records Ltd. / Digital remastering (p) 1991 by EMI Records Ltd.
CD3.
Carl Nielsen:
1-6.6 Humoreske-bagateller, Op.11
Leif Ove Andsnes / (p) 1996 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
7-8.Two Fantasy Pieces, Op.2
Albrecht Mayer, Markus Becker / (p) 1999 The copyright in this sound recording is owned by EMI Records Ltd.
9.Christian Sinding: The Rustle of Spring, Op.32 No.3
John Ogdon / (p) 1972 The copyright in this sound recording is owned by EMI Records Ltd. / Digital remastering (p) 1988 by EMI Records Ltd.
10-17.Wilhelm Peterson-Berger: Frösöblomster I
Stig Ribbing / (p) 1972 The copyright in this sound recording is owned by EMI Svenska AB. / Digital remastering (p) 1993 by EMI Svenska AB.
18.Carl Nielsen: Chaconne, Op.32 (FS79)
Leif Ove Andsnes / (p) 1996 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
Edvard Grieg:
19-23.Lyric Pieces, Op.43
24-27.Lyric Pieces, Op.54
Leif Ove Andsnes / (p) 1993 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
CD4.
1-12.Edvard Grieg: Peer Gynt – incidental music
Lucia Popp, Ambrosian Singers / Academy of St Martin in the Fields / Neville Marriner / (p) 1983 The copyright in this sound recording is owned by EMI Records Ltd.
13-15.Lars-Erik Larsson: Pastoral Suite, Op.19
Stockholm Philharmonic Orchestra / Ulf Björlin / (p) 1968 The copyright in this sound recording is owned by EMI Svenska AB / Digital remastering (p) 1993 EMI Svenska AB
16-19.Dag Wirén: Serenade for Strings, Op.11
Bournemouth Symphony Orchestra / Kenneth Montgomery / (p) 1976 The copyright in this sound recording is owned by EMI Records Ltd. / Digital remastering (p) 1994 by EMI Records Ltd.
CD5.
1-3.Edvard Grieg: Piano Concerto in A minor, Op.16
Leif Ove Andsnes / Bergen Philharmonic Orchestra / Dmitri Kitayenko / (p) 1991 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
4-8.Wilhelm Stenhammar: Serenade in F, Op.31
Sveriges Radios Symfoniorchester / Stig Westerberg
(p) 1974 The copyright in this sound recording is owned by EMI Svenska AB. / Digital remastering (p) 1994 by EMI Records Ltd.
9.Lars-Erik Larsson: Lyric Fantasy for small orchestra
Stockholm Philharmonic Orchestra / Ulf Björlin / (p) 1968 The copyright in this sound recording is owned by EMI Svenska AB / Digital remastering (p) 1993 EMI Svenska AB
CD6.
1-5.Edvard Grieg: Suite for strings (in olden style from Holberg's time), Op.40
Norwegian Chamber Orchestra/ Iona Brown / (P) 1996 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
Jean Sibelius:
6.Four Legends from the Kalevala, Op.22 – No.2 'The Swan of Tuonela'
Philadelphia Orchestra / Eugene Ormandy / (p) 1979 The copyright in this sound recording is owned by EMI Records Ltd. / Digital remastering (p) 1986 by EMI Records Ltd.
7.Luonnotar, Op.70
Gwyneth Jones / London Symphony Orchestra / Antal Dorati / (p) 1970 The copyright in this sound recording is owned by EMI Records Ltd. / Digital remastering (p) 1994 by EMI Records Ltd.
8-10.Karelia Suite, Op.11
Hallé Orchestra / Sir John Barbirolli / (p) 1966 The copyright in this sound recording is owned by EMI Records Ltd. / Digital remastering (p) 2000 by EMI Records Ltd.
11.Tapiola, Op.112
Helsinki Philharmonic Orchestra / Paavo Berglund / (p) 1994 The copyright in this sound recording is owned by EMI Records Ltd.
12.Finlandia, Op.26
Hallé Orchestra / Sir John Barbirolli / (p) 1966 The copyright in this sound recording is owned by EMI Records Ltd.

4.EMI 5099926796925(10CDs)
普列文在EMI時期的偉大錄音【10CDs】
André Previn-The Great Recordings (80th Birthday Tribute)
普列文
André Previn
簡介:
在2009年4月6日，音樂界慶祝普列文這位多才多藝音樂家渡過他的80大壽。出生於柏林，普列文很早就開始鋼琴訓練，而在1938年，普列文為了躲避納粹而與全家人一同搬到巴黎，之後再搬到落杉磯，他在1943年成為美國公民。普列文的老師即為著名的作曲家Mario Castelnuovo-Tedesco，1946年當他17歲的時候，他開始為MGM做電影配樂的工作，同時他也以爵士鋼琴家出道，即使他後來成為古典界的重要人物，他的這項才華使終沒有被忽視過；當普列文在18歲，還在高中上學的時候，他就已經有為Sunset Records錄音的工作，之後他首度在RCA Victor發行唱片。
普列文在在五零年代不僅做過改編者，也做過作曲家、指揮家等，作品包括有「Three Little Words」、「Kiss me, Kate」、「Silk Stockings」，1958年普列文得到他生平的第一座奧斯卡獎，而他更被提名超過13次之多！直到1970年，普列文都一直鑽研在電影配樂的領域，成為這方面的名家。1962年普列文開始從好萊塢拓展至外界，開始成為一個全職的嚴肅古典音樂指揮，1968年他獲得了倫敦交響樂團的首席指揮一職。1971年普列文開始與西塔琴大師香卡在EMI Classics錄音：曲子是香卡的第一號西塔琴協奏曲，以及蓋西文的「藍色狂想曲」、鋼琴協奏曲、「一個美國人在巴黎」等錄音。其中普列文的蓋西文錄音立刻成為暢銷品，其經典地位也被GROC系列拿來重發。
在接下來這幾年，普列文在EMI Classics頗富盛名的柴可夫斯基三大芭蕾舞曲「天鵝湖」、「睡美人」、「胡桃鉗」，還有普羅高菲夫令人難忘的「羅密歐與茱麗葉」與「灰姑娘」這些芭蕾舞曲，以致於主要的古典合唱作品集，像是華爾頓的「伯沙撒的盛宴」與拉赫曼尼諾夫的「鐘」，而「鐘」還為他獲得了葛萊美獎。普列文也是一位出色的伴奏者，與帕爾曼一起合作許多優異的唱片；至於交響曲的部分，普列文指揮拉赫曼尼諾夫的交響曲，尤其是第二號，得到了極高的評價，也為他得到不少的古典獎項，同時他在蕭士塔高維契與梅湘的交響作品上都有不錯的成績。同時普列文也演出像布列頓或美國其他作曲家的優異作品，例如霍爾斯特的「行星組曲」，還有EMI數位錄音的里程碑──由他所指揮的德布西「映象」與「牧神的午後前奏曲」。他在擔任倫敦交響樂團時，成功地將古典音樂融入大街小巷，也到電視廣播上演出，使得他們的曝光率大增，他直到1979年才從這個位置上退下來。
普列文在匹茲堡交響樂團擔任音樂總監（1976-1984年），他在那裡有另外一系列的電視節目；此外他也擔任皇家愛樂管弦樂團的音樂總監、洛杉磯愛樂的首席指揮等職，同時他也開始從事作曲的工作，先在1977年寫下他的第一齣歌劇「每個好男孩都該得到恩寵」，之後在1998年創作的歌劇「慾望街車」則由舊金山歌劇院首演。1996年普列文獲頒大英帝國的榮譽爵士勳章（Honorary Knighthood）；1998年他獲得甘迺迪中心的榮譽；2005年他獲得國際顧爾德獎，2008年獲得留聲機雜誌的終生成就獎。
曲目:
CD1.
1-10.Messiaen: Turangalila-Symphonie
Michel Beroff (piano) / Jeanne Loriod (ondes martenot) / Recorded: 11 – 13.VII.1977, No. 1 Studio, Abbey Road, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1978 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 1997 by EMI Records Ltd.
CD2.
Debussy:
1.Prélude à l’après-midi d’un faune
2-6.Images pour orchestre
7-9.Trois Nocturnes*
Peter Lloyd, flute (1) Ambrosian Singers (9) / Recorded: 2 – 3.VII.1979, *12 & 15.IV.1983, No. 1 Studio, Abbey Road, London / Producer: Suvi Raj Grubb / Balance engineer: Christopher Parker / (P) 1979 & *1984 EMI Records Ltd. [091] STEREO/ADD / This compilation (P) 1998 by EMI Records Ltd.
CD3.
1-4.Rachmaninov: Symphony No. 2 in E minor, Op. 27
Recorded: 3 & 4.I.1973, Kingsway Hall, London / Producer: Christopher Bishop / Balance engineer: Robert Gooch / (P) 1973 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 1999 by EMI Records Ltd.
5.Ravel: Bolero
Recorded: 26.VI.1979, Kingsway Hall, London / Producer: Suvi Raj Grubb / Balance engineer: Christopher Parker / (P) 1980 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 1984 by EMI Records Ltd. / This compilation (P) 2009 by EMI Records Ltd. © EMI Records Ltd. 2009
CD4.
1-5.Shostakovich: Symphony No. 8 in C minor, Op. 65
Recorded: 8 & 9.II.1973, No. 1 Studio, Abbey Road, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1973 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 1995 by EMI Records Ltd.
6-9.Prokofiev: Symphony No. 1 in D, Op. 25 “Classical”
Recorded: 7, 8 & 12.XII.1977, No. 1 Studio, Abbey Road, London / Producer: Suvi Raj Grubb / Balance engineer: Christopher Parker / (P) 1978 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 1995 by EMI Records Ltd
CD5.
1-26.Prokofiev: Highlights from the ballet from ‘Romeo and Juliet’, Op. 64
Recorded: 8, 9, 13 & 14.VI.1973; Kingsway Hall, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1973 EMI Records Ltd STEREO/ADD / Digital Remastering (P) 1987 by EMI Records Ltd.
CD6.
1-6.Tchaikovsky: Highlights from the ballet from ‘Swan Lake’, Op. 20
Ida Haendel (Violin) / Recorded: 26 – 28.V & 8 – 10.VI.1976; Kingsway Hall, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1976 EMI Records Ltd STEREO/ADD / Digital Remastering (P) 1988 by EMI Records Ltd.
7-12.Tchaikovsky: Highlights from the ballet from ‘The Sleeping Beauty’, Op. 66
Recorded: 8 – 9.IV, 9 – 10.V. & 5, 27, 29.VI.1974 / No. 1 Abbey Road Studios, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1974 EMI Records Ltd STEREO/ADD / Digital Remastering (P) 1993 by EMI Records Ltd.
13-22.Tchaikovsky: Highlights from the ballet from ‘The Nutcracker’, Op. 71
Recorded: 1 – 4.V.1972; Kingsway Hall, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1972 EMI Records Ltd STEREO/ADD / Digital Remastering (P) 1992 by EMI Records Ltd.
CD7.
1-10.Walton: Belshazzar’s Feast
John Shirley-Quirk (baritone) / London Symphony Chorus (chorus master Arthur Oldham) / Recorded in the presence of the composer / Recorded: 29 & 30.III.1972; Kingsway Hall, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1972 EMI Records Ltd STEREO/ADD / Digital Remastering (P) 1986 by EMI Records Ltd.
11-25.Elgar: Variations on an Original Theme (“Enigma”), Op. 36
Recorded: 27 & 28.XI.1978; No. 1 Abbey Road Studios, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1980 EMI Records Ltd STEREO/ADD / Digital Remastering (P) 2007 by EMI Records Ltd.
26.Vaughan Williams: Fantasia on ‘Greensleeves’
Recorded: 30.XI.1971, No. 1 Studio, Abbey Road, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1972 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 2007 by EMI Records Ltd.
CD8.
1-7.Holst: The Planets
Recorded: 28 & 29.IX.1973, Kingsway Hall, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1974 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 1985 by EMI Records Ltd.
8-11.Britten: “Peter Grimes” – Four Sea Interludes, Op. 33a
12.Britten: “Peter Grimes” – Passacaglia, Op. 33b
Recorded: 27 & 28.X.1974; No. 1 Abbey Road Studios, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1976 EMI Records Ltd STEREO/ADD / Digital Remastering (P) 2003 by EMI Records Ltd.
CD9.
1-25.Orff: Carmina Burana
Sheila Armstrong (soprano), Gerald English (tenor) / Thomas Allen (baritone) / St. Clement Danes Grammar School Boys’ Choir (chorus director Audrey Clifford) / London Symphony Orchestra Chorus (chorus master Arthur Oldham) / Recorded: 25 – 27.XI.1974, Kingsway Hall, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1975 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 1997 by EMI Records Ltd.
26.Barber: Adagio for Strings, Op. 11
Recorded: 15 & 16.XII.1976, No. 1 Studio, Abbey Road, London / Producer: Suvi Raj Brubb / Balance engineer: Christopher Parker / (P) 1977 EMI Records Ltd. [091] STEREO/ADD / Digital remastering (P) 1988 by EMI Records Ltd.
CD10.
1.Gershwin: Rhapsody in Blue (orch. Ferde Grofé)
2.Gershwin: An American in Paris
3-5.Gershwin: Piano Concerto in F
André Previn, piano, Howard Snell, trumpet / Recorded: 4 & 6.VI.1971; No. 1 Abbey Road Studios, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1971 EMI Records Ltd STEREO/ADD / Digital Remastering (P) 1998 by EMI Records Ltd.
6.Gershwin: Cuban Overture
Recorded: 1 & 2.VII.1980; No. 1 Abbey Road Studios, London / Producer: Christopher Bishop / Balance engineer: Christopher Parker / (P) 1981 EMI Records Ltd STEREO/DDD

5.EMI 5099969586224(16CDs)
韓德爾:「羅德里哥」、「拉達密斯托」、「阿德密托」、「費南多」、「阿米諾」、「戴達米亞」等六齣歌劇全曲【16CDs】
Handel : 6 Complete Operas
柯帝斯指揮巴洛克情結古樂團
Alan Curtis
簡介:
2009年是作曲家韓德爾逝世250週年，各家唱片公司無不卯足了勁，將錄音史上重要的韓德爾作品重新整理上市，而在獲得指揮家柯帝斯的首肯之後，Virgin Classics在柯帝斯指揮1992年創立的巴洛克情結古樂團之下，集結韓德爾六齣歌劇「羅德里哥」、「拉達密斯托」、「阿德密托」、「費南多」、「阿米諾」、「戴達米亞」、總共16張CD的大套裝盒集終於上市，給喜歡巴洛克歌劇的人一項相當超值的禮物。
我們都知道韓德爾1711年定居英國，1727年歸化為英國公民之後，總計在英國居住49年，將倫敦打造成為最有音樂氣息的都市之一，雖然他最受歡迎的就是由於喬治一世國王的因素而於1717年所譜寫的「水上音樂」，然而巴洛克歌劇才是最能領教韓德爾作曲長才的重點。
指揮柯帝斯畢業於柏克萊大學，他是最早研究巴洛克大鍵琴演奏的現代演奏家之一，之後他將音樂研究的重點放在歌劇，尤其是罕的巴洛克歌劇上，並在這方面獲得極高的聲望和權威性，目前也是最受崇敬的韓德爾歌劇指揮。柯帝所所做的研究，目前也為各個古樂指揮與樂團所採用。除了韓德爾的重要歌劇如「凱撒大帝」之外，柯帝斯也專注於佚失已久的巴洛克歌劇身上，包括韋瓦第「朱斯提諾」、韓德爾「阿德密托」、「芙洛諦丹特」、「戴達米亞」等歌劇都在近代獲得首度演出，而這也是柯帝斯不凡的音樂成就。
曲目:
韓德爾:歌劇「羅德里哥」（Rodrigo）全曲
韓德爾:歌劇「拉達密斯托」（Radamisto）全曲
韓德爾:歌劇「阿德密托」（Admeto）全曲
韓德爾:歌劇「費南多」（Fernando）全曲
韓德爾:歌劇「阿米諾」（Arminio）全曲
韓德爾:歌劇「戴達米亞」（Deidamia）全曲

共5個ITEMS
以上資料來源:金牌大風唱片業務部