黑暗與黎明之間:現代音樂分類文章簡文

現代音樂分類文章　顯示方式：簡文 | 列表

August 8,2009

轉貼 Monbaza的五分鐘後的世界

[松澤少尉]-Lieutenant

[戰場的疑惑]-warZone

[序曲]-antaitod

Posted by augustus at 樂多Roodo!│ 2:20 │ 回應(0) │ 引用(0)

June 13,2009

二十一世紀的新世界音樂 - Niyaz

被譽為二十一世紀的世界音樂樂團Niyaz，由三位優秀的音樂工作者Azam Ali、Loga Ramin Torkian與Carmen Rizzo所組成。這支三重奏在首張專輯裡呈現出催眠、狂喜與舞蹈節奏的氣氛，同時代表了最佳的傳統世界音樂與電子音樂。而這三位傑出的音樂人也有著令人印象深刻的個人職業生涯。 ...繼續閱讀

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January 15,2009

黑天使帶你去見鬼！

The Black Angels

Directions To See A Ghost

人生為何？

一段幻象，一道陰影，

美妙無比。

整個人生只是一場夢，

但夢呢？夢還是夢！

...繼續閱讀

Posted by augustus at 樂多Roodo!│ 4:25 │ 回應(1) │ 引用(0)

April 25,2008

另類世界音樂（Alternative World Music）之天籟 - Azam Ali

I see the human voice as a reflection of our truest self that is within us, through which we can mirror forth, either through prayer or song, the beauty and the Grace of God.

Azam Ali

Azam Ali成名於加州的雙人組樂團Vas，根據國外的樂評，Vas應該是繼Dead Can Dance之後，銷售最佳的樂團之一，姑且不論是否為唱片工業下商業機制的運作，她（他）們的作品的確是可圈可點。

Vas在拉丁文中為vessel之意，由Azam Ali與加州籍的打擊樂手Greg Ellis所組成的，他們的樂風超越了文化與地理的疆界，主要強調古代的人聲與手鼓間的關係。自從1995年，兩位在UCLA的Master Musicians of Jajouka音樂節相遇，在一場偶然的聚會中，彼此聽到了各自的演奏，立即有了共同的願景。於是隔天他們即共同開始創作，而Vas就這樣成立了。

創作跨越十年以上，包含八張協力專輯與兩張個人專輯的事業裡，Azam Ali在今天世界音樂領域中樹立了驚人的創作力、具多才多藝的天才女歌手，在音樂上的奉獻而不畏懼文化間的特異性，雖然她不情願的被歸類於某種音樂表現形式，但獲得了廣大同儕與樂評間的尊重與喝采。由她全部的創作理念觀點，很難去否定Azam是今天全球最優秀的作曲者與歌手。

...繼續閱讀

Posted by augustus at 樂多Roodo!│ 22:32 │ 回應(1) │ 引用(0)

June 5,2007

黑色祭壇 - SunnO))) & Boris

深邃而陰鬱的線條逐漸降臨廣袤大地，
地面昇起的是埋葬無頭騎士的食人樹；
黑色斗篷下蒼白的臉龐，
宛如遭嗜血邪靈咀嚼吞食；
生命緊緊地擁抱著死亡，
渲染著絕望與沉淪。
祭壇前的儀式，
肅穆沉重的持續低頻，
招喚著無盡的恐懼與痛苦；
時有時無的節奏，
正是最極端黑色的喜悅舞曲…
...繼續閱讀

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March 9,2006

搖滾與電音的先驅－ Robert Moog

[MOOG]

...繼續閱讀

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February 19,2006

阿拉伯世界的發燒美聲 - Nancy Ajram

Nancy Ajram

Ah Wa Noss

Ah And a Half

Ma feesh haga tiggi kidah, Ihda habeebi kida, wirjaa' zayyi zamaan. Ya ibni ismaa'ni, ha itdalaa'ni, takhod a'aini Kaman.

There is no thing that comes this way. Be quiet my darling and return to the way YOU used to be in the old days. Oh my son hear me. You will coddle me, and take my eye too.

Ma feesh haga tiggi kidah, Ihda habeebi kida, wirjaa' zayyi zamaan. Ya ibni ismaa'ni, ha itdalaa'ni, takhod a'aini Kaman.

There is no thing that comes this way. Be quiet my darling and return to the way YOU used to be in the old days. Oh my son hear me. You will coddle me, and take my eye too.

Hebeebi araab bossi, iw bossi, boss. Zaa'laan, iza'al. Iza'al nossi noss. Lahsan ha iba'aid, Aba'aid Aah we noss we ahsib inta akeid khasraan.

My darling get close look and look, look. You are mad, get mad. Get mad half, half. It is better otherwise I will be far away, yes be far away and a half and consider you for sure a loser.

Hebeebi araab bossi, iw bossi, boss. Zaa'laan, iza'al. Iza'al nossi noss. Lahsan ha iba'aid, Aba'aid Aah we noss we ahsib inta akeid khasraan.My darling get close look and look, look. You are mad, get mad. Get mad half, half. It is better otherwise I will be far away, yes be far away and a half and consider you for sure a loser.

Akeid, Ma feesh haga tiggi kidah, Ihda habeebi kida, wirjaa' zayyi zamaan. Ya ibni ismaa'ni, ha itdalaa'ni, ha takhod a'aini Kaman.

For sure, there is no thing that comes this way. Be quite my darling and return to the way YOU used to be in the old days.

Eih dah kolli dah. Akhadt a'ala kidah. Inta ma ibtizhaashi malaam. Tia'ibt yana, yana. Layali hayrana. Eih dah ba-aa, wi ikfaya haraam.

What is this? All of it. You are used to it. You do not get bored? I got tired, yes, yes, confused nights.

Eih dah kolli dah. Akhadt a'ala kidah. Inta ma ibtizhaashi malaam. Tia'ibt yana, yana. Layali hayrana. Eih dah ba-aa, wi ikfaya haraam.

What is this? All of it. You are used to it. You do not get bored? I got tired, yes, yes, confused nights.

Habeebi araab, bossi, iw bossi, boss. Zaa'laan, iza'al. Iza'al nossi noss. Lahsan ha iba'aid, Aba'aid Aah we noss wa ahsib anta akeid khasraan.

My darling get close, look, and look, look.You are mad, get mad. Get mad half half, otherwise I will be far away, yes i will be far away and a half and I count for sure that you are the loser.

Habeebi araab, bossi, iw bossi, boss. Zaa'laan, iza'al. Iza'al nossi noss. Lahsan ha iba'aid, Aba'aid Aah we noss wa ahsib anta akeid khasraan.

My darling get close, look, and look, look.You are mad, get mad. Get mad half half, otherwise I will be far away, yes i will be far away and a half and I count for sure that you are the loser.

Ma feesh haga tiggi kidah, Ihda habeebi kida, wirjaa' zayyi zamaan. Ya ibni ismaa'ni, ha itdalaa'ni, takhod a'aini Kaman.

There is no thing that comes this way. Be quite my darling and return to the way YOU used to be in the old days. Oh my son hear me. You will coddle me, and take my eye too.

Di Haga mota'ibah, ikminni tayyebah, mostahmilaak wi ba-aali ikteer.

This is a tiring thing due to the fact that I am a good soul and I am putting up with you and it is a long time.

Habeebi shoof ana sobirt kam sana, khadti wa-aati maa'aya ikbeer.

My darling see how many years I was patient. You took my time. You took big time with me.

Di Haga mota'ibah, ikminni tayyebah, mostahmilaak wi ba-aali ikteer.

This is a tiring thing due to the fact that I am a good soul and I am putting up with you and it is a long time.

Habeebi shoof ana sobirt kam sana, khadti wa-aati maa'aya ikbeer.

My darling see how many years I was patient. You took my time. You took big time with me.

Hebeebi araab bossi, iw bossi, boss. Zaa'laan, iza'al. Iza'al nossi noss. Lahsan ha iba'aid, Aba'aid Aah we noss wa ahsib anta akeid khasraan.

My darling get close look and look, look. You are mad, get mad. Get mad half, half. It is better otherwise I will be far away, yes be far away and a half and consider you for sure a loser.

Hebeebi araab bossi, iw bossi, boss. Zaa'laan, iza'al. Iza'al nossi noss. Lahsan ha iba'aid, Aba'aid Aah we noss wa ahsib anta akeid khasraan.

My darling get close look and look, look. You are mad, get mad. Get mad half, half. It is better otherwise I will be far away, yes be far away and a half and consider you for sure a loser.

Ma feesh haga tiggi kidah, Ihda habeebi kida, wirjaa' zayyi zamaan. Ya ibni ismaa'ni, ha itdalaa'ni, takhod a'aini Kaman.

There is no thing that comes this way. Be quiet my darling. Oh my son, hear me. You will coddle me, and take my eye too. And return to the way YOU used to be in the old days.

Ma feesh haga tiggi kidah, Ihda habeebi kida, wirjaa' zayyi zamaan. Ya ibni ismaa'ni, ha itdalaa'ni, takhod a'aini Kaman.

There is no thing that comes this way. Be quiet my darling. Oh my son, hear me. You will coddle me, and take my eye too. And return to the way YOU used to be in the old days.

...繼續閱讀

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July 19,2005

文明開化的織舞音樂…..6

　　在David Byrne以他特殊的知能感性，發作出超乎常人的潛在思想力量，完成一張震驚83年樂壇的”Speaking in Tongues”後，經過一年半，Talking Heads的第六張專輯”Stop Making Sense”於84年10月推出。這張演唱會錄音專輯是由Talking Heads主演的同名紀錄片的配樂。這場表演是錄製於83年12月好萊塢的Pantages劇院演唱會。在美國發行的第一版唱片中，附有一份10頁的內容說明。在這份小冊裡，印有許多劇照（舞台攝影），照片與照片間的空白部分有David Byrne隨筆記敘的短文，分成10個部分：給表演者的讚賞、與別人生活、地球上的生命、有關家庭…、太空人、金錢、世界旅行、未來、工作、成長等標題。另外還有電影說明、漫畫與小評論等等的內容，這些都是David Byrne個人的哲學觀。

...繼續閱讀

Posted by augustus at 樂多Roodo!│ 3:17 │ 回應(0) │ 引用(0)

July 13,2005

文明開化的織舞音樂….5

　　自80年的問題大作”Remain in Light”推出後，Talking Heads的創作歷經了兩年半空白的時間，1983年春天，他們發表了一張成熟度已臻極限的名作”Speaking in Tongues”。這一張”Speaking in Tongues”事實上是”Remain in Light”的實驗結晶；此兩張專輯採取相同的錄音方式。仍舊由四位團員完成基礎母帶，再由David以破局的方式，搭上客串音樂工作者的修飾而完成的一張專輯。

[Burning Down The House]

[Slippery People]

[This Must be the Place (Naive Melody)] ...繼續閱讀

Posted by augustus at 樂多Roodo!│ 23:24 │ 回應(0) │ 引用(0)

July 5,2005

文明開化的織舞音樂…4

　　“Remain in Light”是一張舉世注目的問題作品，問題在哪呢？在1980年10月推出的這張純粹實驗的作品中，幾乎一切不依常規的做法，都會變成問題的所在。

[Once in a Lifetime]

[Born Under Punches]

[Seen and Not Seen] ...繼續閱讀

Posted by augustus at 樂多Roodo!│ 17:58 │ 回應(0) │ 引用(1)

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